Biography Vol. 42 No. 2 (2019)

Figure 8 from Philip Miletic’s essay “Playing a Life in Nina Freeman’s Automedia Game, Cibele.” Valtameri. The meter with the handshake in the upper right corner progresses as Nina (left) and Ichi (right) fight together.

Editor’s Note

ARTICLES IN THIS ISSUE:

Wounded Cities: Topographies of Self and Nation in Fay Afaf Kanafani’s Nadia, Captive of Hope
Hager Ben Driss

Playing a Life in Nina Freeman’s Automedia Game, Cibele
Philip Miletic

Reading, Writing, and Resistance in Audre Lorde’s Zami: A New Spelling of My Name
Sarita Cannon

“Bad” Biography Exposed!: A Critical Analysis of American Super-Pop
Oline Eaton

BOOK REVIEWS:

The Shadow in the Garden: A Biographer’s Tale, by James Atlas
Reviewed by Carl Rollyson

Experiments in Life-Writing: Intersections of Auto/Biography and Fiction, edited by Lucia Boldrini and Julia Novak
Reviewed by Alexandra Effe

American Autobiography after 9/11, by Megan Brown
Reviewed by Elisabeth Hedrick-Moser

Letter to My Father: A Memoir, by G. Thomas Couser
Reviewed by Emily Hipchen

The Selfie Generation: How Our Self Images Are Changing Our Notions of Privacy, Sex, Consent, and Culture, by Alicia Eler
Reviewed by Teresa Bruś

Invented Lives, Imagined Communities: The Biopic and American National Identity, edited by William H. Epstein and R. Barton Palmer
Reviewed by Eric M. Thau

An Artisan Intellectual: James Carter and the Rise of Modern Britain, 1792–1853, by Christopher Ferguson
Reviewed by Anna Clark

Autobiographical Writing in Latin America: Folds of the Self, by Sergio R. Franco
Reviewed by Francisco Brignole

Getting Personal: Teaching Personal Writing in the Digital Age, edited by Laura Gray-Rosendale
Reviewed by Madeleine Sorapure

The Art of Confession: The Performance of Self from Robert Lowell to Reality TV, by Christopher Grobe
Reviewed by Lynda Goldstein

A History of Irish Autobiography, edited by Liam Harte
Reviewed by Taura Napier

Victorians Undone: Tales of the Flesh in the Age of Decorum, by Kathryn Hughes
Reviewed by Alison Booth

Doña Teresa Confronts the Spanish Inquisition: A Seventeenth-Century New Mexican Drama, by Frances Levine
Reviewed by Jorge Ca.izares-Esguerra

Clio’s Lives: Biographies and Autobiographies of Historians, edited by Doug Munro and John G. Reid
Reviewed by Jaume Aurell

The Decolonial Mandela: Peace, Justice and the Politics of Life, edited by Sabelo Ndlovu-Gatsheni
Reviewed by Nick Mdika Tembo

Creating Identity in the Victorian Fictional Autobiography, by Heidi L. Pennington
Reviewed by Anne Reus

A History of Irish Working-Class Writing, edited by Michael Pierse
Reviewed by Muireann Leech

Canadian Graphic: Picturing Lives, edited by Candida Rifkind and Linda Warley
Reviewed by Roc.o G. Davis

Life? or Theatre? ( Leben? oder Theater?), by Charlotte Salomon
Reviewed by Julia Watson

The Phenomenology of Autobiography: Making it Real, by Arnaud Schmitt
Reviewed by Bettina Stumm

On the Arab-Jew, Palestine, and Other Displacements: Selected Writings, by Ella Shohat
Reviewed by Joyce Zonana

Bird-Bent Grass: A Memoir, in Pieces, by Kathleen Venema
Reviewed by G. Thomas Couser

Private Lives Made Public: The Invention of Biography in Early Modern England, by Andrea Walkden
Reviewed by Julie A. Eckerle


About the Journal

For over forty years, Biography: An Interdisciplinary Quarterly has explored the theoretical, generic, historical, and cultural dimensions of life writing.

