University of Hawai‘i Press is exhibiting at this year’s annual meeting of the American Academy of Religion, which is being held at McCormick Place Convention Center, November 17-20.
Press acquisitions editor Patricia Crosby and Asian studies product manager Steven Hirashima are attending. Please visit us at Booth 219.
Of Japan’s two great religious traditions, Shinto is far less known and understood in the West. Although there are a number of books that explain the religion and its philosophy, Shinto Shrines: A Guide to the Sacred Sites of Japan’s Ancient Religion, by Joseph Cali and John Dougill, is the first in English to focus on sites where Shinto has been practiced since the dawn of Japanese history. In an extensive introductory section, the authors delve into the fascinating aspects of Shinto, clarifying its relationship with Buddhism as well as its customs, symbolism, and pilgrimage routes. This is followed by a fully illustrated guide to 57 major Shinto shrines throughout Japan, many of which have been designated World Heritage Sites or National Treasures.
November 2012 / ISBN 978-0-8248-3713-6 / $24.99 (PAPER)
Plotting the Prince: Shotoku Cults and the Mapping of Medieval Japanese Buddhism, by Kevin Gray Carr, traces the development of conceptual maps of the world created through the telling of stories about Prince Shōtoku (573?–622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult of personality dedicated to him, focusing on the art created from the tenth to fourteenth centuries. The book asks not only who Shōtoku was, but also how images of his life served the needs of devotees in early medieval Japan.
“In this remarkable study Kevin Carr shows how Prince Shōtoku became one of the most widely revered among the many nobles and priests who implanted the Buddhist faith in the hearts of the Japanese people. A crown prince who served as regent under his aunt, Empress Suiko, he directed the resources of the state to support the religion at a crucial moment in its arrival from the Asian mainland. At his country villa near Nara he built the famous Hōryū-ji monastery, whose Eastern Precinct became a shrine to his memory after his death. Carr introduces exciting new pictorial evidence of the growth of the Shōtoku cult in Japan’s Middle Ages, and he brilliantly analyzes the intriguing eleventh-century panoramic paintings of Shōtoku’s life that covered three walls of the E-den (Picture Hall) in the Eastern Precinct.” —John M. Rosenfield, Abby Aldrich Rockefeller Professor of East Asian Art, Emeritus, Harvard University
November 2012 / ISBN 978-0-8248-3463-0 / $40.00 (CLOTH)
Upon entering a Japanese Buddhist temple in Hawai‘i, most people—whether first-time visitors or lifelong members—are overwhelmed by the elaborate and complex display of golden ornaments, intricately carved altar tables and incense burners, and images of venerable masters and bodhisattvas. These objects, as well as the architectural elements of the temple itself, have meanings that are often hidden in ancient symbolisms. Japanese Buddhist Temples in Hawai‘i: An Illustrated Giode, by George J. Tanabe and Willa Jane Tanabe, two local authorities on Japanese art and religion, provides a thorough yet accessible overview of Buddhism in Hawai‘i followed by a temple-by-temple guide to the remaining structures across the state.
October 2012 / ISBN 978-0-8248-3663-4 / $45.00 (CLOTH)
ISBN 978-0-8248-3679-5 / $22.99 (PAPER)
A Latitude 20 Book
Takuan Sōho’s (1573–1645) two works on Zen and swordsmanship are among the most straightforward and lively presentations of Zen ever written and have enjoyed great popularity in both premodern and modern Japan. Although dealing ostensibly with the art of the sword, Record of Immovable Wisdom and On the Sword Taie are basic guides to Zen—“user’s manuals” for Zen mind that show one how to manifest it not only in sword play but from moment to moment in everyday life.
Along with translations of Record of Immovable Wisdom and On the Sword Taie (the former, composed in all likelihood for the shogun Tokugawa Iemitsu and his fencing master, Yagyū Munenori), Sword of Zen, by Peter Haskel, includes an introduction to Takuan’s distinctive approach to Zen, drawing on excerpts from the master’s other writings. It also offers an accessible overview of the actual role of the sword in Takuan’s day, a period that witnessed both a bloody age of civil warfare and Japan’s final unification under the Tokugawa shoguns. Takuan was arguably the most famous Zen priest of his time, and as a pivotal figure, bridging the Zen of the late medieval and early modern periods, his story (presented in the book’s biographical section) offers a rare picture of Japanese Zen in transition.
October 2012 / ISBN 978-0-8248-3678-8 / $23.00 (PAPER)
Barbara Amos will be hosting a launch for her new book, Bones of Contention: Animals and Religion in Contemporary Japan, on Sunday, October 21, 5-7 pm, at Linda Stein’s Gallery in NYC. Click on the image to the left for the eVite.
Plotting the Prince: Shotoku Cults and the Mapping of Medieval Japanese Buddhism, by Kevin Gray Carr, traces the development of conceptual maps of the world created through the telling of stories about Prince Shōtoku (573?–622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult of personality dedicated to him, focusing on the art created from the tenth to fourteenth centuries. The book asks not only who Shōtoku was, but also how images of his life served the needs of devotees in early medieval Japan.
