Free U.S. domestic shipping on orders of $100 or more
Offer ends November 30, 2023
CLICK HERE FOR MORE INFORMATION ABOUT THE MUSIC AND PERFORMING ARTS OF ASIA AND THE PACIFIC SERIES
Continue reading “30% OFF on Music and Performing Arts of Asia and the Pacific”
Volume 41, Number 1 (2022)
Associate Editor Catherine Swatek and Editorial Board Member Robert E. Hegel remember Rolston in the following introduction:
Given his publication record, one might assume that David L. Rolston is a scholar of narrative fiction. For his first major publication, David served as editor of How to Read the Chinese Novel, a milestone in providing English-language readers a glimpse of reading practices and practical criticism contemporaneous with Ming and Qing novels themselves. Not merely the compiler of the translations that comprise six of the book’s seven chapters, David’s work can be seen throughout the volume, from adding innumerable notes and explanations to the “How to Read” (dufa讀法) translations; to writing essays on the sources, history, and formal aspects of traditional fiction criticism; to compiling explanatory appendices and an extensive bibliography for each of the masterworks covered. This project was completed before David finished his Chicago doctorate.
Find more special features and articles at Project MUSE.
Volume 46, Number 2 (2021)
This Special Section features discussion on 1960’s protect songs to K-pop idols. Editor Cheehyung Harrison Kim notes:
Culture is at once a medium through which we make sense of the
world (for good or ill), a field of empowerment for the underprivileged, and a source of hegemony for the state and corporations. This cultural complexity is discernible in South Korea’s current political landscape, and it is also the very theme explored in this volume’s Special Section “Music That Moves: Sonic Narratives in Modern Korea,” dexterously guest edited by Dafna Zur and Susan Hwang. In Katherine Lee’s elegant piece on the World Vision Korean Orphan Choir, musical performance is at the heart of transnational religiosity and Cold War politics. Transnationalism is also the framework of Dafna Zur and Yoon Joo Hwang’s original research on children’s music during the colonial period, when the merger between western style of songwriting and Korean emotionality unevenly transpired in the genre of tongyo. Music as a field of popular resistance is the core of Pil Ho Kim’s audacious piece on South Korea’s 1960s protest songs, which, for Kim, is a pre-minjung expression of the multitude. Susan Hwang’s emotionally prodigious article, too, is on the resistive and resilient aspect of music, which, in the aftermath of the 1980 Kwangju Uprising, served as a crucial repertoire for the counter-state. From the opposite side, music as practice of hegemonic efficacy is dealt with in Alexandra Leonzini and Peter Moody’s intricate article on North Korea’s sonic culture, as it is done in Roald Maliangkay’s perspicacious study on South Korea’s use of K-pop in marketing. Whether the hegemonic entity is the state or a corporation, music is, in these two articles, a potent medium of influence.
Find more special features and articles at Project MUSE.
Volume 62 (2022)
As expressed by authors Hiromi Tsuchiya Dollase and Wakako Suzuki in the introduction:
The literary genre shōjo shōsetsu emerged in conjunction with the rise of girls’ education in the Meiji period. Early stories were meant to educate readers to become “good wives and wise mothers.” Accordingly, shōjo shōsetsu endured restrictions on the narratives they could tell, limiting the breadth of their authors’ artistic and literary possibilities. Shōjo shōsetsu evolved and diversified in the postwar era and, especially starting in the 1980s, became a means for young female authors to empower themselves. Shōjo shōsetsu have declined in popularity recently as readers consume stories more broadly across media and genres. The goal of this special issue is to contemplate the function, meanings, and problems of shōjo shōsetsu. Instead of merely confining ourselves to a rigid, unified notion of shōjo shōsetsu, we consider shōjo characters from the wider literary world, investigating their roles, functions, and cultural implications.
The new issue includes the following articles:
Introduction: Girls and Literature
イントロダクション：少女と文学
Hiromi Tsuchiya Dollase and Wakako Suzuki
Trees That Grow Kimono (1895)
着物のなる木
Wakamatsu Shizuko 若松賤子
Translated by Wakako Suzuki
Kawabata Yasunari’s The Scarlet Gang of Asakusa as the
Territory of the Dispossessed Girl
追い立てられた少女の領域としての『浅草紅団』
Barbara Hartley
Love and Sexuality in Postwar Girls’ Culture: Examining
Tomishima Takeo’s Junior Fictiona
戦後少女文化における恋愛と性愛：富島健夫の
ジュニア小説をめぐって
Hiromi Tsuchiya Dollase
Countdown to the Demise of Girls’ Novels
少女小説のカウントダウンの開始
Kume Yoriko 久米依子
Translated and Introduced by Barbara Hartley
Find more articles at Project MUSE.
