Journals: Seabirds Vulnerable to Climate Change, Anger in a Non-Ideal World, Living the Way of Tea + more

Asian Perspectives

Volume 62, Number 1 (2023)

The new issue shares the following introduction and welcomes a new editor:

You will note that several articles in this issue focus on the identification and interpretation of specific materials and technologies. The topics covered by four of the articles include rock art in early Mongolia, bone tools in prehistoric eastern China, metallurgy at the Han empire’s southern periphery, and plant remains and parasite microfossils in pre-contact New Zealand. A fifth article relies on settlement pattern and demographic data from Neolithic and Bronze Age China to draw insightful comparisons between the developmental trajectories of two distant regions.

We take this opportunity to welcome Cristina Castillo as the journal’s new Book Review Editor and thank Michèle Demandt for serving as the first editor dedicated to this important section of the journal. Michèle streamlined many of the editorial procedures for the book reviews. We wish her the best in all her future professional and personal endeavors.

Find this editorial, research articles, and more at Project MUSE.

bio 45-3 cover

biography

Volume 45, Number 3 (2022)

Editor Craig Howes honors founder George Simson in the introduction of this latest issue:

I am mentioning this constant in the life of Biography and the Center because when considering the contents of this “regular” issue, I realized that what began as an aspiration has with great effort become the norm. The five articles in this installment
feature writers and subjects from South Africa, Uganda, Lebanon, India, and France, representing an equally diverse range of approaches to life writing — whether through fashion, documentaries, oral histories, photographs, memoirs,
biographies, or “anti-biographies.”

I believe that George would find some of the theoretical approaches or topics puzzling—certainly far afield from biography as he understood and loved it. But I know he would be very happy that his dream of a journal that made its best effort to be international has been realized. And it will continue to do so.

Read this introduction, articles, reviews, and more at Project MUSE.

Oceanic Linguistics 62-1 cover

Oceanic Linguistics

Volume 62, Number 1 (2023)

The new issue contains the following articles:

Variable Copying Sites in Truku Cə- Reduplication
Hui-Shan Lin

Voice and Pluractionality in Äiwoo
Åshild Næss

Comitative Constructions in Reefs–Santa Cruz
Åshild Næss, Valentina Alfarano, Brenda H. Boerger, and Anders Vaa

Preverbal Determiners and the Passive in Moriori
John Middleton

Some Remarks on Sagart’s New Evidence for a Numeral-Based Phylogeny of Austronesian
Alexander D. Smith

Find these and more articles and squibs at Project MUSE.


Pacific Science

Volume 76, Number 3 (2022)

The new issue contains the following articles:

Prioritization of Restoration Needs for Seabirds in the U.S. Tropical Pacific Vulnerable to Climate Change
Lindsay C. Young and Eric A. VanderWerf

A Third Pond on the Mauna Kea Summit Plateau
Norbert Schorghofer, Matthias Leopold, and Fritz L. Klasner

Lake Tagimaucia Montane Lake as a Potential Late Holocene Environmental Archive in Fiji’s Volcanic Highlands
James Terry, Kunal Singh, and Michelle McKeown

South(east) by Southwest: Identifi cation of a New Halocaridina rubra Holthuis, 1963 (Decapoda: Atyidae) Genetic Group From O‘ahu, Hawai‘i
Scott R. Santos, Livable Hawai‘i Kai Hui, Mike N. Yamamoto, Thomas Y. Iwai Jr., and Annette W. Tagawa

Landscape Configuration Influences ‘Ōma‘o (Myadestes obscurus)
Song Diversity

Nicole M. Fernandez, Kristina L. Paxton, Eben H. Paxton, Adam A. Pack, and Patrick J. Hart

Find more articles at Project MUSE.

