Originally this post was a way to mark this month’s Asian/Pacific American Heritage Month by sharing personal memories from an editorial perspective of a pioneering Asian American literary icon, Milton Murayama. It has grown to include other remembrances from a marketing perspective. We are all proud to be the publisher of his bestselling novels.
Masako Ikeda, Acquisitions:
I only met Milton Murayama once, at the Asian American studies conference held in Honolulu in 1991. I tagged along with Sharon Yamamoto, who acquired his manuscripts for Five Years on a Rock and then Plantation Boy. Nothing at that meeting was particularly memorable as I sort of stood in the background, but I ended up enjoying serving as his managing editor for those two books. We wrote letters back and forth and continued to do so even as the century changed. Most of the time all he said in his letters was that he wanted to buy copies of his books or he was writing a new book, which wouldn’t be finished for a while.
After Five Years our production department held onto an old computer drive knowing that Milton had not updated his system and refused to do so. Our marketing staff coaxed him a number of times: “Milton, I’ll help you set it all up.” He kept sending me hard copy manuscripts with perforations on both ends along with five-inch floppy disks. The manuscript wasn’t complete so he wanted everything back, including the floppy disks, which he couldn’t find anymore. Right before he sent the very final manuscript, which eventually became Dying in a Strange Land, we had gotten rid of the drive, and there was no way to read his WordPerfect files. I ended up asking our Production staffer to keystroke everything, which she did in three days.
Communication with Milton was always interesting and often a little strange. He’d call to complain about the copy editor who didn’t understand that “Pidgin English doesn’t have ellipses points, or letter spaces in between.” He would also hesitate to say “Okay bye” and hang up the phone, so our conversation would go on for a long time with several seconds of dead silence breaking our talks in the most uncomfortable way.
Milton passed away in July 2016, and I didn’t know it until a month later when we saw the obituary in the Sunday paper. I felt guilty for not staying in touch. I do think of him quite often just as I think about Sharon, his true editor, whose passing was almost fourteen years earlier.
Steven Hirashima, Marketing:
My fondest memories of Milton would be visiting his fudge brown three-story home in the hillside area of Glen Park of San Francisco. Whenever I was in town I would always make a point to book a visit. The ritual was always the same. I would call to say I’m leaving the hotel and heading for the Union Square BART Station. Once at Glen Park, I would call to say I arrived and no more than five minutes later Milton would arrive in his old Toyota and we would head up the steep and winding road to his “retreat in the hills.”
Overlooking the flatlands of the city with Candlestick Park and SFO to the west, I would always be given a tour as to what was updated or repurposed around the house since my last visit (the actor Lou Diamond Phillips’s childhood family had been a previous neighbor), from a newly reapportioned sunroom downstairs to a section outside with a bed of spring flowers to Milton’s designated writing room where tucked in a corner would be his antique word processor (a Commodore 64), which I almost convinced him to ditch in favor of a newfangled Mac but he never wavered and remained forever faithful to his trusty machine.
Any trip to the Murayamas would invariably end in the kitchen where Milton and Dawn were the most gracious of hosts. We would often gather around the large formal dinner table for spirited conversation from his next book project or his time in the 442nd, feasting on a bowl of delicious Alaskan King crab legs and steamed garlic brussels sprouts, masterfully prepared by Milton only minutes before. Looking back, they were wonderful and precious times. How I long for another afternoon with Milton. Until then, God Speed and Aloha.
Carol Abe, Marketing:
My very first encounter with Milton was in 1975, the year his original edition of All I Asking for Is My Body published, the green one with the bamboo forest on the cover and an overly large “$3” printed on the back cover. He and wife Dawn lined up signings at Honolulu Book Shops, at which I was a bookstore clerk (we weren’t called “booksellers” until twenty years later). Of course I bought a copy with my generous employee discount and had it signed, but didn’t otherwise have a personal connection to him. Jump to 2008: I’d been at UH Press for ten years and we released Milton’s fourth and final novel in his tetralogy about the Oyama family. Steve Hirashima had switched to managing our Asian studies list and I did the same for our Hawai‘i, Pacific, and Asian American titles.
