Talking Hawai‘i’s Story at Pohai Nani Auditorium

Talking Hawaii's StoryTalking Hawaiʻi’s Story: Oral Histories of an Island People editors Michi Kodama-Nishimoto and Warren Nishimoto of the University of Hawai‘i’s Center for Oral History will speak at the Pohai Nani Auditorium (45-090 Namoku Street, Kaneohe) on Tuesday, July 6, from 7 to 8 pm.

The program will include book readings, presented by storyteller Nyla Fujii-Babb and UH English professor Craig Howes, followed by a question-and-answer session. Fujii-Babb will read Edith Anzai Yonenaka’s narrative, “Recollections from the Windward Side,” and Howes will read Alfred Preis’ compelling chapter, ‘Interned: Experiences of an ‘Enemy Alien.’”

The talk and reading is the third event in the Pohai Nani Retirement Community’s Yamashita Lecture Series on Hawaiʻi. The program is free and open to the public. Books will be available for purchase from UH Press.

For more information on the event, contact Carolyn Nakamura, Pohai Nani’s resident services coordinator, at (808) 236-7805.

Readings from Andha Yug

Andha YugA readers theatre production of excerpts from Andha Yug, Dharamvir Bharati’s critically acclaimed play taken from the Indian epic Mahabharata, will be held on Saturday, June 26, at 7:30pm at Orvis Auditorium. For more information on this free event call 808-956-8246 or click here.

The reading will be accompanied by visual images from the Mahabharata and Gamelan music. Translator Alok Bhalla will introduce the performance and play a role as well. A question and answer session will follow the performance.

Scripting Modernity in Japanese Drama

A Beggar’s Art
In the opening decades of the twentieth century in Japan, practically every major author wrote plays that were published and performed. The plays were seen not simply as the emergence of a new literary form but as a manifestation of modernity itself, transforming the stage into a site for the exploration of new ideas and ways of being. A Beggar’s Art: Scripting Modernity in Japanese Drama, 1900-1930, is the first book in English to examine the full range of early twentieth-century Japanese drama. Accompanying his study, M. Cody Poulton provides his translations of representative one-act plays. Poulton looks at the emergence of drama as a modern literary and artistic form and chronicles the creation of modern Japanese drama as a reaction to both traditional (particularly kabuki) dramaturgy and European drama. Translations and productions of the latter became the model for the so-called New Theater (shingeki), where the question of how to be both modern and Japanese at the same time was hotly contested.

June 2010 / ISBN 978-0-8248-3452-4 / $29.00 (PAPER)

Global Oriental Change of Distribution Agreement

Effective July 1, 2010, University of Hawai‘i Press will no longer distribute Global Oriental Publishers Ltd. University of Hawai‘i Press will fulfill all orders through June 30, 2010. The last date to place orders for in-stock Global Oriental books through University of Hawai‘i Press is June 15, 2010. University of Hawai‘i Press will continue to accept returns until July 31, 2010. The new distributor noted below will solicit and take orders and accept returns as of July 1, 2010.

Effective July 1, 2010, Brill will be distributing Global Oriental titles in North America. Orders and returns should be directed to:
BRILL
c/o Books International
P.O. Box 605
Herndon, VA 20172-0605
USA
1-800-337-9255 (toll free in US & Canada only); 1-703-661-1585
Fax: 1-703-661-1501
Email: [email protected]
Web: www.brill.nl

Understanding Islam in Indonesia Launch and Author Q&A

Understanding IslamLast month the USINDO (United States-Indonesia Society) in Washington, D.C., hosted a book launch for Robert Pringle’s Understanding Islam in Indonesia: Politics and Diversity. Read about the launch here, including comments by Mr. Salman Al Farisi, Chargé d’Affaires, Embassy of the Republic of Indonesia, and Dr. Jonah Blank, Policy Director, South and Southeast Asia, Committee on Foreign Relations (Majority), United States Senate, and a brief Q&A with the author.

Human Agency and the Self in Thought and Politics

Individualism in Early China
Conventional wisdom has it that the concept of individualism was absent in early China. In Individualism in Early China: Human Agency and the Self in Thought and Politics, an uncommon study of the self and human agency in ancient China, Erica Fox Brindley provides an important corrective to this view and persuasively argues that an idea of individualism can be applied to the study of early Chinese thought and politics with intriguing results. She introduces the development of ideological and religious beliefs that link universal, cosmic authority to the individual in ways that may be referred to as individualistic and illustrates how these evolved alongside and potentially helped contribute to larger sociopolitical changes of the time, such as the centralization of political authority and the growth in the social mobility of the educated elite class.

