Category: Literature

Heroes of China’s Great Leap Forward

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Heroes of China's Great LeapHeroes of China’s Great Leap Forward: Two Stories, edited by Richard King, presents contrasting narratives of the most ambitious and disastrous mass movement in modern Chinese history. The objective of the Great Leap, when it was launched in the late 1950s, was to catapult China into the ranks of the great military and industrial powers with no assistance from the outside world; it resulted in a famine that killed tens of millions of the nation’s peasants.

Li Zhun’s “A Brief Biography of Li Shuangshuang,” written while the movement was underway, celebrates the Great Leap as it was supposed to be: a time of optimism, dynamism, and shared purpose. In contrast, Zhang Yigong’s short novel The Story of the Criminal Li Tongzhong, written two decades later, was one of the first works published in China to suggest a much darker side to the Great Leap. Although Zhang stopped short of portraying the horrors of famine, his tone of moral outrage provides a rejoinder to the triumphalism of “Li Shuangshuang.”

“The careful, accurate, and lucid rendition of these two stories allows scholars and students to mine the mentalities and conceptual worlds of the cataclysmic Great Leap Forward campaign. Together they provide a very useful window into China’s greatest self-made disaster in the 20th century and the sense made of it at the time and immediately after.” —Timothy Cheek, Institute of Asian Research, University of British Columbia

December 2009 / ISBN 978-0-8248-3436-4 / $15.00 (PAPER)

Manoa Honored in The Best American Essays 2009

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Gates of ReconciliationGates of Reconciliation: Literature and the Ethical Imagination (issue 20:1 of Manoa: A Pacific Journal of International Writing) has been named a Notable Special Issue in The Best American Essays 2009, edited by Mary Oliver. The 2009 edition of the anthology series, which selects outstanding nonfiction published in the country’s most prestigious magazine and literary journals, also includes two selections from Gates of Reconciliation: “Pollen: An Ode” by Christopher Cokinos and “One Story House” by Rebecca Solnit.

This is the seventh time Manoa has been recognized nationally for excellence. It has been honored in the annuals The Best American Poetry, The Best American Short Stories, The Best American Science and Nature Writing, and The O. Henry Awards: Best Stories of the Year. Manoa is published by University of Hawai‘i Press and sponsored by the University of Hawai‘i’s Department of English.

Short Stories by Modern Korean Women Writers

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Questioning MindsAvailable for the first time in English, the ten short stories by modern Korean women collected in Questioning Minds: Short Stories by Modern Korean Women, translated by Yung-Hee Kim, touch in one way or another on issues related to gender and kinship politics. All of the protagonists are women who face personal crises or defining moments in their lives as gender-marked beings in a Confucian, patriarchal Korean society. Their personal dreams and values have been compromised by gender expectations or their own illusions about female existence. They are compelled to ask themselves “Who am I?” “Where am I going?” “What are my choices?” Each story bears colorful and compelling testimony to the life of the heroine. Some of the stories celebrate the central character’s breakaway from the patriarchal order; others expose sexual inequality and highlight the struggle for personal autonomy and dignity. Still others reveal the abrupt awakening to mid-life crises and the seasoned wisdom that comes with accepting the limits of old age.

Hawai‘i Studies on Korea
November 2009 / ISBN 978-0-8248-3409-8 / $24.00 (PAPER)

Lucky Come Hawaii Author Jon Shirota Comes Home

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Lucky Come HawaiiNationally acclaimed author Jon Shirota, whose Lucky Come Hawaii was the first novel by an Asian American Hawai‘i author to become a bestseller, will be back in the Islands for several public appearances sponsored by the Manoa Foundation. Lucky Come Hawaii will be released in a new, revised edition in late November by Manoa: A Pacific Journal of International Writing and University of Hawai‘i Press.