Rapa Nui Journal

Volume 33, Number 1 & 2 (2020)

The new issue contains the following articles, reports, and news:

Mana Tupuna: Honoring the Ancestors Abroad
Phineas Kelly

Rapa Nui in the Hans Helfritz Collection at the Rautenstrauch-Joest Museum
Tania Basterrica Brockman and Betty Haoa Rapahango

Con-ticci and the Bennett Monolith of Mocachi
Andrea Ballesteros Danel

Identifying Places and People in Walter Lehmann’s Photograph Collection of Rapa Nui (Easter Island, 1911)
Cristián Moreno Pakarati and Rafał Wieczorek

Terevaka Archaeological Outreach (TAO) 2020 Project Report: Digital Repatriation
Britton L. Shepardson

Find more articles, reports, and news on Easter Island at Project MUSE.

Yearbook of the Association of Pacific Coast Geographers

Number 84 (2022)

The new issue includes the following articles:

The Geographer as Bibliophile
Michael Pretes

Canyonlands National Park: A Multiple-Use Test Case
Tate Pashibin, Geoffrey Buckley, and Yolonda Youngs

Donald W. Meinig’s Southwest at Half-Century, a Reflection
and Appreciation

Daniel D. Arreola, Richard L. Nostrand, William Wyckoff, Craig
Colten, and Paul F. Starrs

Portland’s Post-Industrial Neighborhoods
Mark D. Bjelland and Madelyn Vander Veen

Weighted OWA Operators in Spatial MultiCriteria Decision-
Making

Soheil Boroushaki

Find more articles, research notes, book reviews, abstracts, meeting reports, and awards at Project MUSE.

Journals: Kapaemahu, Remembering Miriam Fuchs, Burmese Literature + Visuality and Materiality in Postwar Japan

Biography

Volume 45, Number 2 (2022)

The new issue contains the following articles as a remembrance for Miriam Fuchs who was an active contributor to the journal. It also contains the annual bibliography:

Miriam Fuchs, Life Writing, and Life
Craig Howes

A Voyage Beyond the Text as Self: Remembering Miriam Fuchs Holzman
Cynthia G. Franklin

Miriam, The Bookies, and I
Joseph H. O’Mealy

In the Warm Waters of Lanikai: Paddling with Miria
Leinaala Davis

A Tribute to Miriam Fuchs: With Love from Her Student
Amy Calrson

Find more articles at Project MUSE.

Front cover of Manoa 34-2

Mānoa

Volume 34, Number 2 (2022)
In the Silence

The new Mānoa issue features a special section on the literature of Burma/Myanmar. In the introduction, “To Write a History,” guest editors Penny Edwards, ko ko thett, and Kenneth Wong begin:

“‘How to write history / in a language / that has no past tense’ asks co-editor ko ko thett in his poetry collection The Burden of Being Burmese. How to publish literature under a military regime with no future tense?

“In Myanmar today, the simplest utterance is punishable as the defamation of the state. A song, a poem, a music video, an elegy are all open invitations to a cowardly regime to pursue their authors with impunity.”

Find literature from Burma/Myanmar, South Asia and more at Project MUSE.

Review of Japan Culture and Society

Volume 32 (2020)

The new issue includes the special section, “Visuality and Materiality in Postwar Japan” guest edited by Álex Bueno and Yasutaka Tsuji, and “Japan in Los Angeles” edited by Rika Hiro. Selections include:

Design as Cultural Representation: Visuality and Materiality in Postwar Japan
Yasutaka Tsuji (Translated by Álex Bueno)

Japan’s Postwar Building: Japanese Architecture and the West
Ryuichi Hamaguchi

Nature and Thought in Japanese Design
Teiji Itoh

Yamashiro: Imagined Home and the Aesthetics of Hollywood Japanism
Dianne Lee Shen

Bruce Yonemoto: Made in Occupied Japan
Rika Hiro

Find more articles, an interview with Manika Nagare, and literature in translation at Project MUSE.