“Contrary to common claims about the absence of individualism in early China and its supposed reification in ‘the West,’ both the Western and Chinese traditions have historically been characterized by diverse and constantly evolving attitudes toward the individual. This book serves as an important corrective to monolithic or essentializing accounts of early Chinese thought, and the narrative concerning the evolution of the concept of the individual in early China is an interesting and novel one. It will appeal widely to people working on early Chinese thought and comparative religion more broadly.” —Edward Slingerland, University of British Columbia

June 2010 / ISBN 978-0-8248-3386-2 / $52.00 (CLOTH)

Biography, vol. 33, no. 1 (2010): Personal Narrative & Political Discourse

Biography 33.1 coverEDITOR’S INTRODUCTION

Autobiographical Discourse in the Theaters of Politics
Sidonie Smith, v
During the course of the 2008 presidential election in the United States, candidates, voters, journalists, pundits, and campaign operatives engaged directly and indirectly in an extended national debate about auto/biographical storytelling, its generic forms, its grounds of authenticity, its routes of circulation, and its afterlives in various media. In the wake of that election, scholars have been probing the conjunctions of personal discourse and political discourse, autobiographical acts, and the “theater” of politics. This introduction situates contributions to this special issue of Biography in the context of three broad themes: the personalization of politics over the last five decades, with its mobilization of the personal story to suture political persona and national fable; the social action of genre in constituting political publics, in such diverse genres as television reality shows, blogs, and national biography; and the archives of the fragment animating strategic biographism and scholarly methodology.

Continue reading “Biography, vol. 33, no. 1 (2010): Personal Narrative & Political Discourse”

Extra! Extra! Read All About It!

In the last week Hawai‘i has seen two of its dailies, long-time rivals the Honolulu Star-Bulletin and the Honolulu Advertiser, “merge” into the new Honolulu Star-Advertiser. Now’s your chance to read all about the history of Hawai‘i’s newspapers and SAVE BIG!

Presstime in ParadisePurchase George Chaplin’s Presstime in Paradise: The Life and Times of The Honolulu Advertiser, 1856–1995, for $9.99 (hardcover; regular price $41.99) or $5.99 (paperback; regular price $21.99). The Hawaiian Journal of History calls Presstime in Paradise “a solid and highly readable contribution. . . . A primary source for future historians. . . . . Irreplaceable.”

Shaping HistoryOr purchase the award-winning Shaping History: The Role of Newspapers in Hawai‘i, by Helen Geracimos Chapin, for $4.99 (paperback; regular price $31.99). Winner of a Ka Palapala Po‘okela Award for Excellence in Reference Books, Shaping History “[brings] to light the obscure but important history of Hawai‘i’s alternative press [. . .] another of Chapin’s contributions is to illustrate the coziness of Hawai‘i’s mainstream press with the powers that be” (Honolulu Magazine).

Tahitians, Europeans, and Ecological Exchange

Trading NatureWhen Captain Samuel Wallis became the first European to land at Tahiti in June 1767, he left not only a British flag on shore but also three guinea hens, a pair of turkeys, a pregnant cat, and a garden planted with peas for the chiefess Purea. Thereafter, a succession of European captains, missionaries, and others planted seeds and introduced livestock from around the world. In turn, the islanders traded away great quantities of important island resources, including valuable and spiritually significant plants and animals. What did these exchanges mean? What was their impact? The answers are often unexpected. They also reveal the ways islanders retained control over their societies and landscapes in an era of increasing European intervention. Jennifer Newell’s Trading Nature: Tahitians, Europeans, and Ecological Exchange explores—from both the European and Tahitian perspective—the effects of “ecological exchange” on one island from the mid-eighteenth century to the present day.

May 2010 / ISBN 978-0-8248-3281-0 / $45.00 (CLOTH)

Racializing Okinawan Diaspora in Bolivia and Japan

Embodying BelongingEmbodying Belonging: Racializing Okinawan Diaspora in Bolivia and Japan, by Taku Suzuki, is the first full-length study of a Okinawan diasporic community in South America and Japan. Under extraordinary conditions throughout the twentieth century (Imperial Japanese rule, the brutal Battle of Okinawa at the end of World War II, U.S. military occupation), Okinawans left their homeland and created various diasporic communities around the world. Colonia Okinawa, a farming settlement in the tropical plains of eastern Bolivia, is one such community that was established in the 1950s under the guidance of the U.S. military administration. Although they have flourished as farm owners in Bolivia, thanks to generous support from the Japanese government since Okinawa’s reversion to Japan in 1972, hundreds of Bolivian-born ethnic Okinawans have left the Colonia in the last two decades and moved to Japanese cities, such as Yokohama, to become manual laborers in construction and manufacturing industries.

Based on the author’s multisited field research on the work, education, and community lives of Okinawans in the Colonia and Yokohama, this ethnography challenges the unidirectional model of assimilation and acculturation commonly found in immigration studies. In its vivid depiction of the transnational experiences of Okinawan-Bolivians, it argues that transnational Okinawan-Bolivians underwent the various racialization processes—in which they were portrayed by non-Okinawan Bolivians living in the Colonia and native-born Japanese mainlanders in Yokohama and self-represented by Okinawan-Bolivians themselves—as the physical embodiment of a generalized and naturalized “culture” of Japan, Okinawa, or Bolivia.

May 2010 / ISBN 978-0-8248-3344-2 / $47.00 (CLOTH)