Joseph Cali, coauthor of Shinto Shrines: A Guide to the Sacred Sites of Japan’s Ancient Religion, was recently featured on the NHK program “Journeys in Japan” to talk about a recent trip to Takamatsu’s famous Ritsurin Garden, one of the largest and most beautiful historical gardens in Japan.
Photo courtesy of NHK
Imperatives of Culture: Selected Essays on Korean History, Literature, and Society from the Japanese Colonial Era, edited by Christopher P. Hanscom, Walter K. Lew, and Youngju Ryu, contains translations—many appearing for the first time in the English language—of major literary, critical, and historical essays from the colonial period (1910–1945) in Korea. Considered representative of the debates among and between Korean and Japanese thinkers of the colonial period, these texts shed light on relatively unexplored aspects of intellectual life and take part in current conversations around the nature of the colonial experience and its effects on post-liberation Korean society and culture.
“Imperatives of Culture is a landmark in bringing important Korean texts from the colonial period into the English-speaking world. Intellectuals and writers who were central to debates over Korean identity and culture—which in the 1930s and 1940s the Japanese were trying to eradicate—illumine with insight and often brilliance the dilemmas of an ancient nation captured by a curiously ‘late’ (or late-coming) twentieth-century imperialism. These essays also cast their reflection down to the present, as divided Korea enters its seventh decade. This book rewards multiple readings and will be most useful in the classroom.” —Bruce Cumings, Chair, Department of History, University of Chicago
Korean Classics Library: Historical Materials
May 2013 / ISBN 978-0-8248-3821-8 / $45.00 (CLOTH)
Numerous reports of “cancer villages” have appeared in the past decade in both Chinese and Western media, highlighting the downside of China’s economic development. Less generally known is how people experience and understand cancer in areas where there is no agreement on its cause. Who or what do they blame? How do they cope with its onset? Fighting for Breath: Living Morally and Dying of Cancer in a Chinese Village, by Anna Lora-Wainwright, is the first ethnography to offer a bottom-up account of how rural families strive to make sense of cancer and care for sufferers. It addresses crucial areas of concern such as health, development, morality, and social change in an effort to understand what is at stake in the contemporary Chinese countryside.
“Fighting for Breath is a well-written, ethnographically grounded, and anthropologically compelling book. It is theoretically sophisticated and clearly the work of a serious China scholar and first-rate medical anthropologist. Cancer has received much less attention in these fields than it deserves, so this volume fills an important niche.” —Arthur Kleinman, Harvard University
May 2013 / ISBN 978-0-8248-3682-5 / $52.00 (CLOTH)
The term “revival” has been used to describe the resurgent vitality of Buddhism in Taiwan. Particularly impressive is the quality and size of the nun’s order: Taiwanese nuns today are highly educated and greatly outnumber monks. Both characteristics are unprecedented in the history of Chinese Buddhism and are evident in the Incense Light community (Xiangguang). Passing the Light: The Incense Light Community and Buddhist Nuns in Contemporary Taiwan, by Chün-Fang Yü, is the first in-depth case study of the community, which was founded in 1974 and remains a small but influential order of highly educated nuns who dedicate themselves to teaching Buddhism to lay adults.
Topics in Contemporary Buddhism
May 2013 / ISBN 978-0-8248-3812-6 / $29.00 (PAPER)
Two UH Press titles have been long listed for the 2013 ICAS (International Convention of Asia Scholars) Book Prize in the humanities and the social sciences. Twelve books in each area were chosen from a total of 250 Asian studies titles submitted by 60 publishers worldwide.
ICAS will announce the short list in early May. Winners will be announced during the ICAS Book Prize Awards Ceremony on June 25, 2013, in Macao.
Chinese Architecture and the Beaux-Arts, edited by Jeffrey W. Cody, Nancy S. Steinhardt, and Tony Akin
“[The] fascinating and under-appreciated cross-pollination of Eastern and Western architecture is thoroughly examined in [this] absorbing new book. . . . Although filled with handsome photos contemporary and historic, Chinese Architecture and the Beaux-Arts is no coffee-table book — this volume is a thoughtful and far-ranging account of international trends in architecture, which have been too little known in the U.S. It fills an important need and is certain to find its place in every serious library of architectural history.” —Traditional Building (2011)
Burning Money: The Material Spirit of the Chinese Lifeworld, by C. Fred Blake
“Blake fully illustrates the common practice of burning paper money in the daily lives of many people throughout China, exploring the forces that have continued and transformed this old tradition from old times up to the present. His book is innovative and comprehensive in its interpretation of this common custom in China and will be welcomed by anyone interested in the living traditions and cultures of China.” —Asian Ethnology (71:2, 2012)
Whether you’re in or near New York, Carlsbad, D.C., or Kaunakakai, please join UHP authors at their events!
