Call for a Co-Editor for Rapa Nui Journal

Applications are invited for the position of co-editor of Rapa Nui Journal: The Journal of the Easter Island Foundation (RNJ). The journal is published by the University of Hawai‘i Press in partnership with the Easter Island Foundation. Dr. Mara Mulrooney has served as the journal editor for the past several years and is looking forward to sharing the editorial duties with one or two co-editors.

The journal, launched in 1986 as Rapa Nui Notes, serves as a forum for interdisciplinary scholarship in the humanities and social sciences on Easter Island and the Eastern Polynesian region. Each issue may include Research Articles, Research Reports, Commentaries or Dialogues, Book or Media Reviews and EIF News.

RNJ is published twice a year and welcomes contributions from a wide range of social, cultural, indigenous and historical disciplines on topics related to the lives and cultures of the peoples of Rapa Nui and Eastern Polynesia. Abstracts for articles may be published in English, Spanish, and Rapanui. We welcome submissions from scholars across Oceania, North and South America, and beyond.

The editors are expected to assist in raising the profile of the journal, provide support increasing submissions, and secure timely and appropriate peer-review of articles. Editors will make the final decision on manuscripts, informing both the author(s) and reviewers of the final disposition. The editors must show openness to communicating with scholars about diverse ideas, openness to a diverse range of methodologies, and eagerness to continue building the journal’s reputation.

In accordance with the University of Hawai‘i Press’ mission to publish high quality scholarship, the following criteria are considered in selecting editors:

  • established record of scholarship
  • evidence of understanding the mission of the journal and its operation
  • a vision for the journal’s future
  • record of responsible service to scholarly publishing
  • evidence of organizational skill and intellectual leadership

The actual costs associated with production and the online submission system for the journal are covered by the publisher.

Selection Process: (1) Applications will be received by the UH Press Journals Manager by Sept. 4, 2019.  (2) The applicants will be reviewed and ranked by the current journal editor and UH Press Journals Manager. (3) The top two candidates will be contacted by phone for an interview and to discuss the journal editorial workflow by Sept. 25, 2019. (4) The candidate selection will be made by Oct. 10, 2019. (5) The new editor(s) will begin working with the current editor and UH Press no later than January 2020. (6) All other applicants will be notified of the final selection.

Applications: The applications should include the following:

Vision Statement: Set forth your goals and plans for the content of the journal.

Co-Editors Background Information: Describe the qualifications and experience of each person on the editorial team that supports their inclusion. There is no need to include names of individuals that you would like to include on the larger editorial board. If you wish to include names of nominees for Book Review editors, you may; these individuals will be appointed by the editors after they are selected, so you are not required to include them in your application.

Institutional Support: It is important for candidates to examine the feasibility of serving as co-editor in light of the resources provided by the publisher and their own home university. If candidates expect to receive support from their host institution, we request a preliminary letter of support from a dean or other appropriate institutional official.

CVs for all potential co-editors (and if applicable, any associate editors).

For questions and further information about the application process, please contact: Pamela Wilson, Journals Manager, pwilson6@hawaii.edu. We encourage anyone who is considering an application and wants to discuss ideas or ask questions, to get in touch. The application packet should be no more than five (5) pages (excluding CVs), and must be received by Sept. 4, 2019.

Applications may be emailed as PDFs to Pamela Wilson, Journals Manager at pwilson6@hawaii.edu.