Volume 17-1 (2020)
Between Disaster, Punishment, and Blame: The Semantic Field of Guilt in Early Chinese Texts by Thomas Crone (review)
Michael Nylan
Dictatorship by Degrees: Xi Jinping in China by Steven P. Feldman (review)
John Sagers
Confucianism and Sacred Space: The Confucian Temple from Imperial China to Today by Chin-shing Huang (review)
Deborah Sommer
The Inconvenient Generation: Migrant Youth Coming of Age on Shanghai’s Edge by Minhua Ling (review)
Yinni Peng
Queer Chinese Cultures and Mobilities: Kinship, Migration, and Middle Classes by John Wei (review)
Shunyuan Zhang
Find more articles at Project MUSE.
Volume 13, Number 1 (2022)
The new issue includes the following articles and reviews:
The Philosophical Turn in Tonghak: Focusing on the Extension of Ethics of Ch’oe Sihyŏng
Cho Sŏng-hwan
The Faith of Sich’ŏnju in Tonghak/Ch’ŏndogyo and its Method
of Practice
Kim Yonghae
Find more research articles and reviews at Project MUSE.
The new issue features the following introduction by Trang Phan, John Phan, and Mark J. Alves
The current issue is the result of a workshop held at the Harvard Yenching Institute in April of 2021, entitled Vietnamese Linguistics, Typology and Language Universals, and which featured nineteen linguists working on diverse aspects of the Vietnamese language, ranging from semantics to historical phonology. Our purpose in gathering was to take stock of the great leaps in Vietnamese linguistic research that have occurred over the past few decades, to bring together cutting-edge research from each subdiscipline, and to begin a new collaborative dialogue on Vietnamese linguistics, typology, and language universals. Most of all, it was our belief that the time had come to reconsider Vietnamese linguistics as a unified field of inquiry. As a result, a new academic organization was founded: the International Society of Vietnamese Linguistics.
In the past twenty years, research into the Vietnamese language has advanced exponentially, in tandem with developments in our understanding of syntax, semantics, phonetics, and phonology—both on the synchronic and diachronic levels. Specific work on the Vietnamese language now informs and even leads broader linguistic inquiry in a number of unprecedented ways. These new developments invite a concentration of state-the-field research into a single volume, one that will serve not only to summarize current issues in each subdiscipline of Vietnamese linguistics, but also to initiate a longer, more collaborative conversation about the Vietnamese language.
Our goals in this special issue are thus twofold: first, we seek to provide a snapshot of current research into Vietnamese syntax, semantics, phonology, and phonetics, from both the historical and synchronic points of view, that may serve as a resource for linguists interested in exploring our current understanding of the Vietnamese language. Second, we hope that this issue will also serve as an invitation to all linguists working on the Vietnamese language or related languages to contribute to a broader, more cosmopolitan discussion—one in which discoveries of one subdiscipline may serve to inform or enlighten another.
Find more articles at eVols.
Volume 61 (2022)
The new issue features the following articles:
“Unseasonal Winds of Love”: A History of Prostitution and the Foreign Community in Early Modern Nagasaki
Martha Chaiklin
Historian and Feminist Kanō Mikiyo: A Lifetime of Writing Against Japanese Imperialism
Setsu Shigematsu
The “Emperor’s Heart” and the “Mother’s Heart”: What Gave Rise to the “Mothers of Yasukuni”
Kanō Mikiyo, Setsu Shigematsu
War-Themed Shōjo Manga as a Site for Female Subjectivity: An Aesthetic Analysis of Mothers and Daughters Narrating War
Kaori Yoshida, Kazumi Nagaike
Androids for the Stone Age?: Individuality, Space, and Gender in Murata Sayaka’s Convenience Store Woman
Ronald Saladin
Find more articles at Project MUSE.
