Author: stephchun

Grace Wins 2008 Neustadt International Prize for Literature

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Acclaimed Maori/New Zealand writer Patricia Grace will be honored as the 2008 laureate of the $50,000 Neustadt International Prize for Literature in ceremonies to be held September 19, 2008, at the University of Oklahoma’s Norman campus. An international jury representing ten countries selected Grace as this year’s recipient of the award, which is sponsored by OU’s award-winning bimonthly magazine of international literature and culture, World Literature Today.

University of Hawai‘i Press is the North American publisher of all of Grace’s major work: Dogside Story (Kiriyama Pacific Rim Fiction Prize, 2001), Baby No-Eyes, Cousins, Potiki (New Zealand Fiction Award, 1987), and most recently, Tu. The Press distributes Earth, Sea, Sky: Images and Maori Proverbs from the Natural World of Aotearoa New Zealand, written by Patricia Grace and Waiariki Grace and published by Huia Publishers.

Hawaii Murder Mystery

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New Year’s Eve, 1934. While Honolulu celebrates with champagne and fireworks, someone is making away with the Bishop Museum’s portrait of King Kalakaua and its curator. A series of brutal murders follows, and an unlikely pair, newspaper reporter Mina Beckwith and visiting playwright Ned Manusia, find themselves investigating a twisted trail of clues in an attempt to recover the painting and uncover the killer. Prewar Honolulu comes to life in Victoria Nalani Kneubuhl’s Murder Casts a Shadow, a thoroughly entertaining mystery that evokes a colorful bygone era.

Victoria Kneubuhl is the author of Hawai‘i Nei: Island Plays, published by University of Hawai‘i Press.

June 2008 / ISBN 978-0-8248-3217-9 / $14.95 (PAPER)

Milton Murayama’s Latest: Dying in a Strange Land

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Milton Murayama’s long-awaited Dying in a Strange Land brings to a close the saga of the Oyama family. Familiar faces from All I Asking For Is My Body, Five Years on a Rock, and Plantation Boy return to advance the story from the years immediately following World War II to the 1980s. After her husband sinks them deep in debt, strong-willed and pragmatic Sawa takes charge of the family. The war ends and her children leave the plantation camp for Honolulu and the Mainland, but Sawa has little time for loneliness or regret. When asked by her neighbors if she misses them, she replies, “They must look for what they want.”

June 2008 / ISBN 978-0-8248-3197-4 / $24.95 (PAPER)

Cultural Tourism and the Negotiation of Tradition

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At the 1989 Smithsonian Folklife Festival, throngs of visitors gathered on the National Mall to celebrate Hawai‘i’s multicultural heritage through its traditional arts. The “edu-tainment” spectacle revealed a richly complex Hawai‘i few tourists ever see and one never before or since replicated in a national space. The program was restaged a year later in Honolulu for a local audience and subsequently inspired several spin-offs in Hawai‘i. In both Washington, D.C., and Honolulu, the program instigated a new paradigm for cultural representation. Based on archival research and extensive interviews with festival organizers and participants, American Aloha: Cultural Tourism and the Negotiation of Tradition by Heather A. Diamond, is an innovative cross-disciplinary study that uncovers the behind-the-scenes negotiations and processes that inform the national spectacle of the Smithsonian Folklife Festival.

June 2008 / ISBN 978-0-8248-3171-4 / $55.00 (CLOTH)

Chan Buddhism in Song-Dynasty China

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How Zen Became Zen: The Dispute Over Enlightenment and the Formation of Chan Buddhism in Song-Dynasty China by Morten Schlütter, takes a novel approach to understanding one of the most crucial developments in Zen Buddhism: the dispute over the nature of enlightenment that erupted within the Chinese Chan (Zen) school in the twelfth century. The famous Linji (Rinzai) Chan master Dahui Zonggao (1089–1163) railed against “heretical silent illumination Chan” and strongly advocated kanhua (koan) meditation as an antidote. In this fascinating study, Morten Schlütter shows that Dahui’s target was the Caodong (Soto) Chan tradition that had been revived and reinvented in the early twelfth century, and that silent meditation was an approach to practice and enlightenment that originated within this “new” Chan tradition. Schlütter has written a refreshingly accessible account of the intricacies of the dispute, which is still reverberating through modern Zen in both Asia and the West.