Dying in a Strange Land had a pub date of June but Milton called and said he would wait to visit in the fall, when it’d be cooler, and he only wanted to do low-key promotion of a few bookstore signings. Then, as now, the Press had no travel funds to support a book tour anyway. He finally decided November would be a good time to come and would do Maui and O‘ahu signings, but no readings or talks. So I booked a combination of Barnes & Noble and Borders stores that followed his wishes and filled his itinerary. We corresponded by snail mail and exchanged letters. In one of these, Milton revealed some of the real-life equivalents to the characters in his books. He wrote, “There’s more fact than fiction in my stories.”
After a fan of his scolded me for not paying for his travel and doing him justice, a series of serendipitous things happened that culminated in an event more befitting of a literary icon, “Revisiting Murayama: From Plantation to Diaspora.” Gary Pak, as it happened, had videotaped an interview with Milton that he still needed to screen; the amazing Marie Hara agreed to be co-organizer and was a conduit to both UHM English department and Bamboo Ridge; Craig Howes put me in touch with Phyllis Look, who had directed a play of All I Asking. The program developed further by recruiting Arnold Hiura, Lee Cataluna, and one of our student employees, Tricia Tolentino, all tied together with Steve as emcee. (And, by rolling the dice, we obtained funding from SEED and Hawai‘i Council for the Humanities, including an honorarium for Milton.)
During their visit, I had chauffeured Milton and Dawn to four or five appearances, perhaps being a bit manic in my driving. At the end, I asked Milton to sign my copy of Dying in a Strange Land. We all laughed warmly as I read his inscription: “It’s been fun getting to know you. I love smart flaky women, who’re also good drivers.” It was my honor and pleasure to have been a tiny part of his life.
Each of Milton’s novels can be read separately and not in sequence. Dying in a Strange Land is on sale now, at a very special price—click here to order.
The 14th annual Hawai‘i Book and Music Festival happens this weekend, 10 a.m. to 5 p.m. each day, and UH Press will once again be there! Come to our tent alongside Honolulu Hale, near the Kristi Yamaguchi Keiki Reading Corner, and be among the first to see our newest titles. Also attend several presentations by UHP authors and follow them to our booth for short booksignings before you head off to the next session. Check out the interactive festival schedule here.
June 23, 2017: This post has been updated with the results shown in bold.
Now in its 23rd year, the Ka Palapala Po‘okela Awards are presented by Hawai‘i Book Publishers Associationto honor Hawai‘i’s finest books and their authors, illustrators, photographers, designers, and publishers. While previously given annually, HBPA has switched to a biennial schedule, and this year’s eligible titles have 2015 and 2016 copyright dates. The winners will be announced at the awards celebration scheduled for Thursday, June 22, 6 to 8:30 pm, at the ARTS at Marks Garage in downtown Honolulu; the event is free and open to the public.
Attend the presentations by these UH Pressauthors and follow them to our booth, located alongside Honolulu Hale, for informal signings (times given are for the talks, so signings are about an hour later):
• Lillian Howan, The Charm Buyers (4:00 pm). Due to the late hour, buy the book ahead of time to sign at her talk and/or come to her reading on Saturday, May 13, 2:00 to 4:00 pm at Aupuni Place in Ward Warehouse.
At our tent we’ll have event discounts on the above titles and many others, and will offer free shipping on orders taken onsite. Slightly damaged (“hurt”) stock and a few titles in new condition will have special bargain prices.
We look forward to seeing everyone at this outside celebration of story and song!
Several author appearances are scheduled for the coming months; here are the remaining ones lined up for February. These events are free and the public is invited to attend. Books will be available for sale and signing, unless otherwise noted.
Saturday, February 18, 3:00 to 5:00 pm,Eastwind Books of Berkeley (2066 University Avenue) At this venerable independent bookshop, Lillian Howan will discuss and read from her debut novel, The Charm Buyers. Set in 1990s Tahiti during the last years of French nuclear testing in the Pacific, the book has been praised by early reviewers as “gorgeous,” “sensuous,” and “hynoptic” (see the blurbs under the “reviews” tab on the UH Press web page). A review scheduled to appear in the March/April issue of Foreword Reviews says, in part: “Howan’s language is breathtaking, building a land and family with detail and power. . . . The Charm Buyers is a thought-provoking insight into a time of cultural change. It captures an essence of existing between reality and surreality, dreaming and wakefulness, the past and the future.”