University of Hawaii Press, 2840 Kolowalu Street Honolulu, HI 96822

Tel: (808) 956-6790

https://www.uhpress.hawaii.edu/journals/


Celebrating Asian / Pacific American Heritage Month with Free Journal Content

We are proud to publish an extensive list of Pacific, Asian, and Southeast Asian studies journals. This Asian / Pacific American Heritage Month, explore and enjoy the following free journal content online:

Open Access Journals:

Asian/Pacific Island Nursing Journal

Journal of the Southeast Asian Linguistics Society

Language Documentation & Conservation

Palapala: a journal of Hawaiian language and literature

Free journal content online:

Asian Perspectives: The Journal of Archaeology for Asia and the Pacific (46#1, 2007)

Asian Theatre Journal: Official Journal of the Association for Asian Performance (23#1, 2006)

Azalea: Journal of Korean Literature and Culture (1, 2007)

Buddhist-Christian Studies: Official Journal of the Society for Buddhist-Christian Studies (27, 2007)

China Review International: Reviews of Scholarly Literature in Chinese Studies (15#1, 2008)

The Contemporary Pacific: A Journal of Island Affairs (15#1, 2003)

Cross-Currents: East Asian History and Culture Review (3#1, 2014)

The Hawaiian Journal of History (49, 2015)

Journal of Daoist Studies (8, 2015)

Journal of Korean Religions (6#1, 2015)

Korean Studies: A Multidisciplinary Journal on Korea and Koreans Abroad (29, 2005)

MĀNOA: A Pacific Journal of International Writing: New Writing from America, the Pacific, and Asia (19#1, 2007)

Oceanic Linguistics: Current Research on Languages of the Oceanic Area (50#2, 2011)

Pacific Science: Biological and Physical Sciences of the Pacific Region (71#4, 2017)

Philosophy East & West: A Quarterly of Comparative Philosophy (53#3, 2007)

Rapa Nui Journal: The journal of the Easter Island Foundation (30#2, 2016)

Review of Japanese Culture and Society (24, 2012)

U.S.–Japan Women’s Journal (45, 2013)

Asian Perspectives 58-1
Asian Theatre Journal 36-1 cover

Visit our website to learn more about our publications or to subscribe.

 

UH Press Distributes Asian / Pacific Island Nursing Journal

The University of Hawai‘i Press now distributes the digital open-access journal, Asian / Pacific Island Nursing Journal published by the Asian American / Pacific Islander Nurses Association, Inc. (AAPINA). The complete content of the journal is freely available online at https://kahualike.manoa.hawaii.edu/apin/.

cover image Asian / Pacific Island Nursing Journal Edited by Jillian Inouye, PhD, FAAN from the University of Hawai‘i, John A Burns School of Medicine and School of Nursing & Dental Hygiene (emeritus), the Asian/Pacific Island Nursing Journal is the only journal focused specifically on health and health care of and for this population. The journal features research papers, empirical and theoretical articles, editorials, abstracts of recent dissertations, and conference summaries that relate to nursing care written by scientists and researchers in nursing and the social sciences.

“We are pleased to assist AAPINA in the production and distribution of this important open-access journal,” said Joel Cosseboom, UH Press interim director.

The Asian / Pacific Island Nursing Journal joins UH Press’s extensive list of Hawaiian and Pacific Island studies titles, including The Hawaiian Journal of History, The Contemporary Pacific, and Pacific Science. The journal also joins three other peer-reviewed, open-access journal offerings: Language Documentation and Conservation, Palapala: a journal for Hawaiian language and literature and the Journal of the Southeast Asian Linguistics Society.

About UH PressUH Press Logo

 The University of Hawai‘i Press supports the mission of the university through the publication of books and journals of exceptional merit. It strives to advance knowledge through the dissemination of scholarship—new information, interpretations, methods of analysis—with a primary focus on Asian, Hawaiian, Pacific, Asian American and global studies. It also serves the public interest by providing high-quality books and resource materials of educational value on topics related to Hawai‘i’s people, culture, and natural environment. Through its publications the Press seeks to stimulate public debate and educate both within and outside the classroom.

About AAPINA

 AAPINA serves as the unified voice for Asian American Pacific Islander (AAPI) nurses around the world. AAPINA strives to positively affect the health and well-being of AAPIs and their communities by:

  1. supporting AAPI nurses and nursing students around the world through research, practice, and education;
  2. facilitating and promoting networking and collaborative partnerships; and
  3. influencing health policy through individual and community actions.

