New Journal Issues: “Contagious Magic” in Japanese Theatre, Logistics of the Natural History Trade, Hawai‘i’s Toxic Plants + More

New Journal Issues: Schooling Journeys in the Southwestern Pacific, #KuToo Online Feminist Movement in Japan, Geographic Analysis of COVID-19 in L.A. + More

The Contemporary Pacific

Volume 22, Issue 2 (2021)

Special Issue: Schooling Journeys in the Southwestern Pacific

From the Guest Editors Rachel Emerine Hicks, Debra McDougall, and David Oakeshott in The Promise of Education: Schooling Journeys in the Southwester Pacific:

“Schooling journeys” is more than a metaphor in the southwestern Pacific. To step into a classroom, children and youth often travel hours each day or live for months at a time away from their families. The journey of schooling is rarely direct; it often winds between formal and informal learning and in and out of school, work, and home life. And the journey is expensive; many families struggle mightily to gather the money for fees, school supplies, uniforms, and transportation. Young people embark on these precarious journeys, and their families make sacrifices to support them, because schooling promises a better life—a move away from the backbreaking labor of subsistence agriculture toward a reliable salary that will better support their family and community. Because of the structural inequalities in school and a lack of jobs for those who complete schooling, however, few experience the socioeconomic advancement schooling promises. Still, students and their families continue to hope that schooling will lead to well-paid work. Even more important, though, going to school is seen as key to being a competent and effective person in society—increasingly for both women and men.

Yearbook of the Association of Pacific Coast Geographers

Volume 83 (2021)

Editor Craig S. Revels reflects over the COVID-19 pandemic and how it has affected geographers and members as he states:

Last year’s volume was published in a time of great uncertainty as the COVID-19 pandemic swept across the world, and this year’s unfortunately arrives under similar conditions, slowly improving though they may be. The tragedies, disruptions, and general state of societal affairs during the pandemic will not soon be forgotten…

Geographers have been at the forefront of research into the spread of COVID-19 since the earliest days of the pandemic, and Steve Graves and Petra Nichols contribute an analytical perspective on infection rates in Los Angeles County. In particular, they statistically identify a causal relationship between infection and a range of key socioeconomic and demographic variables, a relationship influencing the location and rate of spread for the disease. They leave us to consider how those factors must be addressed in any preparations for future public health crises.

In a significantly different context, Ray Sumner and John Menary
demonstrate that taking students into the field, always a valuable exercise, is even more rewarding when it leads to unexpected discoveries and challenges our carefully laid plans. In this case, a straightforward field methods class oriented around the Los Angeles River instead became an open-ended, student-driven exploration into the social dimensions of heritage, ethnicity,
culture, and urban development.

New Journal Special Features: Gender Trouble in Korean Literature, Unsettling Korean Migration + Biography forum on Behrouz Boochani

Azalea 14 (2021)

Azalea: Journal of Korean Literature & Culture

Volume 14 (2021)

Special Feature: Korean Genre Fiction; O Chang-hwan; and Gender Trouble In Korean Literature

From the Editor Young Jung-Lee:

One of the most important recent shifts in Korean literature is found in gender conflict. This “Special Feature: Gender Trouble in Korean Literature and Society,” guest-edited by Hye-Ryoung Lee, shows a fundamentally new perspective through six scholars reading Korean Literature and Society. Over the past decade, the #MeToo Movement has shaken the world, and Korean society has been no exception, as can be seen in Choi Young-mi’s poem “En,”  introduced here with six critical essays. Even before its publication, “En” was the focus of media attention, and it remained a hot topic in Korean society for years due to Choi’s high-profile court battles.

biography

Volume 43, Number 4 (2020)

Special Feature: A Forum on Behrouz Boochani’s No Friend but the Mountains


From Coeditor Anna Poletti:

With this forum, we, the editors of Biography, inaugurate a new feature of the journal that aims to respond to and amplify specific examples of the power of life writing as a cultural, political, and social practice, and which document key moments in the evolution of that practice. In this forum, No Friend but the Mountains is discussed as both a profoundly localized text responding to, making knowledge about, and exposing a highly specific and complex set of conditions, and as a uniquely transnational text that speaks to and about a global phenomenon. Its highly innovative use of life writing as a narrative technique and epistemological practice warranted, in our minds, a concentrated response from the journal. Commissioning and editing this response has renewed my appreciation for the primary concerns of lifewriting scholarship: tracking the mercurial power of personal storytelling to crystalize the contemporary moment in such a way that new knowledge emerges from the entanglements it depicts, and the entanglements it drags its readers into.

