Volume 12, Issue 1 (2021)
The new issue includes the following articles:
Going Global: The Transformation of the Korean Catholic Church
Denis WS Kim
Japanese Buddhist Modernism and the Thought of Sŏn Master Toeong Seongcheol (1912–1993)
Cho Myungje and Bernard Senécal S.J. (SeoMyeonggweon)
Calm Water is a Mirror: Neo-Confucian Meditation in the Chosŏn
Guy S. Shababo
A Buddhist Critique of Neo-Confucianismin Seventeenth-Century Chosŏn Korea
Kim Jong Wook
Gender Politics at Home and Abroad: Protestant Modernity in Colonial-Era Korea, by Hyaeweol Choi
Reviewed by Choi Hee An
Issue 58 (2020)
Includes the following articles:
Plotting Illness: Cancer in Ogino Anna’s “Nue” and
Yamauchi Reinan’s The Spirit of Cancer
Amanda C. Seaman
by Ogino Anna. Translated by Amanda C. Seaman
Performativity of Gender in Speech: Life Experiences
of Japanese Trans Women
Natsume Fusanosuke, Panel Configurations in Sho¯jo
by Natsume Fusanosuke. Translated and Introduced by
Jon Holt and Teppei Fukuda
Volume 75, Issue 1 (2021)
Includes the following articles:
The Historical Ecology of Game Species Introductions in Hawai’i
Deidre J. Duffy, Christopher A. Lepczyk
A Terrestrial Vertebrate Palaeontological Reconnaissance of Lord Howe Island, Australia
Julian P. Hume, Ian Hutton, Greg Middleton, Jacqueline M.T. Nguyen, John Wylie
Light-Level Geolocators Reveal That White-Throated Needletails (Hirundapus caudacutus) Follow a Figure-Eight Migration Route Between Japan and Australia
Noriyuki M. Yamaguchi, Sayaka Mori, Hiroshi Yonekawa, Daichi Waga, Hiroyoshi Higuchi
Fine-Scale Distribution, Abundance, and Foraging Behavior of Salvin’s, Buller’s, and Chatham Albatrosses in the Northern Humboldt Upwelling System
Javier Quiñones, Ana Alegre, Cynthia Romero, Massiel Manrique, Luis Vásquez
Influence of Light and Substrate Conditions on Regeneration of Native Tree Saplings in the Hawaiian Lowland Wet Forest
Susanne Kandert, Holger Kreft, Nicole DiManno, Amanda Uowolo, Susan Cordell, Rebecca Ostertag
Potential Distribution and Environmental Niche of the Black Corals Antipathes galapagensis and Myriopathes panamensis in the Eastern Tropical Pacific
Antonella Lavorato, Silvia Stranges, Hector Reyes Bonilla
Investigating the Diel Occurrence of Odontocetes Around the Maui Nui Region Using Passive Acoustic Techniques
Marian Howe, Marc O. Lammers
Limnological Characterization of Three Tropical Crater Lakes in the Archipelago of Samoa (Lanoto’o, Olomaga, Mataulano)
Robert Schabetsberger, Christian D. Jersabek, Zlatko Levkov, Bianca Ehrenfellner, Laulu Fialelei Enoka, Seumalo Afele Faiilagi
Association Affairs: Pacific Science Association
Volume 54 (2020)
Includes the following articles:
The Lasting Significance of the Majors-Palakiko Case
Jonathan Y. Okamura
A Rock in the Park: The Key to a Remarkable Historical Tale
Hugh R. Montgomery
Ne Tentes aut Perfice: Early Hawaiian Diplomacy in the Southwestern Pacific and the Creation of Hawai‘i’s First Royal Order
Reconnecting to Kawaiaha‘o Female Seminary: The Lives of the Students at the End of the Nineteenth Century
Our Royal Guest: American Press Coverage of King Kalākaua’s Visit to the United States, 1874–1875
Douglas V. Askman
The Watchers: How Espionage Doomed the Counter-Revolution of 1895
Ralph Thomas Kam
Aloha Rodeo: Three Hawaiian Cowboys, the World’s Greatest Rodeo, and a Hidden History of the American West by David Wolman and Julian Smith
Reviewed by Elyssa Ford
Unsustainable Empire: Alternative Histories of Hawai‘i Statehood by Dean Itsuji Saranillio
Reviewed by Sarah Miller-Davenport
American Sutra: A Story of Faith and Freedom in the Second World War by Duncan Ryūken Williams
Reviewed by Kelli Y. Nakamura
Gateway State: Hawai‘i and the Cultural Transformation of American Empire by Sarah Miller-Davenport
Reviewed by JoAnna Poblete
Hawaiiana in 2019: A Bibliography of Titles of Historical Interest
This week, March 21–26, the 2021 Association for Asian Studies (AAS) annual conference is taking place virtually. While most sessions require registration, there is also an open-access element to the conference, with plenary presentations accessible simply by signing up for a basic account. Be inspired by experiencing the opening ceremony and speech by AAS president Christine Yano (a University of Hawai‘i professor and UH Press author/series editor). The exhibit hall is also open to all—check out our virtual booth and explore its variety of offerings, including a conference discount and a jazzy video of our latest titles and books in series.
