CBS Sunday Morning & Other Ukulele News/Reviews

CBS Sunday Morning interviewed Jim Tranquada on the UH Manoa campus (courtesy of CBS Sunday Morning).

Jim Tranquada, coauthor of The ‘Ukulele: A History, had a minute of fame on the CBS Sunday Morning Show that aired October 14 across the U.S. The entire six-minute segment by reporter Seth Doane and producer Kay Lim featured international uke star Jake Shimabukuro, the Kamaka ‘ukulele factory, and teacher Roy Sakuma (impresario of the annual Ukulele Festival Hawaii). Tranquada shared that the instrument now widely identified as a Hawaiian icon actually was introduced by Portuguese immigrants from the island of Madeira, off the coast of Morocco.

As related news, The ‘Ukulele: A History has received thumbs-up reviews from Library Journal and ForeWord Magazine. The former recommends the book for “any comprehensive music collection (and, really, for any popular music collection),” while the latter calls it “a fascinating musical and social history that not only supports Tranquada and King’s argument for a rehabilitation of the instrument’s image, but also sets the stage for a full-scale ‘ukulele revival.” Read the full reviews:
Library Journal    |   ForeWord

Roughly half a world away, on another island, the Uke Ireland & Ukuhooley Bloghas posted a comparative review of Tranquada and King’s history with Ian Whitcomb’s recent Ukulele Heroes (Hal Leonard Books). Embedded within that blog post is a video review by Ukester Brown, a ‘ukulele player in Minnesota, who recommends both books, for different reasons. According to the information on the Uke Ireland site, every Saturday there’s a UkuHooley Meetup at the Dun Laoghaire Club in Dublin—perhaps another example of how the ‘ukulele has become an international cultural phenomenon!

Manga, Anime, and Religion in Contemporary Japan

Drawing on Tradition
Manga and anime (illustrated serial novels and animated films) are highly influential Japanese entertainment media that boast tremendous domestic consumption as well as worldwide distribution and an international audience. Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan, by Jolyon Baraka Thomas, examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography.

“Studies of religion in popular culture often treat contemporary artifacts as if they are created ex nihilo, objects unmoored from any previous media or cultural conditions. Jolyon Baraka Thomas here charts a new course for engaging religion and the media of popular culture by demonstrating the myriad ways manga and anime matter. Such popular media matter to the creation of culture, to religion and the study thereof, as well as to the sometimes violent expressions of the extremities of faith. Thomas’ suggestive book ably proves that these comics are not the ‘funny papers,’ but deeply serious, just as they can be seriously playful.” —S. Brent Plate, author of Religion and Film: Cinema and the Re-Creation of the World, and managing editor of Material Religion: The Journal of Objects, Art, and Belief

September 2012 / ISBN 978-0-8248-3654-2 / $25.00 (PAPER)

New in Hawaiian Studies and Culture

No Na MamoI Ulu I Ke KumuNo Na Mamo: Traditional and Contemporary Hawaiian Beliefs and Practices, by Malcolm Naea Chun, is an updated and enlarged compilation of books in the acclaimed Ka Wana series, published in 2005–2010. The books, revised and presented here as individual chapters, offer invaluable insights into the philosophy and way of life of Native Hawaiian culture.
September 2011 / ISBN 978-0-8248-3624-5 / $40.00 (CLOTH)
Published in association with the Curriculum Research and Development Group (CRDG), University of Hawai‘i

I Ulu I Ke Kumu: The Hawaiinuiakea Monograph, edited by Puakea Nogelmeier, is the first volume of a series to be published annually by the Hawaiʻinuiakea School of Hawaiian Knowledge and is intended to be a venue for scholars as well as practitioners and leaders in the Hawaiian community to come together over issues, queries, and strategies. Each volume will feature articles on a thematic topic—from diverse fields such as economics, education, family resources, government, health, history, land and natural resource management, psychology, religion, sociology, and so forth—selected by an editorial team. It will also include a “current viewpoint” by a postgraduate student and a reflection piece contributed by a kupuna.
October 2011 / ISBN 978-0-9845666-0-0 / $16.00 (PAPER)
Published in association with the Hawai‘inuiakea School of Hawaiian Knowledge, University of Hawai‘i

Transformations of Cultural Traditions in Oceania

Changing ContextsChanging Contexts, Shifting Meanings: Transformations of Cultural Traditions in Oceania, edited by Elfriede Hermann, sheds new light on processes of cultural transformation at work in Oceania and analyzes them as products of interrelationships between culturally created meanings and specific contexts. In a series of inspiring essays, noted scholars of the region examine these interrelationships for insight into how cultural traditions are shaped on an ongoing basis.

September 2011 / ISBN 978-0-8248-3366-4 / $58.00 (CLOTH)

New in the Pacific Islands Monograph Series

Repositioning the MissionaryIn the vein of an emergent Native Pacific brand of cultural studies, Repositioning the Missionary: Rewriting the Histories of Colonialism, Native Catholicism, and Indigeneity in Guam, by Vicente M. Diaz, examines the cultural and political stakes of the historic and present-day movement to canonize Blessed Diego Luis de San Vitores (1627–1672), the Spanish Jesuit missionary who was martyred by Mata’pang of Guam while establishing the Catholic mission among the Chamorros in the Mariana Islands. The work juxtaposes official, popular, and critical perspectives of the movement to complicate prevailing ideas about colonialism, historiography, and indigenous culture and identity in the Pacific.

July 2010 / ISBN 978-0-8248-3435-7 / $24.00 (PAPER)
Pacific Islands Monograph Series, No. 24
Published in association with the Center for Pacific Islands Studies, University of Hawai‘i