Korean Studies

Volume 45 (2021)

Special Section: Unsettling Korean Migration: Multiple Trajectories and Experiences

From the Editor Cheehyun Harrison Kim:

This analytic potency of migration is superbly demonstrated in this volume’s Special Section Unsettling Korean Migration: Multiple Trajectories and Experiences, guest edited by Sunhee Koo (The University of Auckland) and Jihye Kim (The University of Central Lancashire). Sunhee Koo and Jihye Kim have brought together papers on labor (Yonson Ahn and Jihye Kim), ritual life (Marcus Bell), cultural identity (Sunhee Koo), and artistic production (Hee-seung Irene Lee and Soojin Kim). The six engrossing articles deal with how the Korean diaspora—in Argentina, Germany, Japan, China, and the United States—have shaped and represented their particular situations through negotiation, resilience, and creativity. The authors are highly critical of any national framework, and they see diasporic life as contexts of not only sorrow and sacrifice but also innovation and regeneration. Sunhee Koo and Jihye Kim offer a detailed explanation in their Introduction.

Oceanic Linguistics

Volume 60, Number 1 (2021)

The new issue includes the following articles:

Avaipa, a Language of Central Bougainville
Jason Brown,Melissa Irvine

East Polynesian Subgrouping and Homeland Implications Within the Northern Outlier–East Polynesian Hypothesis
William H. Wilson

Toward a Comparative Typology of ‘Eating’ in Kanak Languages
Anne-Laure Dotte, Claire Moyse-Faurie

Find more research articles and reviews at Project MUSE.

Philosophy East and West

Volume 71, Number 4 (2021)

The new issue included the following articles and translations:

Jian’Ai: Considerations From the “Greater Selection”
Susan Blake

Patterning the Myriad Things: Holism, Harmony, and Anthropogenic Influence in the Huainanzi
Matthew Hamm

Confucianism and Totalitarianism: An Arendtian Reconsideration of Mencius versus Xunzi
Lee Wilson

“America’s National Character” by Watsuji Tetsurō: A Translation
Kyle Michael James Shuttleworth, Sayaka Shuttleworth, Watsuji Tetsurō

Find more research articles, translations, and reviews at Project MUSE.

Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Họ Folk Song in Northern Vietnam

Tang China in Multi-Polar Asia

Sounding Out Heritage explores the cultural politics that have shaped the recent history and practice of a unique style of folk song that originated in Bắc Ninh province, northern Vietnam. The book delves into the rich and complicated history of quan họ, showing the changes it has undergone over the last sixty years as it moved from village practice onto the professional stage. Interweaving an examination of folk music, cultural nationalism, and cultural heritage with an in-depth ethnographic account of the changing social practice of quan họ folk song, author Lauren Meeker presents a vivid and historically contextualized picture of the quan họ “soundscape.”

Village practitioners, ordinary people who love to sing quan họ, must now negotiate increased attention from those outside the village and their own designation as “living treasures.” Professional singers, with their different performance styles and representational practices, have been incorporated into the quan họ soundscape in an effort to highlight and popularize the culture of Bắc Ninh province in the national context. Sounding Out Heritage offers an in-depth account of the impact of cultural politics on the lives and practices of quan họ folk singers in Vietnam and shows compellingly how a tradition can mean many things to many people.

2013, 200 pages, 18 illustrations
$45.00 ISBN: 978-0-8248-3568-2, Cloth
Southeast Asia: Politics, Meaning, and Memory

Damien by Aldyth Morris Revisited

Saint DamienThis weekend, July 28 and 29, University of Hawai‘i at Mānoa Outreach College presents two performances of DAMIEN, the award-winning one-man play by Aldyth Morris. The riveting drama of Saint Damien’s life in Hawai‘i will be performed by actor Dann Seki and directed by Tim Slaughter. The entire playscript is included in Almost Heaven: On the Human and Divine (Mānoa 23:2), which will be available for sale at the performances. The 1980 edition of the play is still available by order from UH Press.

Act One opens with a chant, written originally in Hawaiian by a composer and hula master who contracted leprosy and died at the Kalaupapa settlement on Moloka‘i. “Song of the Chanter Ka-‘ehu” begins:

What will become of Hawai‘i?
What will leprosy do to our land—
disease of the despised, dreaded alike
by white or brown or darker-skinned?

Strange when a man’s neighors
become less than acquaintances.
Seeing me they drew away.
They moved to sit elsewhere, whispering,
and a friend pointed a finger:
“He is a leper.”

Contemporary Southeast Asian Theatres

Communities of ImaginationAsian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in Communities of Imagination: Contemporary Southeast Asian Theatres, a wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades.