Volume 39, Number 1 (2022)
The new issue includes the following translations and articles:
A Journal of the Plague Year by Terayama Shūji in Collaboration
with Kishida Rio: “Contagious Magic” for a Time of Epidemic Translated by Tsuneda Keiko and Colleen Lanki
Yi Kwang-su’s Gyuhan (Sorrows of the Inner Room): Korea’s
First Modern Play?
Introduction and Translation by Owen Stampton
The “Homosexual Code” in Contemporary Korean Theatre:
The Case of Shakespeare’s R & J in Seoul
Yeeyon Im
Isan Contemporary Performance: Embodied Isan Tone in
Thai Contemporary Performance Making
Tanatchaporn Kittikong
Find more translations, articles, and reviews at Project MUSE.
Volume 33, Issue 1 (2022)
A Short History of Feather Fans’ Spread and Cultural
Connotations: From Bronze Age Africa East to China
and West to Europe
Karen Eva Carr
Breaking the Containment: Horse Trade between the
Ming Empire and its Northern Neighbors, 1368–1570
Liping Wang and Geng Tian
Captive Colonizers: The Role of the Prisoners of War
from Poland-Lithuania and the Crimean Khanate in
the Russian Subjugation of Eastern Siberia
Dariusz Kołodziejczyk
Chains of Custody, Oceans of Instability: The Precarious
Logistics of the Natural History Trade
Vanessa Finney, Jarrod Hore, and Simon Ville
Abie Nathan and his Double-Edged Missions:
The Transnational Humanitarian and Human Rights
Activist during the Nigeria-Biafra War
Taiwo Bello
Find more articles and book reviews at Project MUSE.
Volume 76, Number 1 (2022)
The new issue includes the following articles:
Spatial and Temporal Patterns of Fire on Saipan, CNMI
Ilan E. Bubb and Zachary B. Williams
Hawai‘i’s Toxic Plants: Species Richness and Species–Area Relationships
Donald K. Grayson and Heidi A. Lennstrom
Factors Affecting Breeding Success of White Terns (Gygis alba; Aves: Laridae) in Urban Environments of Honolulu, Hawai‘i
Eric A. VanderWerf and Richard E. Downs
Validation of the USPED Erosion and Deposition Model at Schofield Barracks, O‘ahu, Hawai‘i
Steven D. Warren and Thomas S. Ruzycki
Behavior of Hawaiian Petrels and Newell’s Shearwaters (Aves: Procellariiformes) Around Electrical-Transmission Lines on Kaua‘i Island, Hawaiian Islands
Robert H. Day and Brian A. Cooper
Epizoic Cyanobacteria and Algae on the Pelage of Pinnipeds:
A Literature Review and New Data for the Harbor Seal (Phoca vitulina)
Floyd E. Hayes, Sarah Codde, and Sarah G. Allen
A Short-Term Winner? Dramatic Increases in the Population of Mushroom Coral Lobactis scutaria (Anthozoa: Fungiidae) in Ka-ne‘ohe Bay, Hawai‘i from 2000 to 2018
Trevor Johannsen, Erik C. Franklin, and Cynthia Hunter
Find more research articles at Project MUSE.
Volume 40, Number 2 (2021)
The new issue includes the following articles and reviews:
“Making History”: Metatheatre in the Peach Blossom Fan
Allison Bernard
Find more research articles and reviews at Project MUSE.
Volume 22, Issue 2 (2021)
From the Guest Editors Rachel Emerine Hicks, Debra McDougall, and David Oakeshott in The Promise of Education: Schooling Journeys in the Southwester Pacific:
“Schooling journeys” is more than a metaphor in the southwestern Pacific. To step into a classroom, children and youth often travel hours each day or live for months at a time away from their families. The journey of schooling is rarely direct; it often winds between formal and informal learning and in and out of school, work, and home life. And the journey is expensive; many families struggle mightily to gather the money for fees, school supplies, uniforms, and transportation. Young people embark on these precarious journeys, and their families make sacrifices to support them, because schooling promises a better life—a move away from the backbreaking labor of subsistence agriculture toward a reliable salary that will better support their family and community. Because of the structural inequalities in school and a lack of jobs for those who complete schooling, however, few experience the socioeconomic advancement schooling promises. Still, students and their families continue to hope that schooling will lead to well-paid work. Even more important, though, going to school is seen as key to being a competent and effective person in society—increasingly for both women and men.