Mountain/Home: New Translations from Japan (MĀNOA 29:2)

"Mount Fuji in the Spring." Norikane Hiroto. Etching, 1997.
“Mount Fuji in the Spring.” Norikane Hiroto. Etching, 1997. Gift of Philip H. Roach Jr., 2010 (31780). Courtesy of Honolulu Museum of Art.

The new issue of MĀNOA: A Pacific Journal of International Writing, volume 29 number 2, is a collection of Japanese literature in translation edited by Leza Lowitz and Frank Stewart.

From the editors:

Mountain/Home presents new translations of selected Japanese works from the medieval period to the present. The volume opens with traditional folktales, court poetry, Edo Period poetry, and contemporary fiction—all from “One Hundred Literary Views of Mount Fuji,” a collection of fiction, poetry, and nonfiction related to Japan’s national symbol. The works reveal how Japanese attitudes toward Mount Fuji have changed over time, particularly after the country was opened to the West in the nineteenth century.

Table of Contents

One Hundred Literary Views of Mount Fuji: Mount Fuji has been celebrated by poets, novelists, and playwrights for almost 1,500 years, from Japan’s earliest literary works to the present. Peter MacMillan provides these translations and introductions.

  • The Tale of the Bamboo Cutter: Taketori Monogataria tenth-century tale, recounts the origin of Mount Fuji’s name and is one of the earliest examples of Japanese literary fiction.
  • Love Song and Reply: These poems are from the Gosen Wakashū, a major tenth-century anthology of Japanese poetry. Many of the waka in the collection are “dialogue poems,” written in pairs by men and women of the court, speaking the cloaked language of secret love affairs, seductions, and laments.
  • from The Confessions of Lady Nijo: Lost for over six hundred years, Lady Nijo’s manuscript was discovered by a Japanese scholar in the Imperial Library in 1940.
  • A Tale of a Mount Fuji Cave: This story from the Kamakura Period tells of a journey to the mouth of hell and back.
  • Two Haiku by Matsuo Bashō: His poetry broke from the decadent style of the time, finding instead a resonance with nature, simplicity, spontaneity, and originality.
  • Sanshirō: In this excerpt from Natsume Soseki’s 1908 coming-of-age novel, the protagonist, Ogawa Sanshiro, is twenty-three years old.

Continue reading “Mountain/Home: New Translations from Japan (MĀNOA 29:2)”

Eyes of the Heart (MĀNOA 29:1)

Accompanying artwork in Eyes of the Heart: The Selected Plays of Catherine Filloux from Camille Assaf, a French and American costume designer for theater, dance, opera, and film, and lead design editor at Chance, a photography magazine that looks at the world through the lens of theatrical design.

Eyes of the Heart presents six of Catherine Filloux’s plays.

Playwright, librettist, teacher, lecturer, and activist Catherine Filloux has been writing plays about human rights, social justice, and individual freedoms for over twenty years. Her plays often incorporate actual people and events, but are never merely biographical. By reimagining real-life characters and situations—employing temporal shifts, dreams, hallucinations, soundscapes, and other theatrical techniques—she explores the characters’ thoughts and emotions as they struggle with moral and ethical dilemmas, resist evil while searching for goodness, and react to assaults on human dignity. Her plays also question the fallibility of our collective memory, and the ways our interpretations of the past change and become distorted over time.

— From Editor’s Note

The following notes provide some historical background to the plays: Continue reading “Eyes of the Heart (MĀNOA 29:1)”

Red Peonies: Two Novellas of China (MĀNOA 28:2)

From this issue: Duplication, Image 5 , 2003 by Xing Danwen.

Red Peonies is the first English translation of The Woman Liu and The Woman Yang—two novellas by Chinese writer Zhang Yihe.

In 1970, when she was 28, Zhang was convicted of being a counter-revolutionary and sentenced to two decades in a remote prison labor camp. With empathy and grace, Zhang tells the stories of Liu Yueying and Yang Fenfang, two women she met at the camp.