If you’re registered for the conference, there is much more to discover and absorb. For those who have a book proposal, please contact our acquisitions editors by email, after viewing this page that specifies their focus areas. As always, follow our Facebook and Twitter pages for our #AAS2021 posts. We look forward to the 2022 conference to be held (in-person, we hope) here in Honolulu!
“One of Noriko’s brilliant endeavors was to imagine, and then bring about, a truly unique new educational institution in Japan, namely Josai International University. On my first visit to Japan in 1987 for the Japanese publication of Women in Film Noir, Noriko mentioned that she hoped Josai University could build on available land near Tokyo Airport. But it was just a dream. Only a few years later, however, Josai International University was up and running, bringing life and energy to the Chiba area. The buildings were beautifully designed and organized, and a delight to be in. Despite already being Vice Chancellor of the long established Josai University Educational Corporation, Noriko became President of Josai International University from 1996 to 2009 (She then became Chancellor of Josai University Educational Corporation from 2004 to 2017). Her masterstroke was to make this new International University unique in combining degrees in Business Studies with an M.A. in Women’s Studies. This was a time when there were very few Women’s Studies degrees being offered in Japan, so Noriko was charting new ground, perhaps partly inspired by American feminist research. I was honored to be invited to teach the first courses at Josai on Women and Film. At first I thought this was to be just for the one year, 1994; however, to my surprise and delight, Noriko in fact had arranged for me to teach a course or two once a year for four consecutive years.” Excerpt from, In Honor of Noriko Mizuta by E. Ann Kaplan
Issue 30 also includes:
In Her Footsteps: The Legacy of Professor Mizuta Noriko by Linda Flores
Mizuta Noriko: Selected Bibliography by Linda Galvane, Rebecca Corbett
Natsume Sōseki on Poe by Mizuta Noriko
Beyond Home And City: Poems By Ishigaki Rin And Shiraishi Kazuko by Mizuta Noriko and Eiji Sekine
The Desolate Self and Its Circular Search for The Absolute Other: Transgression and Dream in the Work of Takahashi Takako by Mizuta Noriko and Alessandro Castellini
When Women Narrate the Self: Personal Narratives in Modern Women’s Literaturebby Mizuta Noriko and Nadeschda Bachem
The Dream of the Yamanba—An Overview by Mizuta Noriko and Luciana Sanga
The Girl Double: On the Shōjo as Archetype in Modern Women’s Self-Expression by Mizuta Noriko and James Garza
Urashimasō: Memory as Trauma and Recovery in Literature by Mizuta Noriko and Hannah Osborne
Aesthetics and the Archive: The Poetry of Mizuta Noriko by Jordan A. Y. Smith
Selected Poems by Mizuta Noriko by Jordan A. Y. Smith
Dear Kojien Dictionary: Tomorrow Girls Troop by Reiko Tomii
“In this introductory essay, I frame and contextualize shifts in the practices of Japanese photography during the Heisei era, examining how new themes and changing subjects of self-presentation, the dramatic change in power relations, responsibility, and political valence, and a new assortment of artists, multiple new subjects, and iconographies appeared on the stage and rose to prominence. This text primarily focuses on a single aspect of the changes that took place in photography and video art during the Heisei period, not as an established corpus or a specific canon, but as a process that defines itself through the multiple changes of that era. My appraisal of this process centers on the relationship between the photographer and the photographed, highlighting problems of identity and representation, as they appear in the works that are discussed throughout this issue. In this context, the present essay emphasizes the crucial changes enacted by the growing participation of women photographers, who have contributed to the rise of imagery related to marginalized subjects and have taken on a prominent role in defining the terms of photographic practice, such as the acknowledgement of minority groups, an openness toward sexual and gender identities, and a new legitimization of traditionally domestic subjects, such as old age, family, motherhood, etc.” Excerpt from the Introduction: Between the Viewfinder and the Lens—A Journey into the Performativity of Self-Presentation, Gender, Race, and Class in Heisei Photography (1989–2019) by Ayelot Zohar
Also in issue 31:
Preface: A Difficult New Dawn by Frank Feltens
Yoneda Tomoko by Lena Fritsch
Twice Infinity: Sugimoto Hiroshi’s Architecture Series by Jonathan M. Reynolds.