Subscriptions

Single issue sales and annual subscriptions for both individuals and institutions available here.

Submissions

Unsolicited manuscripts between 2,500 to 7,500 words are welcome. Email inquiries and editorial correspondence to biograph@hawaii.edu.

Biography Vol. 42 No. 1 (2019)

From the front cover: He mau palapala aina, a me na niele e pili ana. Hookahi ke pai ana. Lahaina, 1840. Library of Congress, www.loc.gov/item/98687131/.

INTERNATIONAL YEAR IN REVIEW

The International Year in Review is a collection of short, site-specific essays on the year’s most influential publications in life writing. This year’s collection includes entries from Australia, Austria, Brazil, Canada, China, Colombia, Estonia, France, the Gulf Cooperation Council, India, Italy, Korea, Lebanon, Mexico, the Netherlands, Palestine, Poland, Portugal, Puerto Rico, Romania, South Africa, Spain, the UK, and two essays from the US, one on biography and one on memoir.

Contents

Editors’ Notes

Essays as Life Writing: The Year in Australia
Kylie Cardell

The Tercentenary of Maria Theresa (1717–1780): The Year in Austria and Germany
Tobias Heinrich

The Brazilian “I/Eye” at the IABA Global Conference: The Year in Brazil
Sergio da Silva Barcellos

Musicians’ Lives and National Identity: The Year in Canada
Alana Bell

Independent Biographical Documentaries: The Year in China
Chen Shen

Testigo de barbarie y resistencia: El año en Colombia
Gabriel Jaime Murillo-Arango

Life Writing’s Coming of Age: The Year in Estonia
Leena Kurvet-Käosaar and Maarja Hollo

The Ghosts of World War II: The Year in France
Joanny Moulin

Selves and Identities in the Arabian Gulf: The Year in the Gulf Cooperation Council
Szidonia Haragos

What the Stars Tell: The Year in India
Pramod K. Nayar

Biographies from the Alps to Capri: The Year in Italy
Ilaria Serra

Emergent Subjectivities: The Year in Korea
Heui-Yung Park

Archiving the Political, Narrating the Personal: The Year in Lebanon
Sleiman El Hajj

Politics and Violence: The Year in Mexico
Gerardo Necoechea Gracia

Mediators as the Subject of Dutch Biography: The Year in the Netherlands
Hans Renders and David Veltman

Voices against Erasure, Loss, and Dehumanization: The Year in Palestine
Adam Yaghi

A Time of Great Biographies—Gombrowicz and Herbert: The Year in Poland
Paweł Rodak

“No Coward Soul is Mine”: The Year in Portugal
Cláudia Faria

Auto/Biography After Disaster: The Year in Puerto Rico
Ricia Anne Chansky

Cultural Figures and the Biographical Turn: The Year in Romania
Ioana Luca

“Born-Frees” on South Africa’s Memory Traps: The Year in South Africa
Nick Mdika Tembo

Auto/Biography and Conflict: The Year in Spain
Ana Belén Martínez García

“The necessary disloyalty”: The Year in the UK
Tom Overton

#MeToo and the Memoir Boom: The Year in the US
Leigh Gilmore

American Biography: The Year in the US
Carl Rollyson

Annual Bibliography of Works about Life Writing, 2017–2018


About the Journal

For over forty years, Biography: An Interdisciplinary Quarterly has explored the theoretical, generic, historical, and cultural dimensions of life writing.

Subscriptions

Single issue sales and annual subscriptions for both individuals and institutions available here.

Submissions

Unsolicited manuscripts between 2,500 to 7,500 words are welcome. Email inquiries and editorial correspondence to biograph@hawaii.edu.

Biography Vol. 41 No 4 (Fall 2018)


Figure 12 from Rasul A. Mowatt’s essay Black Lives As Snuff: The Silent Complicity in Viewing Black Death: Ebony G. Patterson’s “Invisible Presence: Bling Memories” performance on April 27, 2014 in Kingston, Jamaica. Photograph: Monique Gilpin and Philip Rhoden. Reproduction courtesy of the artist and Monique Meloche Gallery, Chicago.