Volume 55 (2021)
The new issue includes the following articles, reviews, notes, and queries:
Aloha Space Age: NASA and the Hawaiian Islands, 1957—1970
David A. Smith
The First Attempt to Overthrow Liliʻuokalani
Ralph Thomas Kam
Dr. Richard You and the Golden Age of Hawaiʻi’s Athletics
John D. Fair
Incarcerating a Nation: The Arrest and Imprisonment of Political Prisoners by the Republic of Hawaiʻi, 1895
Ronald Williams Jr.
Hawaiian Women’s Fashions: Kapa, Cotton and Silk by Agnes Terao-Guiala (review)
Linda Arthur Bradley
Find more research articles, reviews, bibliographies, notes and queries at Project MUSE.
Volume 60 (2021)
The new issue includes the following articles and reviews:
Yosano Akiko in Belle Époque Paris / ベル・エポックのパリの与謝野晶子
Scott Mehl
Find more research articles and reviews at Project MUSE.
Volume 83 (2021)
Editor Craig S. Revels reflects over the COVID-19 pandemic and how it has affected geographers and members as he states:
Last year’s volume was published in a time of great uncertainty as the COVID-19 pandemic swept across the world, and this year’s unfortunately arrives under similar conditions, slowly improving though they may be. The tragedies, disruptions, and general state of societal affairs during the pandemic will not soon be forgotten…
Geographers have been at the forefront of research into the spread of COVID-19 since the earliest days of the pandemic, and Steve Graves and Petra Nichols contribute an analytical perspective on infection rates in Los Angeles County. In particular, they statistically identify a causal relationship between infection and a range of key socioeconomic and demographic variables, a relationship influencing the location and rate of spread for the disease. They leave us to consider how those factors must be addressed in any preparations for future public health crises.
In a significantly different context, Ray Sumner and John Menary
demonstrate that taking students into the field, always a valuable exercise, is even more rewarding when it leads to unexpected discoveries and challenges our carefully laid plans. In this case, a straightforward field methods class oriented around the Los Angeles River instead became an open-ended, student-driven exploration into the social dimensions of heritage, ethnicity,
culture, and urban development.
Volume 38, Number 2 (2021)
The new issue includes the following articles and reports:
Raktim Pariwar’s Red Lanterns: Dance and Cultural
Revolution in Nepal
Anna Marie Stirr
The Tokyo Festival World Competition 2019
Cody Poulton
Find more research articles, reports, and reviews at Project MUSE.
Volume 14 (2021)
From the Editor Young Jung-Lee:
One of the most important recent shifts in Korean literature is found in gender conflict. This “Special Feature: Gender Trouble in Korean Literature and Society,” guest-edited by Hye-Ryoung Lee, shows a fundamentally new perspective through six scholars reading Korean Literature and Society. Over the past decade, the #MeToo Movement has shaken the world, and Korean society has been no exception, as can be seen in Choi Young-mi’s poem “En,” introduced here with six critical essays. Even before its publication, “En” was the focus of media attention, and it remained a hot topic in Korean society for years due to Choi’s high-profile court battles.
Volume 43, Number 4 (2020)
From Coeditor Anna Poletti:
With this forum, we, the editors of Biography, inaugurate a new feature of the journal that aims to respond to and amplify specific examples of the power of life writing as a cultural, political, and social practice, and which document key moments in the evolution of that practice. In this forum, No Friend but the Mountains is discussed as both a profoundly localized text responding to, making knowledge about, and exposing a highly specific and complex set of conditions, and as a uniquely transnational text that speaks to and about a global phenomenon. Its highly innovative use of life writing as a narrative technique and epistemological practice warranted, in our minds, a concentrated response from the journal. Commissioning and editing this response has renewed my appreciation for the primary concerns of lifewriting scholarship: tracking the mercurial power of personal storytelling to crystalize the contemporary moment in such a way that new knowledge emerges from the entanglements it depicts, and the entanglements it drags its readers into.