Saturday, February 18, 11:00 am,Japanese Cultural Center of Hawai‘i Fifty years ago, Suikei Furuya chronicled his World War II imprisonment and published his memoirs in Japan. It took JCCH Resource Center volunteer Tatsumi Hayashi ten years to translate the book into English and now An Internment Odyssey: Haisho Tentenhas been published by JCCH, with additional distribution by UH Press. The book launch will include a panel discussion with Tatsumi Hayashi, Sheila Chun, Brian Niiya and a member of the Furuya family. For further details, see the JCCH website.
Thursday, February 23, 12 noon to 1:15 pm, Kuykendall Hall 410,UH Mānoa
Several University of Hawai‘i Press authors will be presenting their works this month and next. These events are free and the public is invited to attend. Books will be available for sale and signing, unless otherwise noted.
Thursday, October 6, noon to 1:15 pm, Henke Hall 325,UH Mānoa
At this Center for Biographical Researchbrown bag talk, Rodney Morales addresses the role that research plays in his fiction, particularly his new novel, For a Song. In fabricating stories that ring true, he not only focuses on documentable events, actual persons, and observable landscapes, as histories and biographies do, but also finds ways to breathe life into them. (See the fall semester Brown Bag Biography schedule here.)
Dr. Marie Alohalani Brown again shares her work and insight on Hawaiian statesman John Papa ‘Ī‘ī; this time to a downtown Honolulu audience. See more details and register on Eventbrite.
Events to come in November include Rodney Morales at Native Books/Nā Mea Hawai‘i on November 5, 2:30 to 4 pm, and discussions with editors Aya Kimura and Krisnawati Suryanata, along with chapter contributors, to highlight Food and Power in Hawai‘i. A book launch for Food and Power in Hawai‘i is scheduled for November 4, 2:30 to 4:00 pm at UHM Saunders Hall 443. Check our Facebook page for updates.
Come by the UH Press tent, located on the ‘ewa-mauka side of the grounds, alongside Honolulu Hale (left side of the map). This year we are cosponsors with theInstitute for Astronomy for their neighboring booth as well as presentations by IfA director Günther Hasinger for Astronomy’s Limitless Journey and by Roy Gal for Michael West’s A Sky Wonderful with Stars. Also new this year is the O‘ahu Nursery Growers Association plant sale, so several of our gardening books have been added to our display. As always, we’ll have our latest Hawai‘i titles available at a discount and will offer free US shipping on orders taken onsite.
Author John R. K. Clark turns to the Hawaiian newspaper archives to create rich reference guides filled with primary resource accounts of places in Hawai’i — his latest title, North Shore Place Names, comes from a lifelong passion for surfing and fascination with Hawai’i’s home of legendary winter swells. This title is an important example of one of many transitions in research style for scholars of Hawai’i — please take a look at his Hawaiian Historical Society lecture by clicking on the image to the left.
His latest title, North Shore Place Names, can be found on our web store.
University of Hawai‘i Press will be among the publishers, booksellers, and nonprofits exhibiting at the 10th annualHawai‘i Book and Music Festival this weekend, May 2–3, at the Frank F. Fasi Civic Grounds next to Honolulu Hale. Admission and parking are free. Go to the festival website to download a detailed schedule of events and PDF of the map shown above. Be sure to come by the UH Press tent, located near the Alana Pavilion (left side of the map, ‘ewa-mauka corner). We’ll have our latest Hawai‘i titles available for sale at a discount and will offer free U.S. shipping on any orders taken onsite.
Numerous UH Press authors will be participating in this yearly “celebration of story and song.” Some highlights to look for:
University of Hawaiʻi Press collects the information that you provide when you register on our site, place an order, subscribe to our newsletter, or fill out a form. When ordering or registering on our site, as appropriate, you may be asked to enter your: name, e-mail address, mailing 0address, phone number or credit card information. You may, however, visit our site anonymously.
Website log files collect information on all requests for pages and files on this website's web servers. Log files do not capture personal information but do capture the user's IP address, which is automatically recognized by our web servers. This information is used to ensure our website is operating properly, to uncover or investigate any errors, and is deleted within 72 hours.