FROM THE GUEST CO-EDITORS’ INTRODUCTION:

This special issue is pro-Black. The pro-Blackness expressed by this tremendous collection of thinkers, healers, artists, and activists is one anchored in truth-telling. From a wide array of perspectives, what’s within these pages is an unapologetic centering of the critical matter of Black life. By critical matter, we mean the fleshy materiality of the Black body, as we encounter it in life, death, connections, and struggle. But in invoking a notion of criticality, we are also attuned to the ways that different communities of Black people have experienced this most recent onslaught of anti-Black state violence. We care here about feelings, impressions, relationships, forms of mourning and remembrance, epiphanies had in struggle—all of the “stuff” that regimes of racial terror are studiously interested in not being and/or disavowing. To be pro-Black is to care about all of these elements that help to make up any Black life and every Black life. Finally, to turn our attention to Black life as a critical matter is to remind us of the urgency of attending to Black lives; it is a reminder of the critical condition in which Black people continually find themselves, always gasping for breath, always figuring out how to survive, always forced to wrestle joy from the death-dealing clutches of white supremacy. Critical matters get top billing on political agendas. Our agenda in this special issue is, therefore, Black people and our ideas about what it looks like for our lives to matter.

-Brittney Cooper and Treva B. Lindsey

ARTICLES FROM THIS ISSUE:

Introduction to M4BL and the Critical Matter of Black Lives
by Brittney Cooper and Treva B. Lindsey

Movement for Black Love: The Building of Critical Communities through the Relational Geography of Movement Spaces
by Tabitha Jamie Mary Chester

Choreographies of the Ongoing: Episodes of Black Life, Events of Black Lives
by Rhaisa Kameela Williams

Black Lives as Snuff: The Silent Complicity in Viewing Black Death
by Rasul A. Mowatt

R.I.P. Shirts or Shirts of the Movement: Reading the Death Paraphernalia of Black Lives
by Robin Brooks

Black Lives Abroad: Encounters of Diasporic Solidarity in Brazil
by Gillian Maris Jones

Visible Black Motherhood Is a Revolution 
by Danielle Fuentes Morgan

Mama’s Gon’ Buy You a Mocking Bird: Why #BlackMothersStillMatter: A Short Genealogy of Black Mothers’ Maternal Activism and Politicized Care
by Kaila Adia Story

Restoring Optimal Black Mental Health and Reversing Intergenerational Trauma in an Era of Black Lives Matter
by Jameta Nicole Barlow

#BlackHealingMatters in the Time of #BlackLivesMatter
by Kai M. Green, Je Naé Taylor, Pascale Ifé Williams, and Christopher Roberts

From Ferguson to Palestine: Reimagining Transnational Solidarity Through Difference
by Marc Lamont Hill

Ferguson: An Identity Politics Liberation Manifesto
by Tef Poe

Contributors


About the Journal

For over forty years, Biography: An Interdisciplinary Quarterly has explored the theoretical, generic, historical, and cultural dimensions of life writing.

Subscriptions

Single issue sales and annual subscriptions for both individuals and institutions available here.

Submissions

Unsolicited manuscripts between 2,500 to 7,500 words are welcome. Email inquiries and editorial correspondence to biograph@hawaii.edu.


Biography
Volume 41, Number 4
Fall 2018

Biography 41-3 (Summer 2018)

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”3_4″][et_pb_image _builder_version=”3.17.6″ src=”https://www.uhpress.hawaii.edu/wp-content/uploads/2018/12/02_Chan_fig_2.jpg” /][et_pb_text _builder_version=”3.17.6″]

Figure 2 from Kenneth Chan’s essay “Bad Gal” And The “Bad” Refugee: Refugee Narratives, Neoliberal Violence, and Musical Autobiography in Honey Cocaine’s Cambodian Canadian Hip-Hop: The “Orientalist” scene in Honey Cocaine’s “Bad Gal.” Reprinted by permission of Honey Cocaine Music.