Thursday, April 11
6:30 to 8 p.m.
Bianca Bosker will be at the China Institute, NYC, to speak on her intriguing new book, Original Copies: Architectural Mimicry in Contemporary China, and the phenomenon of “duplitecture.” Click here for event details and to purchase tickets ($10 member / $15 non-member).
For more on this fascinating topic:
Read the Atlantic article Duplitectural Marvels: Exploring China’s Replica Western Cities
Listen to an interview of Bianca Bosker by Chris Gondek of Heronandcrane on Portland State’s KPSU.
Saturday, April 13
2:00 p.m.
Head over to the Museum of Making Music in Carlsbad, California for “Sincerely, Ukulele,” featuring Jim Tranquada’s book talk on The ‘Ukulele: A History, followed by a performance by ‘ukulele artist Brittni Paiva. For details and to purchase tickets, click here.
Sunday, April 14
In a mash-up of sorts, two UH Press authors will present short lectures as part of the National Cherry Blossom Festival‘s two-day anime marathon, which will feature all 26 episodes of Shinichiro Watanabe’s Samurai Champloo. Both talks are free and will be held in the Smithsonian’s Freer Gallery of Art.
11:00 a.m.
“Ukiyo-e Pictures and the World of the Pleasure Quarters”
Julie Nelson Davis, associate professor in the Department of the History of Art, University of Pennsylvania, and author of Utamaro and the Spectacle of Beauty.
3:00 p.m.
“Picaresque Tales, Travelers and Lawbreakers”
Constantine Vaporis, professor and director of Asian studies, University of Maryland Baltimore Campus; author of Tour of Duty: Samurai, Military Service in Edo, and the Culture of Early Modern Japan.
Wednesday, April 24
5:30 p.m.
Anwei Law will sign her monumental work, Kalaupapa: A Collective Memory, at Kalele Bookstore & Divine Expressions in the heart of Kaunakakai, Moloka‘i. Currently a resident of Seneca Falls, NY, where she works as the international coordinator of IDEA, she will be visiting Hawai‘i during most of May–watch for a post on next month’s events.
Lu Xun (1881–1936), arguably twentieth-century China’s greatest writer, is commonly cast in the mold of a radical iconoclast who vehemently rejected traditional culture. The contradictions and ambivalence so central to his writings, however, are often overlooked. Challenging conventional depictions, Literary Remains: Death, Trauma, and Lu Xun’s Refusal to Mourn, by Eileen J. Cheng, captures Lu Xun’s disenchantment with modernity and his transformative engagements with traditional literary conventions in his “modern” experimental works. Lurking behind the ambiguity at the heart of his writings are larger questions on the effects of cultural exchange, accommodation, and transformation that Lu Xun grappled with as a writer: How can a culture estranged from its vanishing traditions come to terms with its past? How can a culture, severed from its roots and alienated from the foreign conventions it appropriates, conceptualize its own present and future?
“Eileen Cheng’s study explores Lu Xun’s complex interaction with the past through sophisticated and nuanced analyses of a large corpus of his writings. With its solid textual scholarship and original and illuminating interpretations, her work constitutes an important contribution to Lu Xun studies.” —Kirk Denton, Ohio State University
April 2013 / ISBN 978-0-8248-3595-8 / $54.00 (CLOTH)
University of Hawai‘i Press will be exhibiting at the Association for Asian Studies Annual Conference, March 21-24, at the Manchester Grand Hyatt in San Diego.
Editors Patricia Crosby and Pamela Kelley will be attending, together with marketing director Colins Kawai and Asia studies product manager Steve Hirashima. Please visit us at booths 307, 309, and 311, where we will be offering a 20% discount and free shipping in the U.S. (Free shipping applies only to orders received or placed at the conference.)
Our publishing partners will be exhibiting nearby: Ateneo de Manila University Press/University of the Philippines Press (booth 313), Cornell University East Asia Program (booth 308), MerwinAsia/Seoul Selection/Shanghai Press and Publishing Development (booth 314), NIAS Press-Nordic Institute of Asian Studies (booth 312), and NUS Press-Singapore (booth 310). See you in San Diego!
From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood, by Yiman Wang, traces cross-Pacific film remaking over the last eight decades. Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multi-local process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through trans-regional and trans-national interactions that also produced a vision of Chinese cinema.