Thursday, November 5, 3:00-4:30 pm: University of Hawai‘i at Manoa, Kuykendall Hall, Room 410. Shirota will talk on the Okinawan sense of place in his writings, including those in the latest Manoa journal, Voices from Okinawa.

Thursday, November 5–Sunday, December 6, various times: Kumu Kahua Theatre, 46 Merchant Street, Downtown Honolulu. Performances of Shirota’s play, Voices from Okinawa.

Monday, November 9, 5:00-6:00 pm: UH-West O‘ahu, Kuhialoko Lanai (E-Building). Shirota’s talk, “Akisamiyo! From a Pig Farmer to a Writer” will follow a reception at 4:00. This event is part of the Chancellor’s Lecture Series and is co-sponsored by the UHM Center for Okinawan Studies.

Friday, November 13, 7:00 pm: Kapi‘olani Community College, Ohi‘a Building. “A Conversation with Jon Shirota” will be hosted by Chancellor Leon Richards; part of KCC’s International Week celebration. Entertainment by Okinawan dance and sanshin performers.

Visit Voices from Okinawa Online for more information on Jon Shirota and his work.

New from Albert Wendt: The Adventures of Vela

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The Adventures of Vela
“We are the remembered cord that stretches across the abyss of all that we’ve forgotten,” sang Vela.

Journey through the many stories and worlds of the immortal Vela, the Samoan song maker, poet, and storyteller—Vela, who was so red and ugly at birth they called him the Cooked; Vela the lonely admirer of pigs and the connoisseur of feet; Vela the lover of song maker Mulialofa. Follow Vela down through centuries as he encounters the single-minded society of the Tagata-Nei and the Smellocracy of Olfact and recounts the stories of Lady Nafanua, the fearless warrior queen, before whom travelling chroniclers still bow down today.

The Adventures of Vela, by Albert Wendt, is a Pacific epic.

“The Adventures of Vela is a tour de force that drives you to reconsider not only relations between the divine and the earthly, the dominated and the domiant, and the teller and the told, but also how narrative can sing its heart out.” —The Listener

October 2009 / ISBN 978-0-8248-3420-3 / $26.00 (PAPER)

Stories of Trauma in Contemporary Korea

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The Red Room
Modern Korean fiction is to a large extent a literature of witness to the historic upheavals of twentieth-century Korea. Often inspired by their own experiences, contemporary writers continue to show us how individual Koreans have been traumatized by wartime violence—whether the uprooting of whole families from the ancestral home, life on the road as war refugees, or the violent deaths of loved ones. The Red Room: Stories of Trauma in Contemporary Korea, translated by Bruce and Ju-chan Fulton, brings together stories by three canonical Korean writers who examine trauma as a simple fact of life. In Pak Wan-so’s “In the Realm of the Buddha,” trauma manifests itself as an undigested lump inside the narrator, a mass needing to be purged before it consumes her. The protagonist of O Chong-hui’s “Spirit on the Wind” suffers from an incomprehensible wanderlust—the result of trauma that has escaped her conscious memory. In the title story by Im Ch’or-u, trauma is recycled from torturer to victim when a teacher is arbitrarily detained by unnamed officials. Western readers may find these stories bleak, even chilling, yet they offer restorative truths when viewed in light of the suffering experienced by all victims of war and political violence regardless of place and time.

“The characters, and the settings, in these stories are Korean. However, thanks to superb translations by Bruce and Ju-Chan Fulton, the stories themselves are universal. They expose the devastating impact traumatic experiences have on an individual’s judgment, moral compass, and self-image long after the traumatic episodes themselves (in these stories, during the Korean War and Kwangju massacre) have faded into history. Historians often are so captivated by the Big Picture that they forget the impact of historic events on the individuals who were caught up in them. The Red Room takes us inside the heads of the traumatized, reminding us that traumatic events such as civil war damage even innocent bystanders for decades afterwards.” —Don Baker, University of British Columbia

August 2009 / ISBN 978-0-8248-3397-8 / $15.00 (PAPER)

Poetry and the Auditory Imagination in Modern China

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VoicesChina’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution: Poetry and the Auditory Imagination in Modern China, by John A. Crespi, offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture.