Interview: The Contemporary Pacific editor Alexander Mawyer

Alexander Mawyer‘s passion for Pacific Island studies is contagious​, and has led him to a prolific career in Hawai`i and abroad​. As a graduate of the University of Hawai`i at Mānoa and the University of Chicago, he has conducted research with the Mangarevan community in the Gambier and Society Islands of French Polynesia. He has also served as coeditor of Varua Tupu: New Writing from French Polynesia and contributed a chapter for the UH Press volume At Home and in the Field: Ethnographic Encounters in Asia and the Pacific Islands. As an associate professor, he has worked on research involving the languages of Eastern Polynesia and sovereignty issues, and has served as co-director of the Biocultural Initiative of the Pacific in Oceania at UH Mānoa. With Mawyer now at the helm as editor upon its 30th anniversary, and with the launch of a new website for the journal, we asked him to share his approach to gleaning and organizing the content for The Contemporary Pacific

Photo on 1-18-18 at 11.37 AM

What led you to become an editor in this field?

What a striking question! You make me think of Borges’s garden of forking paths, wherein stories ramify, intersect, cross over and back, and all paths turn out to have many beginnings and few, if any, evident ends . . . still a few thoughts come to mind. In the summer after college, I found myself in Honolulu and, among other things, volunteering as an editorial assistant for MĀNOA: A Pacific Journal of International Writing, which Frank Stewart and Robbie (Robert) Shapard had founded some years earlier.

Looking back, that was a serendipitous moment. Still in its first decade, I happened to be present while MĀNOA was coming into its own with growing national and international recognition. I got to know passionately committed local thinkers and writers such as Mahealani Dudoit, who founded ‘Oiwi: A Native Hawaiian Journal in 1999 and who was very often in MĀNOA’s offices in those years. I was trained as an editorial assistant and later as assistant to the managing editor by the inimitable and formidable Pat Matsueda. Frank, Pat, Mahealani, and others on the staff and around at the time were inspiring for their commitment to the ethical imagination and the transformative potential of the inked page.

At some point during my first months with MĀNOA, Frank asked me to write a review of Vilsoni Hereniko’s then freshly published Woven Gods. Vili, a professor at the Center for Pacific Islands Studies, had just edited an issue of MĀNOA dedicated to Oceanic and Pacific Islander writers and writing. At the time, this literary space was almost entirely out of view for those not themselves seizing the pen in home islands and communities. I suppose my review was not a complete disaster since Frank suggested that Vili would enjoy lunching and chatting about my review. As I discovered, Vili’s scholarly spirit expands to fill whatever space he’s in and, somehow, by the end of that lunch he had more or less talked me into doing an MA in Pacific Islands Studies.

A year later, after my MA, I moved to Chicago for my doctorate and did not imagine (and, I think, could not have imagined) that I would ever have the privilege of serving as the editor of The Contemporary Pacific. I am confident that any number of other more recent experiences could be identified as part of the story-garden for how I came to take on this editorship. But in retrospect, I’m struck by how early career experiences play out over years, by how unexpectedly paths cross and re-cross, and by how the kindness of intellectual and professional mentorship was a planting that continues to flower and bear fruit.

Each issue includes a Political Reviews section. Tell us about the section appearing in vol. 30, no. 1.

Our Political Reviews alternate between issues in which they are devoted to the countries, territories, and states of Polynesia and Micronesia, and issues in which the reviews are devoted to those of Melanesia. The Political Reviews section that includes the reviews of our Melanesian neighbors also includes a single review of the region as a whole over the course of the preceding year. vol. 30, no. 1, features Micronesia in Review: Issues and Events, 1 July 2016 to 30 June 2017 with reviews of the Federated States of Micronesia (by Clement Yow Mulalap), Guam (by Michael Lujan Bevacqua and Elizabeth Ua Ceallaigh Bowman), and the Marshall Islands (by Monica C Labriola), and Polynesia in Review: Issues and Events, 1 July 2016 to 30 June 2017 with reviews of French Polynesia (by Lorenz Gonschor), Hawai‘i (by ‘Umi Perkins), Māori issues (by Margaret Mutu), Norfolk Island (by Chris Nobbs), Pitcairn Island (by Peter Clegg), Rapa Nui (by Forrest Wade Young), and Tonga (by Steven Ratuva).

