Journals: Kapaemahu, Remembering Miriam Fuchs, Burmese Literature + Visuality and Materiality in Postwar Japan

Biography

Volume 45, Number 2 (2022)

The new issue contains the following articles as a remembrance for Miriam Fuchs who was an active contributor to the journal. It also contains the annual bibliography:

Miriam Fuchs, Life Writing, and Life
Craig Howes

A Voyage Beyond the Text as Self: Remembering Miriam Fuchs Holzman
Cynthia G. Franklin

Miriam, The Bookies, and I
Joseph H. O’Mealy

In the Warm Waters of Lanikai: Paddling with Miria
Leinaala Davis

A Tribute to Miriam Fuchs: With Love from Her Student
Amy Calrson

Find more articles at Project MUSE.

Front cover of Manoa 34-2

Mānoa

Volume 34, Number 2 (2022)
In the Silence

The new Mānoa issue features a special section on the literature of Burma/Myanmar. In the introduction, “To Write a History,” guest editors Penny Edwards, ko ko thett, and Kenneth Wong begin:

“‘How to write history / in a language / that has no past tense’ asks co-editor ko ko thett in his poetry collection The Burden of Being Burmese. How to publish literature under a military regime with no future tense?

“In Myanmar today, the simplest utterance is punishable as the defamation of the state. A song, a poem, a music video, an elegy are all open invitations to a cowardly regime to pursue their authors with impunity.”

Find literature from Burma/Myanmar, South Asia and more at Project MUSE.

Review of Japan Culture and Society

Volume 32 (2020)

The new issue includes the special section, “Visuality and Materiality in Postwar Japan” guest edited by Álex Bueno and Yasutaka Tsuji, and “Japan in Los Angeles” edited by Rika Hiro. Selections include:

Design as Cultural Representation: Visuality and Materiality in Postwar Japan
Yasutaka Tsuji (Translated by Álex Bueno)

Japan’s Postwar Building: Japanese Architecture and the West
Ryuichi Hamaguchi

Nature and Thought in Japanese Design
Teiji Itoh

Yamashiro: Imagined Home and the Aesthetics of Hollywood Japanism
Dianne Lee Shen

Bruce Yonemoto: Made in Occupied Japan
Rika Hiro

Find more articles, an interview with Manika Nagare, and literature in translation at Project MUSE.

Journals: When is a Qin Tomb not a Qin Tomb, Akan Relations in West Africa, the Queen of Kunqu, Kodi Phonology + More

Asian Perspectives

Volume 61, Number 2 (2022)

The new issue contains the following articles:

A Unique Burial of the Fourth Millennium B.C.E. and
the Earliest Burial Traditions in Mongolia 220

Susanne Reichert, Nasan-Ochir Erdene-Ochir,
and Jan Bemmann

When is a Qin Tomb not a Qin Tomb? Cultural
(De)construction in the Middle Han River Valley

Glenda Chao

Recent Rock Art Sites from West Sumatra, Indonesia
Karina Arifin and R. Cecep Eka Permana

A Ceramic and Plant and Parasite Microfossil Record from
Andarayan, Cagayan Valley, Philippines Reveals Cultigens and
Human Helminthiases Spanning the Last ca. 2080 Years

Mark Horrocks, John Peterson, and Bronwen Presswell

Bioarchaeology in Central Asia: Growing from Legacies to
Enhance Future Research

Elissa A. Bullion, Zhuldyz Tashmanbetova, and
Alicia R.Ventresca Miller

Find more special features and articles at Project MUSE.

Asian Theatre Journal

Volume 39, Number 2 (2022)

The new issue includes an Editor’s Note from Editor Siyuan Liu remembering scholar Dr. Po-Hsien Chun who taught and held seminars in theater and performance studies. Chun had recently published a review in Asian Theatre Journal Volume 37 Number 2 (Fall 2020) of Tokyo Listening: Sound and Sense in a Contemporary City by Lorraine Plourde. Liu states:

The third winner of last year’s AAP emerging scholar competition, Po-Hsien Chu, was also scheduled to publish his essay in the current issue, although he decided to postpone the revision to focus on his teaching as a visiting assistant professor at the University of Pittsburgh. Sadly, we will not have a chance to read his work as he passed away unexpectedly earlier this year. I would like to direct our readers to AAP’s remembrance of Po-Hsien, which describes him as “a brilliant scholar of Sinophone theater and performance, a nurturer of the field of Sinophone Studies, a generous and witty collaborator, a punctilious teacher, and above all, a cherished colleague who made scholarly fellowship into an art.”

Find more reviews and articles at Project MUSE.

Biography vol. 45 no. 1 front cover

Journal of the Southeast Asian Linguistics Society

Volume 15 Number 2 (2022)

The new issue contains the following articles:

Notes on Kodi Phonology
Joseph Lovestrand, Misriani Balle, and Owen Edwards

Identifying (In)Definiteness in Vietnamese Noun Phrase
Trang Phan and Gennaro Chierchia

A Preliminary phonology and Latin-based orthography of Para Naga (Jejara), Northwest Myanmar
Melissa Lubbe, Tiffany Priest, and Sigrid Lew

Examining Main Clause Similarity and Frequency Effects in the Production of Tagalog Relative Clauses
Nozomi Tanaka, Paul Ivan, and Kamil Dean

The Dynamics of Language Shift among Lawa-Speaking Families in Northern Thailand
Rakkhun Panyawuthakrai and Mayuree Thawornpat

Find more articles at eVols.

Review of Japanese Culture and Society, vol. 28 (2016)

Distributed for Jōsai International Center for the Promotion of Art and Science, Jōsai University

From The City of the Future (1960) in this issue. Kikutake Kiyonori, Marine City, 1971. Drawing with felt-tip pen, 64 cm x 64 cm. Photo by Jean-Claude Planchet. Musee National d’Art Moderne, Centre Georges Pompidou, Paris France. © CNAC/MNAM/Dist.RMN-Grand Palais/Art Resource, NY. Courtesy of Kikutake Architects.

The Review of Japanese Culture and Society, volume 28 opens with an editors’ introduction:

…“Japanese design” possesses one of the most recognizable profiles, albeit one with multiple personalities. Notions of minimalism, Zen, wabi-sabi, and cute are often ascribed as inherent attributes of Japanese design. This profile operates  across media and disciplines, from graphic design to architecture and interiors, product and furniture design, and fashion and newer industries like interaction or experience design. On the one hand, we hear of “Zen minimalism” associated with architecture, interiors, and the simple lines and matte surfaces of sophisticated product design, and on the other hand, a sort of frenetic hyper-cute sensibility associated with youth culture and digital design.
Design and Society in Modern Japan: An Introduction, by Ignacio Adriasola, Sarah Teasley, and Jilly Traganou

DESIGN AND SOCIETY IN MODERN JAPAN

Japan’s Industrial Arts: Present and Future (1917) (translated by Penny Bailey)
by Yasuda Rokuzō

Industrial Arts and the Development of Japan’s Industry (1932) (translated by Penny Bailey)
by Kunii Kitarō Continue reading “Review of Japanese Culture and Society, vol. 28 (2016)”

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