[/et_pb_text][et_pb_text _builder_version=”3.17.6″]

From Biography Coeditor John David Zuern’s Editor’s Note:

The format of this issue represents something of a departure for Biography. For many years we have published what we call “clusters” of essays focused on a particular theme alongside our individual open-forum articles. While our editorial staff typically determines the topics and invites the guest editors for our annual special issues, the cluster model gives us the opportunity to consider unsolicited proposals from colleagues who would like to present an edited collection of related essays to Biography’s readership. In the past two years, we have received a number of compelling pitches, and for the first time we are running two clusters in the same issue. These projects have emerged within different geopolitical and cultural contexts, but both address the question of how life stories are crafted and disseminated in media other than print. Continue reading “Biography 41-3 (Summer 2018)”

Biography vol. 41, no. 2 (Spring 2018)

[et_pb_section bb_built=”1″][et_pb_row][et_pb_column type=”3_4″][et_pb_text _builder_version=”3.14″]

Biography: An Interdisciplinary Quarterly volume 41, number 2 (Spring 2018) focuses on the concept of interviewing as a creative practice. In their introduction, “Putting Things Together: Introduction to Interviewing as Creative Practice,” guest editors Anneleen Masschelein and Rebecca Roach write:

[W]e consider the interview as an encounter, as an assemblage of heterogeneous elements. It promises access to an interior but ultimately remains unruly: resisting interpretative truth, it reveals things other than what it may promise. Thus, in this special issue as it now stands, our interest has shifted from questions of genre to the notion of the interview as an “unconcept”: ambiguous, paradoxical, the interview belongs everywhere and nowhere.

Continue reading “Biography vol. 41, no. 2 (Spring 2018)”

Call for Papers: Rapa Nui Journal

Edited by Dr. Mara A. Mulrooney, Director of Cultural Resources, Bishop Museum

The Rapa Nui Journal (RNJ) is the official, peer-reviewed journal, of the Easter Island Foundation (EIF). The journal serves as a forum for interdisciplinary scholarship in the humanities and social sciences on Easter Island and the Eastern Polynesian region. Each issue may include Research Articles, Research Reports, Commentaries or Dialogues, Book or Media Reviews and EIF News.

rnj_cover
Cover Image courtesy of:
© Stephen, Jesse W. (2005, July 28). The Traveling Moai [At Tongariki near Rano Raraku, Rapa Nui].
RNJ is published twice a year and welcomes contributions from a wide range of social, cultural, indigenous and historical disciplines on topics related to the lives and cultures of the peoples of Rapa Nui and Eastern Polynesia. Abstracts for articles may be published in English, Spanish, and Rapanui. We welcome submissions from scholars across Oceania, North and South America, and beyond.

File Format and Manuscript structure
Article manuscripts are peer-reviewed, and should be 3000 to 9000 words in length. Reports, Reviews and commentaries are not peer-reviewed, and should be 1000 to 6000 words in length.

Manuscripts should be double-spaced with margins of at least 1 inch (2.5 cm) on each side, and submitted as a single Microsoft Word (or similar) file with the following structure:

  1. Article title
  2. Author’s name(s) and contact details for publication
  3. Abstract
  4. Keywords 3-6
  5. Text
  6. Acknowledgements
  7. References
  8. Figures with captions
  9. Tables with captions

Manuscripts should be submitted online.  You may review journal policies and author guidelines on the journal submission site.

Please send inquiries to the Rapa Nui Journal editor at (rapanuijournal@gmail.com).

Subscribe to Rapa Nui Journal through UH Press or browse full-text issues online .

 

Biography Vol. 41 No. 1 (Winter 2018)

Photograph of Prince's star on the wall of the First Avenue nightclub in Minneapolis by Lizzy Shramko. Reproduced with permission.
Photograph of Prince’s star on the wall of the First Avenue nightclub in Minneapolis by Lizzy Shramko. Reproduced with permission.

Biography: An Interdisciplinary Quarterly volume 41, number 1 (Winter 2018) arrives with a purple cover and includes a special section, On Prince: A Labor of Love, Loss, and Freedom, guest edited by Andreana Clay.