These reviews are among our most used and cited pieces over many years. There is really nothing like them published elsewhere and their value is non-diminishing in time. Actually, it seems to me that their value is only increasing, given how poor our individual and collective powers of memory are and how, with each subsequent review, year after year, for each Pacific Islands country or territory, this islands’-eye-view of the political ebb and flow becomes ever richer as a record of the volutions and convolutions of local politics.

What have I learned in the most recent issue? Oceanic politics are wonderfully local but islands are, always were, also global, and the butterfly winds disturbing wildflowers in the continental distances are not always soothing breezes when they arrive in Pacific places. Similarly, the stirrings of regional leviathans touch lives within, across, and far beyond Pasifika communities.

TCP also carries its fair share of reviews, from media to books. Do you have any advice for reviewers interested in writing for your journal?

We do! I actually served as reviews editor for a number of years and regularly try to inculcate in my graduate students a sense of the value of the review literature to their present and future scholarly practice. Advice for potential reviewers? If a recent volume (or film or exhibition) with geographical placedness in Oceania emerges for which one feels a sufficiency of expertise to review, please feel free to reach out to suggest the possibility!

We are always looking for new reviewers, especially graduate students for whom reviews are a wonderful way of cutting teeth on the publication process, professionalizing one’s writing craft, and pushing back against the spirit-bruising isolation of the mind with which many scholars are all too familiar.

Beyond that, I’m often struck by how difficult it can be for reviewers to keep in mind the review genre’s trinity-like nature. Impactful, timeless, and productive reviews usually seem to have something of the quality of reflecting the reviewer’s irreducibly individual, personal take on the work, as well as reflecting the way the work is positioned within relevant literatures, within the already-existing conversation around the relevant empirical or conceptual material, as well as reflecting the way the work is positioned with respect to Pacific Studies or to the region.

Great reviews are individual, collective, and worldly and often reflect wildly productive tensions between these different commentary-domains.

Sculpture by Maika'i Tubbs

“Homegrown, Green #1,” by Maika’i Tubbs, the featured artist in vol. 30, no. 1. Push pins, plastic plates, forks, wood, 5″ x 11.5″ x 3″. Photo courtesy of the artist. From the issue: “This work is one of a series of miniature trees Tubbs made from office supplies while thinking about the way we may yearn for nature, try to control it, and sometimes force it to dwell in places we do not wish to be.”

The Contemporary Pacific recently introduced a new website. What can readers find there?

Super of you to notice this too! Strangely, we’ve not ever had a website before that was dedicated solely to TCP. In the last six months we have developed an SMS strategy and have a website, Facebook page, and Twitter feed. Our goals were not over-ambitious. We wanted to make it easier for the journal to be perceived as an integral whole, particularly now in our 30th anniversary year! We wanted to promote the visibility of current, future, and recent numbers, as well as issues from deeper in time. We have a classic article of the month, highlight past featured artists, and make it easy to search for particular authors or by keywords. Although it’s only been online for a couple of months so far, we’re already thinking about how the site might further develop, including better tools for potential authors!

Click here to view our new website.

What work are you most proud of since joining The Contemporary Pacific?