Ghost in the Shell: An After-Thought on Pierre Huygue’s Human Mask by Michio Hayashi
Watanabe Toshiya by Kakishima Takashi
Kitano Ken by Ishida Katsuya
The Position of Ninoshima by Kuraishi Shino, Ellen Takata, Jason Beckman, and Mikiko Hirayama
Linking Disaster to Natural History, A Visit to Sasaoka Keiko’s Exhibition: Tanesashi, Ninoshima (Hachinohe City Museum of Art) by Kuraishi Shino and Daryl Maude
The Story of Two Women: Ishiuchi Miyako and Iwasaki Chihiro (Excerpts from a Conversation between Ishiuchi Miyako and Ueno Chizuko—On Mother’s and Hiroshima) by Tajima Miho, Ayelet Zohar, and Frank Feltens
Arai Takashi and Nagashima Yurie through the Historical Frame of “Japanese Photography” by Nakamura Fumiko, Mai Hayano, and Kevin Niehaus
Photography as Embalming: Yokota Daisuke’s Post-Production Process by Hoshino Futoshi
A Memorandum on the Photograph: Movement and Time in Blurs and Stills and Kanai Mieko and Hannah Osborne
The Story of The Inflated Man by Kanai Mieko and Hannah Osborne
Postwar Japanese Photography: A Selected Bibliography by Thomas F. O’Leary, Anat Icar-Shoham, Patricia Lenz, and Shir Yeffet
To subscribe to Review of Japanese Culture and Society, please visit the journal homepage.
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Barry Lopez passed away on Christmas Day 2020 at age seventy-five. He was celebrated and admired as a writer of fiction, nonfiction, essays, and memoir.
Barry was an ardent friend of MĀNOA. In addition to giving MĀNOA stories and essays, he co-edited two important international issues: Maps of Reconciliation: Literature and the Ethical Imagination in 2007, and its companion issue, Gates of Reconciliation, in 2008.
To celebrate Barry’s life and work, we offer 5 print titles for $30 (or $10 each) and also a selection of his work free via the Project MUSE platform.
Special Print Bundle Sale
The 5 MĀNOA titles (pictured, right) featuring Barry Lopez’s work as writer and editor are now available for $30 (or $10 per title) through the end of February 2021.
Free Digital Special Issue
To celebrate his work and in gratitude for his life, friendship, and support, we offer this selection of work by Barry Lopez that appeared in MĀNOA: A Pacific Journal of International Writing.
These articles will be free on Project MUSE through May 2021.
Introduction: Barry Lopez (1945-2020) (Open Access)
Originally published: Volume 19, Number 2, 2007
The Leadership Imperative: An Interview with Oren Lyons
Originally published: Volume 19, Number 2, 2007
Originally published: Volume 20, Number 1, 2008
Originally published: Volume 20, Number 1, 2008
The Letters of Heaven
Originally published: Volume 23, Number 2, 2011
In the Great Bend of the Souris River
Originally published: Volume 25, Issue 1, 2013
Elegant, exuberant, and idiosyncratic, Acting My Age is a memoir and meditation by one of America’s most playful and inventive writers.
