April 2013 Author Events

Whether you’re in or near New York, Carlsbad, D.C., or Kaunakakai, please join UHP authors at their events!

Thursday, April 11
6:30 to 8 p.m.
Bianca Bosker will be at the China Institute, NYC, to speak on her intriguing new book, Original Copies: Architectural Mimicry in Contemporary China, and the phenomenon of “duplitecture.” Click here for event details and to purchase tickets ($10 member / $15 non-member).

For more on this fascinating topic:
Read the Atlantic article Duplitectural Marvels: Exploring China’s Replica Western Cities
Listen to an interview of Bianca Bosker by Chris Gondek of Heronandcrane on Portland State’s KPSU.

Saturday, April 13
2:00 p.m.
Head over to the Museum of Making Music in Carlsbad, California for “Sincerely, Ukulele,” featuring Jim Tranquada’s book talk on The ‘Ukulele: A History, followed by a performance by ‘ukulele artist Brittni Paiva. For details and to purchase tickets, click here.

Sunday, April 14
In a mash-up of sorts, two UH Press authors will present short lectures as part of the National Cherry Blossom Festivals two-day anime marathon, which will feature all 26 episodes of Shinichiro Watanabe’s Samurai Champloo. Both talks are free and will be held in the Smithsonian’s Freer Gallery of Art.

11:00 a.m.
“Ukiyo-e Pictures and the World of the Pleasure Quarters”
Julie Nelson Davis, associate professor in the Department of the History of Art, University of Pennsylvania, and author of Utamaro and the Spectacle of Beauty.

3:00 p.m.
“Picaresque Tales, Travelers and Lawbreakers”
Constantine Vaporis, professor and director of Asian studies, University of Maryland Baltimore Campus; author of Tour of Duty: Samurai, Military Service in Edo, and the Culture of Early Modern Japan.

Wednesday, April 24
5:30 p.m.
Anwei Law will sign her monumental work, Kalaupapa: A Collective Memory, at Kalele Bookstore & Divine Expressions in the heart of Kaunakakai, Moloka‘i. Currently a resident of Seneca Falls, NY, where she works as the international coordinator of IDEA, she will be visiting Hawai‘i during most of May–watch for a post on next month’s events.

Architectural Mimicry in Contemporary China

Original CopiesA 108-meter high Eiffel Tower rises above Champs Elysées Square in Hangzhou. A Chengdu residential complex for 200,000 recreates Dorchester, England. An ersatz Queen’s Guard patrols Shanghai’s Thames Town, where pubs and statues of Winston Churchill abound. Gleaming replicas of the White House dot Chinese cities from Fuyang to Shenzhen. These examples are but a sampling of China’s most popular and startling architectural movement: the construction of monumental themed communities that replicate towns and cities in the West.

Original Copies: Architectural Mimicry in Contemporary China, by Bianca Bosker, presents the first definitive chronicle of this remarkable phenomenon in which entire townships appear to have been airlifted from their historic and geographic foundations in Europe and the Americas, and spot-welded to Chinese cities. These copycat constructions are not theme parks but thriving communities where Chinese families raise children, cook dinners, and simulate the experiences of a pseudo-Orange County or Oxford. In recounting the untold and evolving story of China’s predilection for replicating the greatest architectural hits of the West, Bosker explores what this unprecedented experiment in “duplitecture” implies for the social, political, architectural, and commercial landscape of contemporary China.

“The postmodern predilection for ‘themed’ environments and simulacra has generally been interpreted, in a line that stretches from the Frankfurt School to Baudrillard and Eco, in terms of loss—loss of originality and loss of authenticity. Bianca Bosker turns this line of cultural criticism in a very different direction in a perceptive analysis of architectural mimicry in the cultural context of the ‘new China.’ Through significant and original research, including personal interviews and photographs, Bosker draws a vivid picture of a rapidly changing society in a moment in the self-definition of its wealthier elements. Original Copies will appeal both to specialists in contemporary Chinese studies and to a wider public curious about these arresting images of a consumer society in formation.” —Christian Hubert, Parsons The New School for Design

January 2013 / ISBN 978-0-8248-3606-1 / $30.00 (PAPER)
Spatial Habitus: Making and Meaning in Asia’s Architecture
Published in association with Hong Kong University Press

For more on China’s architectural mimicry:
Copycat Architects in China Take Aim at the Stars: http://www.spiegel.de/international/zeitgeist/pirated-copy-of-design-by-star-architect-hadid-being-built-in-china-a-874390.html
China’s Copycat Cities: http://uhpress.wordpress.com/2012/12/03/foreign-policy-article-on-chinas-copycat-cities/