“This is an important book that will significantly contribute to our knowledge of Song-dynasty Buddhism. It joins a growing body of work that seeks to place the development of Buddhism (and particularly Chan) within its broader social and cultural history. Schlütter’s research into a wide range of source materials is meticulous and thorough. Because of the important connections he draws among the state, independent (or local) literati, and Buddhist monks, this work has the potential to appeal to a wide audience of scholars beyond the field of Buddhism, including social, institutional, and intellectual historians of the Song.” —Ellen Neskar, Sarah Lawrence College

Studies in East Asian Buddhism, No. 22
Published in association with the Kuroda Institute
June 2008 / ISBN 978-0-8248-3255-1 / $48.00 (CLOTH)

A Positivist Approach to Reading Sources on Modern Japan

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Evaluating Evidence: A Positivist Approach to Reading Sources on Modern Japan by George Akita, is based on the grueling lessons learned by a senior scholar during three decades of tutoring by, and collaboration with, Japanese historians. George Akita persisted in the difficult task of reading documentary sources in Japanese, most written in calligraphic style (sosho), out of the conviction of their centrality to the historian’s craft and his commitment to a positivist methodology to research and scholarship. He argues forcefully in this volume for an inductive process in which the scholar seeks out facts on a subject and, through observation and examination of an extensive body of data, is able to discern patterns until it is possible to formulate certain propositions. ,

“In Evaluating Evidence, George Akita reasserts unabashedly the centrality of the written document in the work of the historian. At a time when postmodernism and deconstructionism have come to occupy the summit of methodological fashion in many disciplines, this distinguished chronicler of modern Japanese history insists that the positivistic tradition of research and scholarship remains crucial to any meaningful rendition of the past.” —Gordon Berger, University of Southern California

May 2008 / ISBN 978-0-8248-2560-7 / $58.00 (CLOTH)

A Literature and Medicine Anthology

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Imagine What It’s Like: A Literature and Medicine Anthology, edited by Ruth Nadelhaft, with Victoria Bonebakker, grew out of Literature and Medicine: Humanities at the Heart of Health Care, a national award-winning reading and discussion program for health care professionals that, according to one participant, “renews the heart and soul of health care.” Started by the Maine Humanities Council in 1997, by the beginning of its second decade, Literature and Medicine has reached across the country, from Florida to Montana, Maine to Hawai‘i. Bringing together diverse groups of health care professionals in a variety of health care settings, Literature and Medicine discussions help participants deepen their communication and interpresonal skills while increasing their cultural awareness, empathy for patients, and job satisfaction.

May 2008 / ISBN 978-0-8248-3317-6 / $19.95 (PAPER)

Making Sense of AIDS in Melanesia

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In Melanesia, rates of HIV infection are among the highest in the Pacific and increasing rapidly, with grave humanitarian, development, and political implications. There is a great need for social research on HIV/AIDS in the region to provide better insights into the sensitive issues surrounding HIV transmission. Making Sense of AIDS: Culture, Sexuality, and Power in Melanesia, edited by Leslie Butt and Richard Eves, is the first book on HIV and AIDS in the Pacific region. It gathers together stunning and original accounts of the often surprising ways that people make sense of the AIDS epidemic in various parts of Melanesia. The volume addresses substantive issues concerning AIDS and contemporary sexualities, relations of power, and moralities—themes that provide a powerful backdrop for twenty-first century understandings of the tensions between sexuality, religion, and politics in many parts of the world.