Acting My Age is the newest volume from MĀNOA. In the words of Mary Mackey (The Jaguars That Prowl Our Dreams), “in Acting My Age, Thomas Farber gives us an unflinching, luminous, cleverly conceived meditation on his own mortality as well as on the extinction of the coral reefs, snow leopards, dolphins, and, ultimately the human species. Couching his observations in a series of short, interconnected, almost-epigrammatic essays that read like prose poems, Farber creates a narrative style reminiscent of Joyce and Melville: oceanic in depth and all-encompassing in range.”
Below, Thomas Farber shares how this book came together, water friendships, and how he’s faring a year into the COVID-19 pandemic.
University of Hawai‘i Press: You describe Acting My Age as an “interim report.” When and where did Acting My Age begin?
Thomas Farber: I’d finished Here and Gone in early 2015. The concluding chapter of its third person nonfiction has “the writer” confronting open heart surgery in seven days. Acting My Age picks up, in the first person, where that left off.
UHP: You sign your author’s note that opens Acting My Age from both Berkeley and Honolulu. Tell us about your relationship to these places.
TF: Born and raised in Boston, I first came to Berkeley in 1964 at age twenty. I’ve been based there most of the time since, albeit with long absences, and have taught at the University of California, Berkeley since the mid-1990s.
I first came to Hawai‘i in 1971, have had long stays every year since, often for half the year. Surfing and Pacific Island post-colonial writing have been two of my persistent interests. I’ve been visiting writer at the University of Hawai‘i, Manoa; visiting fellow at the East-West Center; and have traveled extensively in the South Pacific.
UHP: How do you feel Wayne Levin and Geoffrey Fricker’s photography complements your work?
TF: Water friendships! I first saw Wayne’s marvelous ocean photographs when I was dreaming toward the book that became On Water (1994). My collaborations with Wayne include Through A Liquid Mirror, Other Oceans (UH Press), and Akule. As for freshwater, I’d been part of a Geoff Fricker project about the upper Sacramento River. Then in the late 1990s Geoff asked me write text for his haunting photographs of the ruined Hamakuapoko sugar mill.
UHP: As the author of more than 25 books, how does Acting My Age differ from your other work?
TF: A return to first person nonfiction, something I’d not done for many years, it picks up after the impending heart surgery looming at the end of Here and Gone. Acting My Age is, not surprisingly, much concerned with aging and mortality—author seventy-one to seventy-five in the telling—but also speaks from my ongoing love of and fear for the ocean. My dismay with the mess humans can make of things. As for how the stories are told, well, I’ve had a long love affair with words, tried to draw on all I’ve learned in my writing life.
UHP: The revisions for Acting My Age were completed in the first days of the COVID-19 pandemic. How does this find you—and your writing—nearly a year later?
TF: Like everyone, I’m much sobered by the pandemic. Too many apprehensions realized.
Meanwhile, no one writes or lives forever. About to turn seventy-seven, clearing books and papers from my garage library, I feel like a surfer in a long lull. Waiting for the next set. Staying very close to home, perforce, has encouraged me to be the kind of reader I was as a child—(re)reading for the deep pleasure of it. No product quite yet in mind. Savoring company I’ve kept. Jim Harrison’s late poems, Dead Man’s Float. J.A. Baker’s The Peregrine. Calvino’s Invisible Cities. These “colleagues” I’ve learned from, have tried to measure up to.
THOMAS FARBER has been a Fulbright Scholar, awarded a Guggenheim fellowship and three times National Endowment fellowships for fiction and creative nonfiction, recipient of the Dorothea Lange-Paul Taylor Prize, and Rockefeller Foundation scholar at Bellagio. His recent books include Here and Gone, The End of My Wits, Brief Nudity, and The Beholder. Former visiting writer at Swarthmore College and the University of Hawai‘i, he teaches at the University of California, Berkeley. www.thomasfarber.org
In Tyranny Lessons, the newest volume from MĀNOA, international writers from two dozen countries in Asia, the Middle East, Europe, and the Americas address the challenges of contemporary tyranny as only literary writing can: through the perspective of lived experiences, imagined futures, and personal struggles.
Tyranny Lessons also features the photography of Danny Lyon, the first photographer of the Student Non-violent Coordinating Committee, whose work documented the Civil Rights movement in the 1960s.