From the abstract:

With the death of Prince Rogers Nelson on April 21, 2016, many people’s lives were changed forever. In efforts both big and small, those of us left have tried to recall, feel deeply, and write down what his life and death meant to us individually and in community. This special feature explores the feelings of four writers—Andreana Clay, Greg Tate, Steven W. Thrasher, and Scott Poulson-Bryant—who have written about music, race, and Blackness and turn that gaze to Prince and his impact. Each paper was part of the American Studies Association special panel on Prince titled “Prince in Revue.” Here, as we did there, we draw upon a personal and political relationship to Prince in an effort to understand his impact on music, identity, and community.

Editor’s Note by John David Zuern

Lyric Acknowledgments

Special Section: On Prince

Introduction: On Prince: A Labor of Love, Loss, and Freedom by Andreana Clay

Prince and the Erotics of Democracy by Greg Tate

Obituarizing Black Maleness, Obituarizing Prince by Steven W. Thrasher

Prince, Queerness, and the Both/And of “Or” by Scott Poulson-Bryant

Keywords: Light Skin-ded Free Black Sex, Girlfriend by Andreana Clay

Continue reading “Biography Vol. 41 No. 1 (Winter 2018)”

Biography Vol. 40 No. 4 (Fall 2017)

Biography‘s 2017 International Year in Review features life writing updates from México, South Africa, India, and more countries.

According to the editors, “The International Year in Review is a collection of short, site-specific essays by scholars from around the world on the year’s most influential publications in life writing in the countries, regions, and languages in which they specialize. This year’s International Year in Review includes entries from Australia, Brazil, Burkina Faso, Canada, China, Colombia, Curaçao, Finland, France, Iceland, India, Italy, Korea, México, the Netherlands, Poland, Romania, South Africa, Spain, and the UK, along with two essays from the US, one on biography and one on memoir.”

The fourth issue in this quarterly volume also includes the Annual Bibliography of Works About Life Writing in 2016-2017, compiled by Sam Ikehara and Aiko Yamashiro.

Read more about the process of collecting this issue’s materials in the Editors’ Note.

Find the full text of the issue at Project MUSE

Sign up to receive e-mail alerts about Biography new issues from Project MUSE

BIO40-4C1croppedAbout the Journal

For over thirty years, Biography: An Interdisciplinary Quarterly has explored the theoretical, generic, historical, and cultural dimensions of life-writing.

Subscriptions

Single issue sales and annual subscriptions for both individuals and institutions available here.

Submissions

Unsolicited manuscripts between 2,500 to 7,500 words are welcome. Email inquiries and editorial correspondence to biograph@hawaii.edu.

Call for Nominations: 2018 Biography Prize

The editors of Biography: An Interdisciplinary Quarterly at the University of Hawai‘i at Mānoa have announced their call for nominations for the 2018 Biography Prize, which is awarded to an UH Mānoa graduate student who demonstrates excellency in life writing.

The Biography Prize winner receives a monetary award and is invited to give a presentation in the Brown Bag Biography lecture series.

NOMINATION DEADLINE

Nominations–which should include the student’s name, contact information, and project title–are due to biograph@hawaii.edu by Monday, April 16.

Once nominations are received, the Center for Biographical Research will notify the student to arrange for submission of the project. Candidates may also nominate their own work for the award.

Some candidates will be working on their manuscripts well into April, and this will not be a problem so long as they are able to submit their work by the April 16 deadline.

CRITERIA FOR NOMINATION

  1. The candidate should be a PhD or MA student in any graduate department of the University of Hawai‘i at Mānoa (or have graduated with an MA or PhD in December 2017).

  2. The submission can be work that is written for a class, that is a section of a thesis or dissertation, or that is the completed thesis or dissertation. If written for a class, it should be work completed between May 2017 and May 2018 (and not previously submitted for a Biography Prize).

The project should focus on or intersect with any aspect of life writing theory, history, or practice in any medium and discipline

The project should be at least 3,000 to 10,000 words in length: longer projects can be submitted in their entirety, with a particular chapter or section highlighted for consideration. The work should demonstrate knowledge or awareness of central debates and theorizing in the field and study of life writing.

See flyer below or visit CBR’s Facebook page for more details.