I suppose every institution is a bit like Theseus’s ship, in a state of constant self-becoming through renewal. Nevertheless, TCP is in a period of striking transitions. Robert (Bob) Kiste, former director for the Center for Pacific Islands Studies, and who really was the motivating force behind the journal’s founding, recently passed away, as did long-time board member Ben Finney, who was well-known for his role in the vitalization of Polynesian voyaging. Some cherished colleagues who have been key in the journal’s direction and management have recently left the board to take on remarkable new positions, such as Maenette K. P. Ah Nee-Benham, previously Dean of the Hawaiʻinuiākea School of Hawaiian Knowledge and now Chancellor of the University of Hawai‘i—West O‘ahu, while others are anticipating retirement in the coming semesters. So, over most of my tenure as Editor we’ve been working behind the scenes to think about the bones, ligaments, and tendons of the journal—timelines, guidelines, frameworks and scaffolds for the editorial process, supports for authors, and the needs of readers and our regional communities. While perhaps not visible in any recent issues’ pages, all of this work is intended to insure that the journal’s next 30 years have the opportunity to be as rich and impactful as the prior 30. As part of this work, we’ve recently given the journal, and its current and past issues, an online presence. This was wildly overdue! I’m proud of these ongoing initiatives oriented towards the journal’s foundations and imagined futures.

What’s next for The Contemporary Pacific?

Well, the first thing that comes to mind is the old quip that time is a scythe, certainly true for plans and expectations. I hesitate to prognosticate too far into the future. Still, we do have wonderful work lined up for the next several issues. Currently we are well into preparation of a special issue titled Possessing Paradise, guest-edited by Siobhan McDonnell and Kalissa Alexeyeff. Featuring diverse approaches to and examinations of the ways in which ideas of ‘paradise’ are brought to bear on Oceania’s peoples and insular places, we hope the issue (TCP 30:2) will be an impactful return and fresh engagement with this persistent trope.

Further out on the horizon, we have recent submissions on experiences of Oceanic environments and conservation needs, about which I am personally very excited. As I mentioned above, 2018 is TCP’s 30th anniversary year. In fall 2018, we will reach 60 numbers in print! We are looking forward to some sort of celebratory event during that semester and hope many in the community will join us! Please do!


To receive an email when new issues of The Contemporary Pacific publish online, click here to sign up at Project MUSE.


00_30.1 cover_FINAL_RGBAbout the Journal

The Contemporary Pacific provides a publication venue for interdisciplinary work in Pacific studies with the aim of providing informed discussion of contemporary issues in the Pacific Islands region.

Subscriptions

Single issue sales and annual subscriptions for both individuals and institutions available here.

Submissions

Submissions must be original works not previously published and not under consideration or scheduled for publication by another publisher. Manuscripts should be 8,000 to 10,000 words, or no more than 40 double-spaced pages, including references. Find submission guidelines here.

The Contemporary Pacific, vol. 30 no. 1 (2018)

Artwork by Maika'i Tubbs, featured in this issue
Next Show in Fifteen Minutes, by Maika’i Tubbs, 2008. The Hawaiians (1970 book by authors Gavan Daws and Ed Sheehan and photographer Robert B Goodman), 15″ x 10″ x 8″. Photo courtesy of the artist. Next Show in Fifteen Minutes is a performance that looks at stereotypical depictions of Native Hawaiians and expectations sometimes placed on them to perform “on command.” In this performance, Tubbs picks up a book from a pedestal, opens it, and folds the pages into a circus tent while singing in Hawaiian. He then unfolds the pages, closes the book, and repeats the performance after fifteen minutes.

This issue of The Contemporary Pacific includes a scholarly resource from the University of Hawai’i at Mānoa Library for “Making Pacific Languages Discoverable;” political reviews covering Polynesia and Micronesia; the work of artist and UH Mānoa grad Maika’i Tubbs; and the following articles and media reviews:

Articles

Book and Media Reviews


Find the full text of the issue at Project MUSE


00_30.1 cover_FINAL_RGBAbout the Journal

The Contemporary Pacific provides a publication venue for interdisciplinary work in Pacific studies with the aim of providing informed discussion of contemporary issues in the Pacific Islands region.