“This is a powerful and courageous anthology. One of its great strengths is the powerful ethnography of sexuality contained in many of these essays, making it extremely timely. It shows that anthropology is alive, that the work of culture in confronting the myriad terrors of an incurable disease is daunting and fearful but part of the human condition that needs reporting in these societies. The essays are original and in some cases truly unique. Making Sense of AIDS contains extremely valuable, interesting, and important contributions.” —Gilbert Herdt, Center for Human Sexuality Studies, San Francisco State University

May 2008 / ISBN 978-0-8248-3249-0 / $27.00 (PAPER)

Gender, Agency, and Writing in Late Imperial China

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Herself an Author: Gender, Agency, and Writing in Late Imperial China, by Grace S. Fong, addresses the critical question of how to approach the study of women’s writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods, much of it rediscovered by the author in rare book collections in China and the United States. The volume treats different genres of writing and includes translations of texts that are made available for the first time in English. Among the works considered are the life-long poetic record of Gan Lirou, the lyrical travel journal kept by Wang Fengxian, and the erotic poetry of the concubine Shen Cai.

“Grace Fong has written a wonderful history of female writers’ participation in the elite conventions of Chinese poetics. Fong’s recovery of many of these poets, her able exegesis and elegant, analytical grasp of what the poets were doing is a great read, and her bilingual presentation of their poetry gives the book additional power. This is a persuasive and elegant study.” —Tani Barlow, author of The Question of Women in Chinese Feminism

May 2008 / ISBN 978-0-8248-3186-8 / $32.00 (PAPER)

An Anthology of Surf Writing

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A thousand years after Hawaiians first paddled long wooden boards into the ocean, modern surfers have continued this practice, which has recently been transformed into a global industry. Pacific Passages: An Anthology of Surf Writing, edited by Patrick Moser, brings together four centuries of writing about surfing, the most comprehensive collection of Polynesian and Western perspectives on the history and culture of a sport currently enjoyed by millions of people around the world. The stories begin with Hawaiian legends and chants and are followed by the journals of explorers; the travel narratives of missionaries and luminaries such as Herman Melville, Mark Twain, and Jack London; and the contemporary observations of Tom Wolfe, William Finnegan, Susan Orlean, and Bob Shacochis.

May 2008 / ISBN 978-0-8248-3155-4 / $32.00 (PAPER)

Beijing Opera Costumes

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Beijing Opera Costumes: The Visual Communication of Character and Culture, by Alexandra B. Bonds, is the first in-depth English-language book focused exclusively on the costumes of Jingju, the highest form of stage arts in China. This comprehensive volume provides both theory and analysis of the costumes and the method of their selection for the roles as well as technical information on embroidery, patterns, and construction. Extensive descriptions illuminate the use of colors and surface images derived from historical dress and modified for the stage. Details on makeup, hairstyles, and dressing techniques present a complete view of the Jingju performer from head to toe.

“This book is a very detailed and thorough examination of costuming (including make-up) in traditional Beijing opera as practiced today. The author has combined her expertise in costume design in general with extensive fieldwork and consultation in China. Because of the highly developed role-type system in Beijing opera and the premium put on visually distinguishing these role types on stage, costuming and make-up in Beijing opera are simultaneously very complicated, very full of meaning, and very worth paying attention to. This book, with its ample illustrations and clear structure, is an excellent guide to the symbolic systems used to differentiate characters on the Beijing opera stage, and, given the comparative lack in Beijing opera of scenery on the one hand and emphasis on the actor on the other, it could also be said to represent a guide to the visual world of Beijing opera in general. It is the only book of its kind in English, and it is very hard to conceive of it being surpassed any time soon.” —David Rolston, University of Michigan

April 2008 / ISBN 978-0-8248-2956-8 / $50.00 (CLOTH)

Nippon Modern Now Available in Paperback

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Nippon Modern: Japanese Cinema of the 1920s and 1930s, by Mitsuyo Wada-Marciano, is now available in paperback.

“Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history.” —Abé Mark Nornes, University of Michigan

April 2008 / ISBN 978-0-8248-3240-7 / $27.00 (PAPER)

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