University of Hawaiʻi Press will make no attempt to track or identify individual users, except where there is a reasonable suspicion that unauthorized access to systems is being attempted. In the case of all users, we reserve the right to attempt to identify and track any individual who is reasonably suspected of trying to gain unauthorized access to computer systems or resources operating as part of our web services.
As a condition of use of this site, all users must give permission for University of Hawaiʻi Press to use its access logs to attempt to track users who are reasonably suspected of gaining, or attempting to gain, unauthorized access.
WHAT DO WE USE YOUR INFORMATION FOR?
Any of the information we collect from you may be used in one of the following ways:
To process transactions
Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the purchased product or service requested. Order information will be retained for six months to allow us to research if there is a problem with an order. If you wish to receive a copy of this data or request its deletion prior to six months contact Cindy Yen at email@example.com.
To administer a contest, promotion, survey or other site feature
Your information, whether public or private, will not be sold, exchanged, transferred, or given to any other company for any reason whatsoever, without your consent, other than for the express purpose of delivering the service requested. Your information will only be kept until the survey, contest, or other feature ends. If you wish to receive a copy of this data or request its deletion prior completion, contact firstname.lastname@example.org.
To send periodic emails
The email address you provide for order processing, may be used to send you information and updates pertaining to your order, in addition to receiving occasional company news, updates, related product or service information, etc.
Note: We keep your email information on file if you opt into our email newsletter. If at any time you would like to unsubscribe from receiving future emails, we include detailed unsubscribe instructions at the bottom of each email.
To send catalogs and other marketing material
The physical address you provide by filling out our contact form and requesting a catalog or joining our physical mailing list may be used to send you information and updates on the Press. We keep your address information on file if you opt into receiving our catalogs. You may opt out of this at any time by contacting email@example.com.
HOW DO WE PROTECT YOUR INFORMATION?
We implement a variety of security measures to maintain the safety of your personal information when you place an order or enter, submit, or access your personal information.
We offer the use of a secure server. All supplied sensitive/credit information is transmitted via Secure Socket Layer (SSL) technology and then encrypted into our payment gateway providers database only to be accessible by those authorized with special access rights to such systems, and are required to keep the information confidential. After a transaction, your private information (credit cards, social security numbers, financials, etc.) will not be stored on our servers.
Some services on this website require us to collect personal information from you. To comply with Data Protection Regulations, we have a duty to tell you how we store the information we collect and how it is used. Any information you do submit will be stored securely and will never be passed on or sold to any third party.
You should be aware, however, that access to web pages will generally create log entries in the systems of your ISP or network service provider. These entities may be in a position to identify the client computer equipment used to access a page. Such monitoring would be done by the provider of network services and is beyond the responsibility or control of University of Hawaiʻi Press.
Yes. Cookies are small files that a site or its service provider transfers to your computer’s hard drive through your web browser (if you click to allow cookies to be set) that enables the sites or service providers systems to recognize your browser and capture and remember certain information.
DO WE DISCLOSE ANY INFORMATION TO OUTSIDE PARTIES?
We do not sell, trade, or otherwise transfer your personally identifiable information to third parties other than to those trusted third parties who assist us in operating our website, conducting our business, or servicing you, so long as those parties agree to keep this information confidential. We may also release your personally identifiable information to those persons to whom disclosure is required to comply with the law, enforce our site policies, or protect ours or others’ rights, property, or safety. However, non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.
CALIFORNIA ONLINE PRIVACY PROTECTION ACT COMPLIANCE
Because we value your privacy we have taken the necessary precautions to be in compliance with the California Online Privacy Protection Act. We therefore will not distribute your personal information to outside parties without your consent.
We are in compliance with the requirements of COPPA (Children’s Online Privacy Protection Act), we do not collect any information from anyone under 13 years of age. Our website, products and services are all directed to people who are at least 13 years old or older.
This policy is effective as of May 25th, 2018.
University of Hawaiʻi Press
2840 Kolowalu Street
Honolulu, HI 96822
Ph (808) 956-8255, Toll-free: 1-(888)-UH-PRESS
Fax (800) 650-7811