“Covering the multifaceted, multicultural, multination swathe of Southeast Asia, Communities of Imagination brings to light changes and theatre innovations over the last twenty-five years by focusing on issues of gender, censorship, and national identity. The book gains its strength by diving into actual productions the author has seen in major urban hubs. Diamond places the work in an informed frame, interviewing major theatre makers. Those interested in Southeast Asia will encounter the themes, innovations, and heated debates that theatre is uniquely suited to amplify, making this book an important contribution.” —Kathy Foley, editor, Asian Theatre Journal

June 2012 / ISBN 978-0-8248-3584-2 / $56.00 (CLOTH)

Discourses of Ch’angguk

In Search of Traditional Korean OperaIn Search of Korean Traditional Opera: Discourses of Ch’angguk, by Andrew Killick, is the first book on Korean opera in a language other than Korean. Ch’angguk is a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p’ansori. Killick examines the history and current practice of ch’angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world.

August 2010 / ISBN 978-0-8248-3290-2 / $48.00 (CLOTH)
A Study of the International Center for Korean Studies, Research Institute of Korean Studies, Korea University

Victoria Kneubuhl Thinking Out Loud

Victoria KneubuhlVictoria Kneubuhl, author of Murder Casts a Shadow and Hawai‘i Nei: Island Plays, will be a guest on the Japanese Cultural Center’s Thinking Out Loud: Talking Issues, Taking Action (KZOO-AM 1210), Monday, July 26, 6:30-7:30 pm.

Kneubuhl is a winner of the Hawai‘i Literary Arts Council’s Award for Literature. Her plays have been performed in Hawai‘i and elsewhere in the Pacific, the continental U.S., Britain, and Asia. She is currently the writer and co-producer for the television series Biography Hawaii.

Readings from Andha Yug

Andha YugA readers theatre production of excerpts from Andha Yug, Dharamvir Bharati’s critically acclaimed play taken from the Indian epic Mahabharata, will be held on Saturday, June 26, at 7:30pm at Orvis Auditorium. For more information on this free event call 808-956-8246 or click here.

The reading will be accompanied by visual images from the Mahabharata and Gamelan music. Translator Alok Bhalla will introduce the performance and play a role as well. A question and answer session will follow the performance.

Scripting Modernity in Japanese Drama

A Beggar’s Art
In the opening decades of the twentieth century in Japan, practically every major author wrote plays that were published and performed. The plays were seen not simply as the emergence of a new literary form but as a manifestation of modernity itself, transforming the stage into a site for the exploration of new ideas and ways of being. A Beggar’s Art: Scripting Modernity in Japanese Drama, 1900-1930, is the first book in English to examine the full range of early twentieth-century Japanese drama. Accompanying his study, M. Cody Poulton provides his translations of representative one-act plays. Poulton looks at the emergence of drama as a modern literary and artistic form and chronicles the creation of modern Japanese drama as a reaction to both traditional (particularly kabuki) dramaturgy and European drama. Translations and productions of the latter became the model for the so-called New Theater (shingeki), where the question of how to be both modern and Japanese at the same time was hotly contested.

June 2010 / ISBN 978-0-8248-3452-4 / $29.00 (PAPER)

Choice Magazine’s Outstanding Academic Titles for 2009 Announced

Each year Choice Magazine, the official publication of the Association of College and Research Libraries, compiles a distinguished list of Outstanding Academic Titles. The following two UH Press books were recognized for 2009. A complete list of titles will be available in Choice’s January 2010 issue.

Tour of Duty: Samurai, Military Service in Edo, and the Culture of Early Modern Japan
by Constantine Nomikos Vaporis

“Vaporis has written a magnificent book on the sankin kotai, or alternate attendance system. . . . Long considered the central political control mechanism of the Tokugawa period, the system has received surprisingly little scholarly attention until now. Filling a major gap in the understanding of Japanese history, the author provides a detailed account of the mechanics of the system and demands placed on daimyo and retainers on tours of duty in Edo. Exploiting the latest archaeological and archival sources, Vaporis makes clear the economic burden of the system on the daimyo, as well as its role as an engine of cultural, intellectual, and material exchange, from the center in Edo and between regions. The author also provides intimate details of the lives of samurai, both on the road to and from Edo and while serving their time in Edo. For all interested in early modern history. . . . Highly recommended.” —Choice (July 2009)

Kabuki’s Forgotten War: 1931-1945 by James R. Brandon

“Brandon offers new and intriguing research on the development of Kabuki through the turbulent 1930s and into the 1940s. . . . A vital addition to existing literature on what one thinks of as ‘traditional’ Kabuki, this book will be fascinating reading for those interested in Japanese theater, history, or politics. . . . Essential.” —Choice (April 2009)

UH Press
Privacy Overview

University of Hawaiʻi Press Privacy Policy

WHAT INFORMATION DO WE COLLECT?