Of her novellas, Zhang says, “They are not about politics or the system but about the tragic destinies of these young female prisoners.” Continue reading “Red Peonies: Two Novellas of China (MĀNOA 28:2)”

UH Press and MĀNOA at AWP 2017, February 8 to 11

MANOA editor Frank Stewart

MANOA editor and UH Manoa faculty member Frank Stewart.

At the 50th annual Association of Writers & Writing Programs (AWP) Conference & Book Fair, held this week in Washington, DC, stop by booth 791 and say aloha to the editors of MĀNOA: A Pacific Journal of International Writing as you browse University of Hawai‘i Press publications. Among the UH Press books and journals on display will be MĀNOA‘s latest issues: Curve of the Hook,  The Color of Dawn, and Story Is a Vagabond; information on the University of Hawai‘i at Mānoa English Department creative writing program will be distributed as well.

howan-charmbuyers72dpiOther featured titles include:

The Charm Buyers by Lillian Howan

For a Song by Rodney Morales

The Healers by Kimo Armitage

Five Faces of Japanese Feminism: Crimson and Other Works by Ineko Sata, translated by Samuel Perry

Murder Frames the Scene by Victoria Kneubuhl

morales-forasong_100dpiThe Blind Writer: Stories and a Novella by Sameer Pandya

The Confessions of a Number One Son: The Great Chinese American Novel by Frank Chin, edited by Calvin McMillin


 

The book fair opens on the morning of Thursday, February 9 and closes the afternoon of Saturday, February 11.

9780824856458Click here to see more about AWP, now the largest literary conference in North America.

Review of Story is a Vagabond (MĀNOA 27:1)

Manoa 27:1 Story is A Vagabond, Intizar HusainAsymptote Journal features a compelling review of Story is a Vagabond: Fiction, Essays and Drama by Intizar Husain, published by MĀNOA: A Pacific Journal of International Writing (27:1, 2015) and UH Press.

One of Pakistan’s most distinguished writers, Intizar Husain was born in India in 1923 and immigrated to Pakistan during the Partition. An internationally acclaimed writer, critic, and translator, he has published seven volumes of short stories, four novels, and a novella, as well as travelogues, memoirs, and critical essays. Despite his importance to world literature for over six decades, Husain’s writing is little known in English translation. Story is a Vagabond is the first collection in English to show the breadth of his thoughtful, innovative, and compassionate work.

Reviewer Aamer Hussein writes that the editors of this special issue managed “a level of translucence through which Husain’s distinctive intonations echo and resound.” Read the review online here.

Order your copy of Story is a Vagabond from UH Press.

Browse content online via Project MUSE.

Subscribe to MĀNOA: A Pacific Journal of International Writing

UH Press
Privacy Overview

University of Hawaiʻi Press Privacy Policy

WHAT INFORMATION DO WE COLLECT?

University of Hawaiʻi Press collects the information that you provide when you register on our site, place an order, subscribe to our newsletter, or fill out a form. When ordering or registering on our site, as appropriate, you may be asked to enter your: name, e-mail address, mailing 0address, phone number or credit card information. You may, however, visit our site anonymously.
Website log files collect information on all requests for pages and files on this website's web servers. Log files do not capture personal information but do capture the user's IP address, which is automatically recognized by our web servers. This information is used to ensure our website is operating properly, to uncover or investigate any errors, and is deleted within 72 hours.
University of Hawaiʻi Press will make no attempt to track or identify individual users, except where there is a reasonable suspicion that unauthorized access to systems is being attempted. In the case of all users, we reserve the right to attempt to identify and track any individual who is reasonably suspected of trying to gain unauthorized access to computer systems or resources operating as part of our web services.
As a condition of use of this site, all users must give permission for University of Hawaiʻi Press to use its access logs to attempt to track users who are reasonably suspected of gaining, or attempting to gain, unauthorized access.