Subscriptions

Single issue sales and annual subscriptions for both individuals and institutions available here.

Submissions

Submissions must be original works not previously published and not under consideration or scheduled for publication by another publisher. Manuscripts should be 8,000 to 10,000 words, or no more than 40 double-spaced pages, including references. Find submission guidelines here.

The Contemporary Pacific, vol. 29 no. 2 (2017)

Featured art in the new issue of The Contemporary Pacific by Selwyn Muru: On 9 June 2017, 135 years after government troops invaded and violently decimated the Māori settlement of Parihaka (and at the time this issue of the journal was about to go to press), a Crown apology was finally offered to the people of Parihaka. The gesture is more than symbolic: an additional deed of reconciliation, legacy statement, ongoing relationship agreements with local and national government, a development fund, and legislation are being put in place to ensure that the Crown’s commitment is legally binding. Parihaka Papakainga Trust Chair Puna Wano-Bryant’s declaration of a “new dawn” echoed sentiments expressed at the time of Parihaka’s founding. The cover image depicts two important prophets, peacemakers, and leaders of nonviolent resistance in this story: Te Whiti o Rongomai, who helped establish Parihaka with Tohu Kakahi, and their colleague Riwha Titokowaru, who was blind in one eye, and who was arguably “the best general New Zealand has ever produced” (James Belich, in Te Ara: The Encyclopedia of New Zealand).

This issue of The Contemporary Pacific features a dialogue, “Losing Oceania to the Pacific and the World,” political reviews, the work of artist Selwyn Muru, book and media reviews, and the following articles:

  • Climate Change and the Imagining of Migration: Emerging Discourses on Kiribati’s Land Purchase in Fiji by Elfriede Hermann and Wolfgang Kempf
  • Charting Pacific (Studies) Waters: Evidence of Teaching and Learning by Teresia K. Teaiwa

Continue reading “The Contemporary Pacific, vol. 29 no. 2 (2017)”

The Contemporary Pacific, vol. 28 no. 2 (2017)

From artist Lisa Reihana featured in this issue. Dandy, 2007. Countering stereotypical depictions of Māori masculinity, strength, and prowess that focus on physical accomplishments on the battlefield or rugby playgrounds, Reihana’s Dandy, with full-face moko (tattoo) and Victorian attire, asserts a quietly confident sense of elegance and poise.

This issue of The Contemporary Pacific features a look at public murals in a Kanaka Maoli context, political reviews, the work of artist Lisa Reihana, book and media reviews, and the following articles:

  • Walls of Empowerment: Reading Public Murals in a Kanaka Maoli Context by A Mārata Ketekiri Tamaira
  • Traveling Houses: Preforming Diasporic Relationships in Europe by A-Chr (Tina) Engels-Schwarzpaul
  • CEDAW Smokescreens: Gender Politics in Contemporary Tonga by Helen Lee

Continue reading “The Contemporary Pacific, vol. 28 no. 2 (2017)”

The Contemporary Pacific, vol. 29 no. 1 (2017)

From artist Lisa Reihana featured in this issue. Dandy, 2007. Countering stereotypical depictions of Māori masculinity, strength, and prowess that focus on physical accomplishments on the battlefield or rugby playgrounds, Reihana’s Dandy, with full-face moko (tattoo) and Victorian attire, asserts a quietly confident sense of elegance and poise.

This issue of The Contemporary Pacific features a look at public murals in a Kanaka Maoli context, political reviews, the work of artist Lisa Reihana, book and media reviews, and the following articles:

  • Walls of Empowerment: Reading Public Murals in a Kanaka Maoli Context by A Mārata Ketekiri Tamaira
  • Traveling Houses: Preforming Diasporic Relationships in Europe by A-Chr (Tina) Engels-Schwarzpaul
  • CEDAW Smokescreens: Gender Politics in Contemporary Tonga by Helen Lee

Continue reading “The Contemporary Pacific, vol. 29 no. 1 (2017)”