Volume 25, Number 2 (2021)
The new issue includes the following articles:
Ethnocentrism or National Reconciliation: Rethinking
Ethnic Relations and the History of Karenni
Tadayuki Kubo
Nats in the Land of the Hintha: Village Religion
in Lower Myanmar
Keziah Wallis
Elephant Riders of the Hukawng Valley, Kachin State:
Evasive Mobility and Vadological Geography
Jacob Shell
Volume 45 (2021)
From the Editor Cheehyun Harrison Kim:
This analytic potency of migration is superbly demonstrated in this volume’s Special Section Unsettling Korean Migration: Multiple Trajectories and Experiences, guest edited by Sunhee Koo (The University of Auckland) and Jihye Kim (The University of Central Lancashire). Sunhee Koo and Jihye Kim have brought together papers on labor (Yonson Ahn and Jihye Kim), ritual life (Marcus Bell), cultural identity (Sunhee Koo), and artistic production (Hee-seung Irene Lee and Soojin Kim). The six engrossing articles deal with how the Korean diaspora—in Argentina, Germany, Japan, China, and the United States—have shaped and represented their particular situations through negotiation, resilience, and creativity. The authors are highly critical of any national framework, and they see diasporic life as contexts of not only sorrow and sacrifice but also innovation and regeneration. Sunhee Koo and Jihye Kim offer a detailed explanation in their Introduction.
Volume 60, Number 1 (2021)
The new issue includes the following articles:
Avaipa, a Language of Central Bougainville
Jason Brown,Melissa Irvine
East Polynesian Subgrouping and Homeland Implications Within the Northern Outlier–East Polynesian Hypothesis
William H. Wilson
Toward a Comparative Typology of ‘Eating’ in Kanak Languages
Anne-Laure Dotte, Claire Moyse-Faurie
Find more research articles and reviews at Project MUSE.
Volume 71, Number 4 (2021)
The new issue included the following articles and translations:
Jian’Ai: Considerations From the “Greater Selection”
Susan Blake
Patterning the Myriad Things: Holism, Harmony, and Anthropogenic Influence in the Huainanzi
Matthew Hamm
Confucianism and Totalitarianism: An Arendtian Reconsideration of Mencius versus Xunzi
Lee Wilson
“America’s National Character” by Watsuji Tetsurō: A Translation
Kyle Michael James Shuttleworth, Sayaka Shuttleworth, Watsuji Tetsurō
Find more research articles, translations, and reviews at Project MUSE.
Volume 60, Number 1 (2021)
The new issue includes the following articles:
Addressing Tensions between Colonial and Post-Colonial Histories: Modeling Hawaiian Fort Pā‘ula‘ula/Russian Fort Elizabeth, Kaua‘i Island, Hawai‘i
Aleksander V. Molodin and Peter R. Mills
To Eat or Not to Eat? Animals and Categorical Fluidity in Shang Society
Yitzchak Jaffe and Roderick Campbell
Gendered Households and Ceramic Assemblage Formation in the Mariana Islands, Western Pacific
Jacy M. Miller, Darlene R. Moore, and James M.
Volume 38, Number 1, (2021)
From the Editor Siyuan Liu:
This issue starts with Carol Fisher Sorgenfrei’s appreciation of Leonard Pronko (1927–2019), noted kabuki scholar and teacher who passed away late 2019. Building on her profile of Pronko for Asian Theatre Journal’s “founders of the fields” series (28: 2, 2011), Sorgenfrei offers a touching personal profile of her former professor as an extraordinary human being.
As evidence to the flourishing field of Japanese theatre studies pioneered by Pronko and his peers, this issue continues with a special section on contemporary Japanese theatre with a combination of articles, reports, a translation, and a performance review essay.
Volume 43, Number 3 (2020)
In the summer of 2019, kiaʻi (protectors) gathered at Puʻuhonua o Puʻuhuluhulu to defend Maunakea, a sacred mountain, against desecration by the construction of the Thirty Meter Telescope (TMT). Thousands gathered at Ala Hulu Kupuna, or Mauna Kea Access Road. Daily protocols were led by cultural practitioners and long-time protectors of Maunakea, intergenerational Native Hawaiian leadership was developed and empowered on Hawaiian terms, a community kitchen was organized, Puʻuhuluhulu University was established as an actual Hawaiian place of learning, and a collective commitment to ʻāina and kapu aloha rooted all who arrived and all who continue to stay in this movement.
The 2019 stand was also an unprecedented opportunity to witness the battle of narratives, as mainstream media and highly paid public relations firms were outmaneuvered by Kanaka- and ally-authored life writing. This special issue features first-hand accounts, academic reflections, creative works, photography, and interviews with kiaʻi from the 2019 front lines and members of the media team.