WHAT DO WE USE YOUR INFORMATION FOR?

Any of the information we collect from you may be used in one of the following ways:

To process transactions

Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the purchased product or service requested. Order information will be retained for six months to allow us to research if there is a problem with an order. If you wish to receive a copy of this data or request its deletion prior to six months contact Cindy Yen at [email protected].

To administer a contest, promotion, survey or other site feature

Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the service requested. Your information will only be kept until the survey, contest, or other feature ends. If you wish to receive a copy of this data or request its deletion prior completion, contact [email protected].

To send periodic emails

The email address you provide for order processing, may be used to send you information and updates pertaining to your order, in addition to receiving occasional company news, updates, related product or service information, etc.
Note: We keep your email information on file if you opt into our email newsletter. If at any time you would like to unsubscribe from receiving future emails, we include detailed unsubscribe instructions at the bottom of each email.

To send catalogs and other marketing material

The physical address you provide by filling out our contact form and requesting a catalog or joining our physical mailing list may be used to send you information and updates on the Press. We keep your address information on file if you opt into receiving our catalogs. You may opt out of this at any time by contacting [email protected].

HOW DO WE PROTECT YOUR INFORMATION?

We implement a variety of security measures to maintain the safety of your personal information when you place an order or enter, submit, or access your personal information.
We offer the use of a secure server. All supplied sensitive/credit information is transmitted via Secure Socket Layer (SSL) technology and then encrypted into our payment gateway providers database only to be accessible by those authorized with special access rights to such systems, and are required to keep the information confidential. After a transaction, your private information (credit cards, social security numbers, financials, etc.) will not be stored on our servers.
Some services on this website require us to collect personal information from you. To comply with Data Protection Regulations, we have a duty to tell you how we store the information we collect and how it is used. Any information you do submit will be stored securely and will never be passed on or sold to any third party.
You should be aware, however, that access to web pages will generally create log entries in the systems of your ISP or network service provider. These entities may be in a position to identify the client computer equipment used to access a page. Such monitoring would be done by the provider of network services and is beyond the responsibility or control of University of Hawaiʻi Press.

DO WE USE COOKIES?

Yes. Cookies are small files that a site or its service provider transfers to your computer’s hard drive through your web browser (if you click to allow cookies to be set) that enables the sites or service providers systems to recognize your browser and capture and remember certain information.
We use cookies to help us remember and process the items in your shopping cart. You can see a full list of the cookies we set on our cookie policy page. These cookies are only set once you’ve opted in through our cookie consent widget.

DO WE DISCLOSE ANY INFORMATION TO OUTSIDE PARTIES?

We do not sell, trade, or otherwise transfer your personally identifiable information to third parties other than to those trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your personally identifiable information to those persons to whom disclosure is required to comply with the law, enforce our site policies, or protect ours or others’ rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.

CALIFORNIA ONLINE PRIVACY PROTECTION ACT COMPLIANCE

Because we value your privacy we have taken the necessary precautions to be in compliance with the California Online Privacy Protection Act. We therefore will not distribute your personal information to outside parties without your consent.

CHILDRENS ONLINE PRIVACY PROTECTION ACT COMPLIANCE

We are in compliance with the requirements of COPPA (Children’s Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.

ONLINE PRIVACY POLICY ONLY

This online privacy policy applies only to information collected through our website and not to information collected offline.

YOUR CONSENT

By using our site, you consent to our web site privacy policy.

CHANGES TO OUR PRIVACY POLICY

If we decide to change our privacy policy, we will post those changes on this page, and update the Privacy Policy modification date.
This policy is effective as of May 25th, 2018.

CONTACTING US

If there are any questions regarding this privacy policy you may contact us using the information below.
University of Hawaiʻi Press
2840 Kolowalu Street
Honolulu, HI 96822
USA
[email protected]
Ph (808) 956-8255, Toll-free: 1-(888)-UH-PRESS
Fax (800) 650-7811