Biography Prize 2018 Announcement


Read Biography archives at Project MUSE


Sign up to receive e-mail alerts about Biography new issues from Project MUSE

 

Spring 2018 Biography Brown Bag Series

The editors of Biography: An Interdisciplinary Quarterly and directors of the Center for Biographical Research at the University of Hawai‘i at Mānoa have released their Spring 2018 schedule of Biography Brown Bags.

If you’re in Hawai’i, mark your calendars and BYOL (bring your own lunch) to these exciting discussions about life writing. Unless otherwise noted, the following brown bags are held from noon to 1:15 p.m. Thursdays in Kuykendall Room 409-A at UH Mānoa. Click here for visitor parking information.

February 1: “Themes in the Narratives by Escapees from the Holocaust in WWII Italy.”
Luciano Minerbi, Dept. of Urban and Regional Planning, UH-Mānoa

February 8: “Constructing Post-Soviet Stardom: Auteur and the state in the case of Renata Litvinova.” Olga Mukhortova, Languages and Literatures of Europe and the Americas, UH Mānoa

February 15: “Writing With Not About: Constellating Stories in Auto-ethnography.”
John Gagnon, Dept. of English, UH-Mānoa

February 22: “Masters of the Currents: Theater, Community, and Social Change.”
Leilani Chan and Ova Saopeng, TeAda Productions

March 1*: “Island Soldiers: Living with Militarization in Micronesia.” Pacific Island Student Panel co-organized by the Marianas Club, for Mes Chamoru and Nuclear Remembrance Day. Moderated by Craig Santos Perez.
*This session will be held in Kuykendall Room 410

March 8: “Hulahula and Learn Something: Expressing Culture and Science.” Kiana Frank, Pacific Biosciences Research Center, UH-Mānoa

March 15: “Selling It Like It Is: The Value of Narrative in Business and Policy.” Amanda Rothschild, Dept. of Urban and Regional Planning, UH-Mānoa

March 22: “An Introduction to the Jon Van Dyke Archive at the UHM Law Library.” Ellen-Rae Cachola, William S. Richardson School of Law, UH-Mānoa

April 5: “Losing Don Belton: Meditations on Friendship, Murder, and Race, and the Ethics of Life Writing.” Mara Miller, Visiting Scholar with the Center for Biographical Research and Dept. of English, UH-Mānoa

April 12: “Al Harrington: Reflections on Genealogy, Acting, and a Polynesian Revue.” Al Harrington, Educator, Actor, and Entertainer

April 19: “Filling the Void: Creating Playing Space for Today’s Pacific Islander.”
Kiki Rivera, Dept. of Theatre and Dance, UH-Mānoa

Apr 26*: “Exploring the Vā in the Oral Sharing of Poetry.” Grace Teuila Taylor, Visiting Writer in Residence, Dept. of English, UH-Mānoa
*This session will be held in Kuykendall Room 410

See flyer below or visit CBR’s Facebook page for more details.

Spring 2018 Biography Brown Bag Flyer


Read Biography archives at Project MUSE


Sign up to receive e-mail alerts about Biography new issues from Project MUSE

 

Biography wins 2017 Best Special Issue Award

Cover of Biography volume 39, number 3
Image courtesy of the Center for Biographical Research at UH Mānoa

Please join us in congratulating the editors and contributors of Biography vol. 39, no. 3 on winning the Council of Editors of Learned Journal’s 2017 Best Special Issue Award!

The Council of Editors of Learned Journals (CELJ), an Allied Organization of the Modern Language Association, is the major national organization representing more than 450 editors of scholarly journals in all disciplines.

Biography vol. 39, no. 3 is the journal’s special issue on “Indigenous Conversations about Biography,” and it was guest edited by Alice Te Punga Somerville, Daniel Heath Justice, and Noelani Arista.