“This is an important and exciting monograph for the field of modern Chinese literature. It sheds unprecedented light on poetic composition and does much more than previous studies to flesh out the living practice of poetry circulation and reception in modern China.” —Charles Laughlin, Tsinghua University, Beijing

August 2009 / ISBN 978-0-8248-3365-7 / $47.00 (CLOTH)

Free Noli Me Tangere with Purchase of El Filibusterismo

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Purchase a paperback copy of El Filibusterismo at the regular price of $26.00 and receive a free copy of its predecessor, Noli Me Tangere. Both ship as a set at no additional cost. To receive your free book, you must reference code “RIZAL” when ordering by phone, email, or online (in the comments box).

Take advantage of this offer to enjoy these two classics of modern Philippine literature!

Memory and Melancholy in the Personal Writings of Natsume Soseki

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Much has been written about Natsume Soseki (1867–1916), one of Japan’s most celebrated writers. Known primarily for his novels, he also published a large and diverse body of short personal writings (shohin) that have long lived in the shadow of his fictional works. The essays, which appeared in the Asahi shinbun between 1907 and 1915, comprise a fascinating autobiographical mosaic, while capturing the spirit of the Meiji era and the birth of modern Japan. In Reflections in a Glass Door: Memory and Melancholy in the Personal Writings of Natsume Soseki, by Marvin Marcus, readers are introduced to a rich sampling of Soseki’s shohin. The writer revisits his Tokyo childhood, recalling family, friends, and colleagues and musing wistfully on the transformation of his city and its old neighborhoods. He painfully recounts his two years in London, where he immersed himself in literary research even as he struggled with severe depression. A chronic stomach ailment causes Soseki to reflect on his own mortality and what he saw as the spiritual afflictions of modern Japanese: rampant egocentrism and materialism. Throughout he adopts a number of narrative voices and poses: the peevish husband, the harried novelist, the convalescent, the seeker of wisdom.

“Author of a marvelously readable study of Mori Ogai, modern Japan’s other immovable mountain, Marcus here combines translation, biography, history, criticism, and analysis to guide the reader gracefully through the best of Soseki’s non-fictional (and semi-fictional) writing, illuminating both the major novels and the idiosyncratic mind that created them. An impressive work.” —Jay Rubin, Reischauer Institute of Japanese Studies

July 2009 / ISBN 978-0-8248-3306-0 / $49.00 (CLOTH)

Hawaii Book and Music Festival 2009

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University of Hawai‘i Press will be among the local publishers participating in the Hawai‘i Book and Music Festival this weekend, May 16-17, 10 am-5 pm, at Honolulu Hale. Admission and parking are free to the general public.

UH Press authors Jon Van Dyke (Who Owns the Crown Lands of Hawai‘i), Heather Diamond (American Aloha: Cultural Tourism and the Negotiation of Tradition), Davianna McGregor (Na Kua‘aina: Living Hawaiian Culture), Carlos Andrade (Ha‘ena: Through the Eyes of the Ancestors), Richard Hamasaki (Westlake: Poems by Wayne Kaumualii Westlake; From the Spider Bone Diaries: Poems and Songs), Witi Ihimaera (The Uncle’s Story; Woman Far Walking, distributed for Huia Publishers, NZ), Gary Pak (Children of a Fireland; A Ricepaper Airplane), Robert Barclay (Melal: A Novel of the Pacific), Jon Thares Davidann (Hawai‘i at the Crossroads of the U.S. and Japan before the Pacific War), and Candace Fujikane and Jon Okamura (Asian Settler Colonialism: From Local Governance to the Habits of Everyday Life in Hawai‘i) will be leading or participating in numerous panels and discussions at the festival. Click here for a detailed schedule of events.

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