University of Hawaiʻi Press collects the information that you provide when you register on our site, place an order, subscribe to our newsletter, or fill out a form. When ordering or registering on our site, as appropriate, you may be asked to enter your: name, e-mail address, mailing 0address, phone number or credit card information. You may, however, visit our site anonymously.
Website log files collect information on all requests for pages and files on this website's web servers. Log files do not capture personal information but do capture the user's IP address, which is automatically recognized by our web servers. This information is used to ensure our website is operating properly, to uncover or investigate any errors, and is deleted within 72 hours.
University of Hawaiʻi Press will make no attempt to track or identify individual users, except where there is a reasonable suspicion that unauthorized access to systems is being attempted. In the case of all users, we reserve the right to attempt to identify and track any individual who is reasonably suspected of trying to gain unauthorized access to computer systems or resources operating as part of our web services.
As a condition of use of this site, all users must give permission for University of Hawaiʻi Press to use its access logs to attempt to track users who are reasonably suspected of gaining, or attempting to gain, unauthorized access.

WHAT DO WE USE YOUR INFORMATION FOR?

Any of the information we collect from you may be used in one of the following ways:

To process transactions

Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the purchased product or service requested. Order information will be retained for six months to allow us to research if there is a problem with an order. If you wish to receive a copy of this data or request its deletion prior to six months contact Cindy Yen at cyen@hawaii.edu.

To administer a contest, promotion, survey or other site feature

Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the service requested. Your information will only be kept until the survey, contest, or other feature ends. If you wish to receive a copy of this data or request its deletion prior completion, contact uhpbooks@hawaii.edu.

To send periodic emails

The email address you provide for order processing, may be used to send you information and updates pertaining to your order, in addition to receiving occasional company news, updates, related product or service information, etc.
Note: We keep your email information on file if you opt into our email newsletter. If at any time you would like to unsubscribe from receiving future emails, we include detailed unsubscribe instructions at the bottom of each email.

To send catalogs and other marketing material

The physical address you provide by filling out our contact form and requesting a catalog or joining our physical mailing list may be used to send you information and updates on the Press. We keep your address information on file if you opt into receiving our catalogs. You may opt out of this at any time by contacting uhpbooks@hawaii.edu.

HOW DO WE PROTECT YOUR INFORMATION?

We implement a variety of security measures to maintain the safety of your personal information when you place an order or enter, submit, or access your personal information.
We offer the use of a secure server. All supplied sensitive/credit information is transmitted via Secure Socket Layer (SSL) technology and then encrypted into our payment gateway providers database only to be accessible by those authorized with special access rights to such systems, and are required to keep the information confidential. After a transaction, your private information (credit cards, social security numbers, financials, etc.) will not be stored on our servers.
Some services on this website require us to collect personal information from you. To comply with Data Protection Regulations, we have a duty to tell you how we store the information we collect and how it is used. Any information you do submit will be stored securely and will never be passed on or sold to any third party.
You should be aware, however, that access to web pages will generally create log entries in the systems of your ISP or network service provider. These entities may be in a position to identify the client computer equipment used to access a page. Such monitoring would be done by the provider of network services and is beyond the responsibility or control of University of Hawaiʻi Press.

DO WE USE COOKIES?

Yes. Cookies are small files that a site or its service provider transfers to your computer’s hard drive through your web browser (if you click to allow cookies to be set) that enables the sites or service providers systems to recognize your browser and capture and remember certain information.
We use cookies to help us remember and process the items in your shopping cart. You can see a full list of the cookies we set on our cookie policy page. These cookies are only set once you’ve opted in through our cookie consent widget.

DO WE DISCLOSE ANY INFORMATION TO OUTSIDE PARTIES?

We do not sell, trade, or otherwise transfer your personally identifiable information to third parties other than to those trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your personally identifiable information to those persons to whom disclosure is required to comply with the law, enforce our site policies, or protect ours or others’ rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.

CALIFORNIA ONLINE PRIVACY PROTECTION ACT COMPLIANCE

Because we value your privacy we have taken the necessary precautions to be in compliance with the California Online Privacy Protection Act. We therefore will not distribute your personal information to outside parties without your consent.

CHILDRENS ONLINE PRIVACY PROTECTION ACT COMPLIANCE

We are in compliance with the requirements of COPPA (Children’s Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.

ONLINE PRIVACY POLICY ONLY

This online privacy policy applies only to information collected through our website and not to information collected offline.

YOUR CONSENT

By using our site, you consent to our web site privacy policy.

CHANGES TO OUR PRIVACY POLICY

If we decide to change our privacy policy, we will post those changes on this page, and update the Privacy Policy modification date.
This policy is effective as of May 25th, 2018.

CONTACTING US

If there are any questions regarding this privacy policy you may contact us using the information below.
University of Hawaiʻi Press
2840 Kolowalu Street
Honolulu, HI 96822
USA
uhpbooks@hawaii.edu
Ph (808) 956-8255, Toll-free: 1-(888)-UH-PRESS
Fax (800) 650-7811