“This study of remaking in Chinese cinema is both one of the most sophisticated and insightful analyses of the remake phenomenon in general and a work that reveals a series of fascinating and hitherto occluded connections and links in Chinese-language film history. Each case study is a revelation for the reader. This rigorous and original piece of scholarship reveals, investigates and narrates forgotten connections across borders and between major filmmaking cities and in this way makes new contributions to film history. The primary readership for the work will be students and scholars of Chinese cinema, but its contribution to larger debates about transnational cinema and remaking in general should be recognized and it should find a wider readership in cinema studies, as well as in Chinese studies.” —Chris Berry, University of London
Critical Interventions
March 2013 / ISBN 978-0-8248-3607-8 / $49.00 (CLOTH)
The UH Press Asian Studies 2013 catalog is now available! The catalog has been redesigned to showcase our new and forthcoming Asian studies titles. (All books published prior to late 2012 and currently in print can be found at our website.) To view the PDF, click on the catalog cover image to the left.
Highlights include:
* An illustrated anthology of well-known masterpieces and unusual writing from 18th-century Edo’s counterculture — An Edo Anthology: Literature from Japan’s Mega-City, 1750–1850
*Four new titles in the Spatial Habitus series — The Hermit’s Hut: Asceticism and Architecutre in India, China’s Contested Capital: Architecture, Ritual, and Response in Nanjing, Architecture and Urbanism in Modern Korea, and Original Copies: Architectural Mimicry in Contemporary China
* Short fiction from Japan’s foremost Marxist writer, Kobayashi Takiji, including a new translation of an anticapitalist classic that became a runaway bestseller in Japan in 2008, nearly eight decades after its publication — The Crab Cannery Ship and Other Novels of Struggle
* A timely collection of essays exploring Japan’s role in global environmental transformation and how Japanese ideas have shaped bodies and landscapes over the centuries — Japan at Nature’s Edge: The Environmental Context of a Global Power
* An expansive new study on the varied roles Southeast Asia’s monumental remains (Angkor, Pagan, Borobudur, and Ayutthaya, among others) have played in the histories of its modern nations — A Heritage of Ruins: The Ancient Sites of Southeast Asia and Their Conservation
* Close description and analysis of the history, geographical whereabouts, and doctrinal positions of early schools of Buddhism by André Bareau, one of the foremost scholars of Buddhism of his generation — The Buddhist Schools of the Small Vehicle
* Two volumes in the new series Korean Classics Library — Salvation through Dissent: Tonghak Heterodoxy and Early Modern Korea and Imperatives of Culture: Selected Essays on Korean History, Literature, and Society
Did China drive or resist the early wave of globalization? Some scholars insist that China contributed nothing to the rise of the global economy that began around 1500. Others have placed China at the center of global integration. Neither side, though, has paid attention to the complex story of China’s maritime policies. Drawing on sources from China, Japan, Korea, Vietnam, and the West, The Qing Opening to the Ocean: Chinese Maritime Policies, 1684–1757, an important new work by Gang Zhao, systematically explores the evolution of imperial Qing maritime policy and sets its findings in the context of early globalization.
“This is an important work based on impressive erudition that offers a convincing reinterpretation of Chinese attitudes toward maritime trade.” —John E. Wills, Jr., University of Southern California
Perspectives on the Global Past
February 2013 / ISBN 978-0-8248-3643-6 / $56.00 (CLOTH)
During the eighteenth century, Edo (today’s Tokyo) became the world’s largest city, quickly surpassing London and Paris. Its rapidly expanding population and flourishing economy encouraged the development of a thriving popular culture. Innovative and ambitious young authors and artists soon began to look beyond the established categories of poetry, drama, and prose, banding together to invent completely new literary forms that focused on the fun and charm of Edo. Their writings were sometimes witty, wild, and bawdy, and other times sensitive, wise, and polished. Now some of these high spirited works, celebrating the rapid changes, extraordinary events, and scandalous news of the day, have been collected in An Edo Anthology: Literature from Japan’s Mega-City, 1750–1850, edited by Sumie Jones, with Kenji Watanabe, an accessible volume highlighting the city life of Edo.
“Anyone who wishes to soak up the atmosphere of Japanese urban life in those marvellous years before Edo became Tokyo need look no further than this anthology. Designed around six thematic categories, the book leads us right to the heart of the colorful, the earthy, the comic, the scabrous world of what in the mid-eighteenth century was in all likelihood the largest city in the world. A special strength of this collection is its successful attempt to capture one of the most remarkable aspects of popular literature of the time: the visual excitement of the woodblock printed page. A superb teaching resource that puts Edo within reach of the classroom.” —Richard Bowring, Professor Emeritus, University of Cambridge
February 2013
ISBN 978-0-8248-3629-0 / $70.00 (CLOTH)
ISBN 978-0-8248-3740-2 / $30.00 (PAPER)