Alok Bhalla and Ming Di guest edited this issue alongside MĀNOA editor Frank Stewart, who shares how this issue came together and some of the pieces in the issue.
University of Hawai‘i Press: Tell us how this special issue came together.
MĀNOA: As an international literary publication, MĀNOA tries to engage with the most urgent issues of our time. We have compiled volumes on freedom, unending wars, reconciliation, and, most recently the displacement of people due to climate change, ethnic conflicts, and other causes. Tyranny Lessons grew out of these global concerns.
UHP: Why is this issue important now?
MĀNOA: Literary writing is often about individuals, not statistics or abstract groups. Many millions of people have been displaced around the world, and tens of millions are living under authoritarian governments or in intolerant communities. These numbers blur the fact that they comprise individuals, each of whom struggles, suffers, or is hurt. Good literature helps us live through the experiences of everyday people in difficult circumstances, enlarging our understanding and compassion.
UHP: How do you see this issue being used in the world?
MĀNOA: Writers from nearly two dozen countries contributed to this volume—many from places that Americans seldom hear from: India, Indonesia, Tibet, Latvia, Slovenia, Estonia, the Czech Republic, Syria, and others. Their experiences, languages, and viewpoints are diverse. When American readers see them side-by-side in MĀNOA—and when the writers themselves see their work in this international context, across political and national boundaries—lives of others become more immediate, and our feelings of kinship grow larger and more inclusive.
UHP: Walk us through your table of contents: What’s not to miss?
MĀNOA: Well, there are more than sixty writers in the volume so it’s hard to answer this briefly. There are many excellent writers from the PRC, Hong Kong, and Tibet. Tang Danhong’s “Chairman Mao Is Dead!” is a wonderful, acerbic, and at times funny essay about a time in her childhood when a death in China turned the country, and her life, on its head. Other writers from China recall events in the recent past, the outbreak of the COVID-19 virus. There are two wonderful allegorical tales by an Indonesian writer, Rio Johan, living in Paris. There are some unexpected pieces, such as an essay by Walter White, who headed the NAACP, on lynching, and some union songs by Joe Hill.
UHP: What was the most challenging thing about creating this issue?
MĀNOA: It was important to us that Tyranny Lessons not have an agenda or or be predictable. We wanted to understand tyranny as a condition that is common in our lives, in ways we don’t think about in that way—and not just government oppression. There’s a moving story in the issue by Ann Pancake, who lives in West Virginia, about a brother whose opioid addiction tyrannizes the well-being of a family. An essay by Thomas Farber comments on the scientific practice of capturing and experimenting on dolphins—surely an example of humans tyrannizing non-humans. And there’s a fine play by Catherine Filloux, “whatdoesfreemean,” concerning incarcerated women of color.
UHP: How does the artwork complement the written content?
MĀNOA: Acclaimed photographer Danny Lyon, the first official photographer of the Civil Rights Movement, gave us a suite of photographs from his book The Movement: Documentary of a Struggle for Equality. The images underscore the reality that tyranny is not something that happens only in totalitarian foreign countries. Communal violence and intolerance are present in the U.S. as well. And Americans too have lessons to teach the world about tyranny.
Read Free on Project MUSE:
Poem: “Cry Out in Sorrow,” by Lin Zi
This poem was written for Li Wenliang (1986–2020), the Wuhan doctor who alerted his colleagues about the coronavirus in December 2019, and died of the disease in February 2020. When punished by the police for “spreading rumors,” he said, “A healthy society should allow more than one voice.” The poem calls for public mourning as a protest against censorship.
Buy the Volume
Subscribe to MĀNOA
Like Tyranny Lessons? MĀNOA publishes two compelling issues annually of international literature. Subscribe here.
The September issue of the Journal of World History is a special issue, “Crossing Companies,” guest edited by Felicia Gottmann, a Senior Lecturer in History at Northumbria University, Newcastle, and Philip Stern, the Gilhuly Family Associate Professor of History at Duke University. The issue includes five research articles, in addition to Gottmann and Stern’s introduction to the issue and a special digital-only afterword by Julia Adams and Isaac Ariail Reed (both available free on Project MUSE).