“In this remarkable study Kevin Carr shows how Prince Shōtoku became one of the most widely revered among the many nobles and priests who implanted the Buddhist faith in the hearts of the Japanese people. A crown prince who served as regent under his aunt, Empress Suiko, he directed the resources of the state to support the religion at a crucial moment in its arrival from the Asian mainland. At his country villa near Nara he built the famous Hōryū-ji monastery, whose Eastern Precinct became a shrine to his memory after his death. Carr introduces exciting new pictorial evidence of the growth of the Shōtoku cult in Japan’s Middle Ages, and he brilliantly analyzes the intriguing eleventh-century panoramic paintings of Shōtoku’s life that covered three walls of the E-den (Picture Hall) in the Eastern Precinct.” —John M. Rosenfield, Abby Aldrich Rockefeller Professor of East Asian Art, Emeritus, Harvard University
September 2012 / ISBN 978-0-8248-3463-0 / $40.00 (CLOTH)
Students who have learned to read and write the kanji taught in Japanese schools run into the same difficulty that Japan university students themselves face: the number of characters included in the approved list is not sufficient for advanced reading and writing. Although each academic specialization requires supplementary kanji of its own, there is considerable overlap. With that in mind, this new, updated edition of Remembering the Kanji 3: Writing and Reading the Japanese Characters for Upper Level Proficiency, by James W. Heisig, employs the same methods as in Volume 1 and Volume 2 in this popular series to introduce additional characters useful for upper-level proficiency, bringing the total of all three volumes to 3,000 kanji.
The 3rd edition has been updated to reflect the 196 new kanji approved by the government in 2010, all of which have been relocated in Volume 1. The selection of 800 new kanji is based on frequency lists and cross-checked against a number of standard Japanese kanji dictionaries.
September 2012 / ISBN 978-0-8248-3702-0 / $34.00 (PAPER)
Manga and anime (illustrated serial novels and animated films) are highly influential Japanese entertainment media that boast tremendous domestic consumption as well as worldwide distribution and an international audience. Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan, by Jolyon Baraka Thomas, examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography.
“Studies of religion in popular culture often treat contemporary artifacts as if they are created ex nihilo, objects unmoored from any previous media or cultural conditions. Jolyon Baraka Thomas here charts a new course for engaging religion and the media of popular culture by demonstrating the myriad ways manga and anime matter. Such popular media matter to the creation of culture, to religion and the study thereof, as well as to the sometimes violent expressions of the extremities of faith. Thomas’ suggestive book ably proves that these comics are not the ‘funny papers,’ but deeply serious, just as they can be seriously playful.” —S. Brent Plate, author of Religion and Film: Cinema and the Re-Creation of the World, and managing editor of Material Religion: The Journal of Objects, Art, and Belief
September 2012 / ISBN 978-0-8248-3654-2 / $25.00 (PAPER)
Since the 1990s the Japanese pet industry has grown to a trillion-yen business and estimates place the number of pets above the number of children under the age of fifteen. There are between 6,000 to 8,000 businesses in the Japanese pet funeral industry, including more than 900 pet cemeteries. Of these about 120 are operated by Buddhist temples, and Buddhist mortuary rites for pets have become an institutionalized practice. In Bones of Contention: Animals and Religion in Contemporary Japan, Barbara Ambros investigates what religious and intellectual traditions constructed animals as subjects of religious rituals and how pets have been included or excluded in the necral landscapes of contemporary Japan.
“In this thoughtfully argued book, Barbara Ambros adroitly maneuvers through difficult terrain—rituals of death, changing cultural conceptions, and the relationships between humans and other animals. While many such studies of animals as pets have focused on North American and European cultures, Ambros’ work in East Asian studies is groundbreaking. Bones of Contention opens up a whole new area in the rapidly emerging field of animal studies and religion.” —Laura Hobgood-Oster, Southwestern University, author of The Friends We Keep: Unleashing Christianity’s Compassion for Animals and Holy Dogs and Asses: Animals in the Christian Tradition
September 2012 / ISBN 978-0-8248-3674-0 / $29.00 (PAPER)
Carla Nappi of the New Books in East Asian Studies podcast calls Performing the Great Peace: Political Space and Open Secrets in Tokugawa Japan “a gracefully-written study of the performance of authority in Tokugawa politics. It is also one of the most thoughtful historical studies that I’ve had the pleasure to read in a long time.” Listen to her interview with author Luke Roberts here.
In 2002 a manga (comic book) was for the first time successfully charged with the crime of obscenity in the Japanese courts. In The Art of Censorship in Postwar Japan, Kirsten Cather traces how this case represents the most recent in a long line of sensational landmark obscenity trials that have dotted the history of postwar Japan. The objects of these trials range from a highbrow literary translation of Lady Chatterley’s Lover and modern adaptations and reprintings of Edo-period pornographic literary “classics” by authors such as Nagai Kafu to soft core and hard core pornographic films, including a collection of still photographs and the script from Oshima Nagisa’s In the Realm of the Senses, as well as adult manga. At stake in each case was the establishment of a new hierarchy for law and culture, determining, in other words, to what extent the constitutional guarantee of free expression would extend to art, artist, and audience.
“The Art of Censorship in Postwar Japan is among the most lucid and engaging cross-disciplinary projects to emerge from Japan studies in recent years. It will appeal to a broad readership both inside and outside Japan studies, in particular scholars of literature, visual culture, law, and the emerging field of affect studies. Kirsten Cather accomplishes this remarkable feat by combining close readings of aesthetic, literary, and visual texts; careful exegesis of court cases and juridical documents; and detailed rendering of cultural, historical, and political contexts. The Art of Censorship demonstrates once and for all, without ever forcing the issue, that culture and politics are inexorably intertwined. I can think of no other study in the Japanese case that does it so well.” —Gregory M. Pflugfelder, Columbia University
Studies of the Weatherhead East Asian Institute
July 2012 / ISBN 978-0-8248-3587-3 / $45.00 (CLOTH)