Volume 32, Number 2 (2021)
Introduction from Guest Editor Antoinette Burton reads:
The technological evangelism of much of anglophone digital humanities discourse should sit uneasily with empire historians, who know what languages of discovery and “new frontiers” have meant in the context of world history, especially where data collection is concerned. To be sure, digitization has made myriad colonial archives, official and unofficial, available via open access platforms. This means that vast stores of knowledge are now at our fingertips—a proximity and immediacy that has reshaped the lived experience of archival research for many scholars, in this case bringing the imperial world not just closer to home but into the hands of anyone who has access to a cellphone. And the revolution in digital tools in the last twenty-five years has given rise to equally vast possibilities for gathering and visualizing evidence as well as for scaling and interpreting data: for worlding, mostly by aggregation and consolidation, what we aim to know about the kinds of colonial pasts that are available and capturable via text and image. Yet, this information empire is not exactly new. Digitization most often reassembles archival collections proper, sometimes remixing them with print and visual culture and typically organizing them through mechanisms and selection processes that are more or less visible depending on the commitment to transparency of the conglomerator. In some cases, those conglomerators are private individuals or government entities; in others, corporate sponsors; in still others, community-based activists. Inevitably perhaps, today’s digital imperial “data” are actually, more accurately, digitally transformed imperial sources. And for colonial subjects, as for the enslaved, data has more often than not meant terror at the scene of the crime.
Volume 33, Number 1 (2021)
The new issue includes the following articles:
“We Want Development”: Land and Water (Dis)connections in Port Moresby, Urban Papua New Guinea
Michelle Nayahamui Rooney
“Keeping an Eye Out for Women”: Implicit Feminism, Political Leadership, and Social Change in the Pacific Islands
Ceridwen Spark, John Cox, and Jack Corbett
Gesturing to the Past: The Case for an Ethnography of Melanesian Poetics
Deborah Van Heekeren
Smart Sanctions, Hollow Gestures, and Multilateral Sport: New Zealand–Fiji Relations and the Politics of Professional Rugby, 1987–2011
Greg Ryan
Volume 59 (2021)
The new issue includes the following articles:
Remembering Okei (1852-1871): Daughter of Aizu, Pioneer of Gold Hill おけいを記憶する：会津の娘、ゴールド・ヒルの草分け
Kristina S. Vassil
From Occupation Base Clubs to the Pop Charts: Eri Chiemi, Yukimura Izumi, and the Birth of Japan’s Postwar Popular
Music Industry 江利チエミ、雪村いづみ、日本の戦後のポピュラー音楽産業を再構築し た軍事占領基地クラブのミュージシャン
Michael Furmanovsky
My Encounter with Women’s Studies 女性学との出会い1
宗子水田
Noriko Mizuta and Bo Tao
Broadcast journalist Heidi Chang‘s story on Gabe Baltazar Jr. as a pioneering Asian American jazz musician aired internationally on Voice of America. The show is archived on the VOA website; click here to read and listen (and comment!). It reveals just a sampling of what is in Gabe’s autobiography, If It Swings, It’s Music.
The plays presented in The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and Love in Four Plays of the 18th and 19th Centuries, translated and annotated by Stanleigh H. Jones, were first performed between 1769 and 1832, a time when the Japanese puppet theatre known as Bunraku was beginning to lose its pre-eminence to Kabuki. During this period, however, several important puppet plays were created that went on to become standards in both the Bunraku and Kabuki repertoires; three of the plays in this volume achieved this level of importance. This span of some sixty-odd years was also a formative one in the development of how plays were presented, an important feature in the modern staging of works from the traditional plebeian theatre. Only a handful of complete and uncut plays—often as much as ten hours long—are produced in Bunraku or Kabuki nowadays; included here is one of these. Two among the four plays contained in this volume are examples of the much more common practice of staging a single popular act or scene from a much longer drama that itself is seldom, if ever, performed in its entirety today.
Newly translated and illustrated for the general reader and the specialist, the plays are accompanied by informative introductions, extensive notes on stage action, and discussions of the various changes that Bunraku underwent, particularly in the latter half of the eighteenth century, its golden age.
December 2012 / ISBN 978-0-8248-3680-1 / $29.00 (PAPER)