Here, Gottmann and Stern discuss how this special issue came together, editing during a pandemic, why this subject continues to interest scholars and students, and how teachers can use the issue in their classrooms.
University of Hawai‘i Press: Tell us how this special issue came together.
Gottmann and Stern: The issue was the result of many conversations among a number of scholars researching various novel ways chartered companies crossed national boundaries, some together as part of larger collaborative research projects. We decided that taken together our research would make for an interesting discussion and offered it as a panel for the 2017 American Historical Association annual meeting in Denver. This raised so many interesting points that we decided to we just had to publish the discussion as articles, and commissioned others to supplement. We proposed it as a dedicated special issue to JWH, and the rest is history. This took us three years, but we think it was worth it.
UHP: What was the most challenging thing about creating this issue as editors?
Gottmann and Stern: For a subject as broad and involved as that of early modern chartered companies the greatest challenge was that even among all of us, one special journal issue could only skim the surface of what is a broad and expansive subject, so we were constantly feeling like we were leaving out far more than we were putting in. And of course, the final stages of a collaborative issue are hard under normal circumstances; when we started this together in Denver years ago, no one could have anticipated we would be doing it in the midst of a global pandemic. Both of us have small children, which made co-authoring and editing that much more demanding. Even meant even finding times to meet virtually across five time zones when one of us was not on childcare duty or utterly exhausted was… a challenge. Honestly, we couldn’t have gotten through it without the remarkable contributors, and of course the immensely patient and accommodating editors and staff at JWH.
UHP: Why do you think early-modern trading companies continue to interest scholars and students?
Gottmann and Stern: The subject was actually one of great interest many decades ago—in some ways, our special issue is somewhat inspired by the fabulous book on Companies and Trade co-edited by Leo Blussé and Femme Gaastra in 1981. Around the same time, the fantastic work to “bring the state back in,” (to quote another important volume from the 1980s), certainly led to a generation of work that exposed the connections between state and empire formation across the globe. But since then, our attention has been drawn back to the ways in which private enterprises govern like states, making connections around the globe and building empires. While the analogy can be taken too far, the comparison—whether in terms of similarities or contrasts—with a similar phenomenon in the early modern world certainly promises fascinating insights into the origins of modern capitalism and globalization and raises questions about the role and nature of states and multinational companies. The past several decades have also seen increasingly broader interest in, and sophisticated approaches to colonial, imperial, and world history, which has no doubt been part of the renewed interest in colonial companies.
UHP: How do you see this special issue contributing to the field?
Gottmann and Stern: While scholars working on the theaters in which these companies operated, be that the Indian Ocean or the Atlantic World, have long since shown that their operations were resolutely transnational on the ground, those who study the companies qua companies continue to do so with the kind of “methodological nationalism” that Ulrich Beck has taught us to abandon long ago. Our special issue firmly demonstrates that these were transnational enterprises not just on the ground in Asia, Africa, or the Americas but that they were transnational through and through, from their very inception in Europe. So we turn the lens of World History back on Europe, demonstrating it to be part of much wider, not merely, national histories.
UHP: What advice would you give to a teacher who was interested in using your issue in their classroom?
Gottmann and Stern: We would encourage teachers to use this issue as a way into studying history away from national narratives of empire: as a way to motivate students to challenge their modernist assumptions about the coherence of notions of “nations”, “states”, and “companies”. Paired with some of the many surviving great primary sources, be that Ananda Ranga Pillai’s Diary or Bolt’s Considerations on India Affairs, this can be a brilliant way to get students to rethink world history as a history of more than just a world of nation-states.
Table of Contents
Introduction: Crossing Companies (Free)
Felicia Gottmann, Philip Stern
Coda: Crossing Companies, Theories of Agency and Early Modern European Empire (Free)
Julia Adams, Isaac Ariail Reed
Plus book reviews.