As detailed in the editors’ Introduction, the special issue started here in Mānoa Valley:

This is a conversation about Indigenous lives, the ways we understand them, the ways we represent them, and the responsibilities that come from doing this work in a good way. And this is just a beginning. We are honored to welcome you to this special issue of Biography, and to the Indigenous scholars, artists, and visionaries who come together in community on the topic of Indigenous biography. Some of this diverse group of Indigenous thinkers came together in person in Mānoa Valley on the Hawaiian island of O‘ahu, traveling from the Indigenous territories claimed by New Zealand, Australia, Canada, and the United States to take up the challenges, questions, concerns, and possibilities of representing Indigenous lives.

The complete table of contents and contributors for this issue may be viewed online at Project MUSE.

Biography: An Interdisciplinary Quarterly is published by University of Hawai`i Press for the Center for Biographical Research (CBR) at UH Mānoa. The journal is coedited by Cynthia G. Franklin, Craig Howes, and John David Zuern. Managing editors for vol. 39 were Stanley Schab (emeritus) and Anjoli Roy. Read about CBR’s staff here.

Each year, Biography publishes a special issue that explores a topic of emerging critical interest, often centered around a CBR seminar. This year marks the second time Biography has won the CELJ Award for Best Special Issue, as coeditor Craig Howes explains:
Biography: An Interdisciplinary Quarterly has actually received this award once before, for our “Posthuman Lives” issue. That was the first one resulting from our invited seminar in Honolulu process. Alice, Daniel, and Noelani made a number of innovations, including commissioning the two responses to each longer contribution, which created an articulate and powerful community of voices. Their decisions have also strongly influenced how we have conducted the three seminars (!) we have held since then–in Honolulu, and in London.

Contact us to order a single copy, subscribe online, or read the full-text of this issue at Project MUSE (institutional or individual electronic subscription required).

To receive email alerts for when new issues of Biography publish online, please click here to sign up at Project MUSE.


UHP-primarylogo-2cEstablished in 1947, the University of Hawai`i Press supports the mission of the university through the publication of books and journals of exceptional merit. The Press strives to advance knowledge through the dissemination of scholarship—new information, interpretations, methods of analysis—with a primary focus on Asian, Pacific, Hawaiian, Asian American, and global studies. It also serves the public interest by providing high-quality books, journals and resource materials of educational value on topics related to Hawai`i’s people, culture, and natural environment. Through its publications the Press seeks to stimulate public debate and educate both within and outside the classroom.

For more information on the University of  Hawai`i Press and our publications, visit www.uhpress.hawaii.edu.

Biography Vol. 40 No. 3 (Summer 2017)

A 1934 advertisement for The Autobiography of Alice B. Toklas
A 1934 advertisement for The Autobiography of Alice B. Toklas. The Saturday Review of Literature, 13 Jan. 1934. From “On the Lecture Circuit with Gertrude Stein’s Portraits” by Linda Zygutis, in this issue.

Biography volume 40, number 3 (Summer 2017) includes the following announcement from co-editor John David Zuern:

For many years Biography‘s occasional feature “Sketches from Life” has made room for more personal essays by life writing scholars reflecting on practical, theoretical, and ethical issues related to their particular projects. We are rechristening this feature “First Person” to underscore the notion that scholars are the “first persons” in their academic writing and that scholarly projects are always, in one way or another, chapters in their authors’ life stories. In most cases, the autobiographical aspects of research are necessarily submerged in the final product, more or less invisible to the reader apart from sporadic appearances of the author’s directorial “I,” but sometimes the story of how an article or book came into being is as exciting and enlightening as the ideas the text has to offer. It is with this conviction that we are renewing our call for first-person memoirs of critical practice. Interested authors should query us about their plans before submitting manuscripts. (from Editor’s Note, vol. 40, no. 3)

Complete submission guidelines are available here.

In this Issue

Plus book reviews and contributors.


Find the full text of the issue at Project MUSE


Biography 40-3 C1About the Journal

For over thirty years, Biography: An Interdisciplinary Quarterly has explored the theoretical, generic, historical, and cultural dimensions of life-writing.

Subscriptions

Single issue sales and annual subscriptions for both individuals and institutions available here.

Submissions

Unsolicited manuscripts between 2,500 to 7,500 words are welcome. Email inquiries and editorial correspondence to biograph@hawaii.edu.