Asian/Pacific Island Nursing Journal (Open Access)
Volume 5, Issue 1 (2020)
The new issue includes the following articles:
Building Safe Didactic Dialogues for Action Model: Mobilizing Community with Micronesian Islanders
Connie K. Y. Nguyen-Truong Dr., Jacqueline Leung Dr., Kapiolani Micky, and Jennifer I. Nevers
How Do Acculturation, Maternal Connectedness, and Mother-Daughter Sexual Communication Affect Asian American Daughters’ Sexual Initiation
BoRam Kim, Yurun Cai, and Teri Aronowitz
What works in mindfulness interventions for medically unexplained symptoms? : a systematic review
Ruel Billones, Nada Lukkahatai, and Leorey Saligan
Review of the Scientific Literature on Young Adults Related to Cardiovascular Disease Intervention
Dieu-My T. Tran and Angela Sojobi
Academic Freedom, Academic Lives, Guest Edited by Bill V. Mullen and Julie Rak
Volume 42, Issue 4 (2019)
From the guest editors’ introduction:
Academic freedom is currently highly public and highly contested terrain. What academic freedom actually means has become an urgent question, as alt-right activists have turned the tenets of academic freedom to their own ends, whether on college and university campuses, or through the actions of right-wing governments as they move to suppress dissent. We want to reclaim the concept of academic freedom for the left and for academic activism, not through a debate about the concept as an abstraction, but in connection to what we see as the radical potential of academic lives. Thinking of academic lives as interpretation and critique is a way to disrupt the current alt-right control of public discourse about freedom of speech. Read the special issue introduction free here.
Volume 25, Issue 2 (2018)
This issue of China Review International begins with the following reviews:
Special Issue: Environment and Resources: Burma/Myanmar and the (Un)Natural
Volume 24, Issue 1 (2020)
The editor’s note for this special issue begins:
From touristic impressions to geopolitical analyses, ubiquitous are the tremendous and varied natural resources of Myanmar. Teak forests, oil and gas reserves, precious gemstones, biodiversity, and the list goes on. The very meaning of the concept of resource, however, suggests that the country contains things of tremendous potential human, economic use, and therefore value. With the resources, mapping, and study of them, there is the seemingly boundless potential for greater wealth to be accumulated. On the other hand, discourse regarding natural beauty and wonder can be a purposeful distraction from ongoing issues of war and exploitation. Discussing the country’s abundance of resources, however, is never a neutral proposition: for outsiders looking in, there is frequently a value-laden assumption which guides the observation that the various regimes and economic interests are not responsibly conserving these resources for the greater good (however nebulous that may be). Life itself (before we even label it a natural resource) is already an active zone of economic production, engineering, banking, commodification, and exchange (Palsson 2016:4). The definition, mapping, laws, and social relationships which name and frame resources in Myanmar are of ongoing heuristic, cultural, economic, and inevitably political concern.
With this problematic in mind, in this Special Issue of The Journal of Burma Studies (JBS) we have gathered together an interdisciplinary set of research articles surrounding questions of what nature is and what its resources might be. With the four authors’ varied focus on historical and contemporary Myanmar, this set of papers offers challenging new vistas for the exploration and interrogation of how resources and the environment have been approached and brokered by local and transnational actors. Read the special issue introduction free here.
Volume 14 (2020)
New articles in LD&C in July:
Volume 55/56 (2019)
This issue of U.S.-Japan Women’s Journal begins with the following articles:
We are pleased to participate in the inaugural AAAS Virtual Book Fair (August 10–14, 2020) organized by the Association for Asian American Studies (AAAS) to highlight recent titles released by university presses, especially ones by AAAS members. With the cancellation of the in-person annual meeting, this virtual event fills the gap to celebrate the fine works published in Asian American and Pacific Islander studies. Here is a selection of our new and recent titles in the field:
Balancing the Tides: Marine Practices in American Sāmoa
Also available in open-access editions.
Envisioning Religion, Race, and Asian Americans
Edited by David K. Yoo and Khyati Y. Joshi
California Dreaming: Movement and Place in the Asian American Imaginary
Edited by Christine Bacareza Balance and Lucy Mae San Pablo Burns
(Available September 2020)
Trans-Pacific Japanese American Studies: Conversations on Race and Racializations
Edited by Yasuko Takezawa and Gary Y. Okihiro
Pacific America: Histories of Transoceanic Crossings
Edited by Lon Kurashige
Beyond Ethnicity: New Politics of Race in Hawai‘i
Edited by Camilla Fojas, Rudy P. Guevarra Jr., and Nitasha Tamar Sharma
Karen Tei Yamashita: Fictions of Magic and Memory
Edited by A. Robert Lee