Cultural Borrowing and Japanese Crime Literature, 1868-1937


Purloined Letters: Cultural Borrowing and Japanese Crime Literature, 1868-1937, by Mark Silver, an engaging study of the detective story’s arrival in Japan—and of the broader cross-cultural borrowing that accompanied it—argues for a reassessment of existing models of literary influence between “unequal” cultures. Because the detective story had no pre-existing native equivalent in Japan, the genre’s formulaic structure acted as a distinctive cultural marker, making plain the process of its incorporation into late nineteenth- and early twentieth-century Japanese letters. Silver tells the story of Japan’s adoption of this new Western literary form at a time when the nation was also remaking itself in the image of the Western powers. His account calls into question conventional notions of cultural domination and resistance, demonstrating the variety of possible modes for cultural borrowing, the surprising vagaries of intercultural transfer, and the power of the local contexts in which “imitation” occurs.

“This is an impressive book, which casts the early history of Japanese detective fiction within the broader context of Japanese cultural and political modernity. Through his close analysis of three central figures—Kuroiwa Ruiko, Okamoto Kido, and Edogawa Ranpo—Silver demonstrates the complex ways in which detective fiction in the late nineteenth and early twentieth century was used to reflect upon new ideas, represent the past, and reveal Japan’s newly ‘modern’ society in grotesque and frightening ways. Lucidly argued and elegantly written, Purloined Letters will become essential reading for scholars of detective fiction, Japanese literature, and translation studies more generally.” —Amanda Seaman, author of Bodies of Evidence: Women, Society, and Detective Fiction in 1990s Japan

April 2008 / ISBN 978-0-8248-3188-2 / $52.00 (CLOTH)

Travel and the Intersection of Place, Gender, and Status in Edo Japan

“Laura Nenzi’s fascinating work bridges visual and narrative representations of traveling with social history and views of traveling from below. She brings to light palpable details on the mechanics of traveling as a means of overturning socialconventions and speculates on their effect on self-transformation. Her discussion of the transformatory capacity of women’s traveling and place commodification are particularly notable contributions to the field and a delight to read. Her delving in grounds of both literary and visual studies is to be endorsed. This kind of interdisciplinary approach is absolutely necessary in the context of the Edo period’s cultural production that knew no division between the two.” —Jilly Traganou, Parsons The New School for Design

Excursions in Identity provides a new understanding of familiar material by treating it in an original and lively manner. Nenzi approaches travel as a cultural act, arguing that it allowed individuals to challenge and redefine the strictures imposed upon them by social, political, and cultural conventions. She analyzes her subject from a variety of approaches, literary, religious, spatial, and gender, the last of these of particular value to the literature on Japan. The scholarship is sound, the treatment well balanced, and the narrative polished and accessible. The book will be widely read with great benefit by scholars in several fields, including specialists in Japanese history and literature, and more widely by those interested in gender studies.” —Constantine Vaporis, University of Maryland Baltimore County

April 2008 / ISBN 978-0-8248-3117-2 / $57.00 (CLOTH)

The New Sun

In 1939 the painter Iwamatsu Jun (1908–1994) and his artist wife, Tomoe, arrived in the U.S. as political refugees. During World War II, Iwamatsu used his artistic talents for the U.S. war effort, and he adopted a pseudonym, Taro Yashima, to protect his young son, whom he left behind in Japan. The New Sun, which was published in the U.S. in 1943, is an account of his life in prewar Japan.

“The quality of Yashima’s art and the economy of the text make The New Sun a powerful and riveting tale of political dissidence against Japanese imperialism.” —from the Introduction by Naoko Shibusawa

Intersections: Asian and Pacific American Transcultural Studies
April 2008 / ISBN 978-0-8248-3185-1 / $21.00 (PAPER)

Transnational Film Culture in Imperial Japan

Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire: Transnational Film Culture in Imperial Japan, by Michael Baskett, is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture.

“Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject.” —Darrell William Davis, University of New South Wales

March 2008 / ISBN 978-0-8248-3163-9 / $48.00 (CLOTH)

Utamaro and the Spectacle of Beauty

One of the most influential artists working in the genre of ukiyo-e (“pictures of the floating world”) in late-eighteenth-century Japan, Kitagawa Utamaro (1753?–1806) was widely appreciated for his prints of beautiful women. In images showing courtesans, geisha, housewives, and others, Utamaro made the practice of distinguishing social types into a connoisseurial art. In Utamaro and the Spectacle of Beauty, Julie Nelson Davis makes a close study of selected print sets, and by drawing on a wide range of period sources reinterprets Utamaro in the context of his times.

February 2008 / ISBN 978-0-8248-3199-8 / $65.00 (CLOTH)

Japanese Cinema of the 1920s and 1930s

Nippon Modern: Japanese Cinema of the 1920s and 1930s, by Mitsuyo Wada-Marciano, is the first intensive study of Japanese cinema at a time when the country’s film industry was at its most prolific and when cinema played a singular role in shaping Japanese modernity. During the interwar period, the signs of modernity were ubiquitous in Japan’s urban architecture, literature, fashion, advertising, popular music, and cinema. The reconstruction of Tokyo following the disastrous earthquake of 1923 high lighted the extent of this cultural transformation, and the film industry embraced the reconfigured space as an expression of the modern. Shochiku Kamata Film Studios (1920–1936), the focus of this study, was the only studio that continued filmmaking in Tokyo following the city’s complete destruction. Mitsuyo Wada-Marciano points to the influence of the new urban culture in Shochiku’s interwar films, acclaimed as modan na eiga, or modern films, by and for Japanese.

“Devastated by the 1923 earthquake, Tokyo re-built itself in symbiosis with an image of modernity concocted by its own film studios. Nippon Modern renders that image, aspect after fascinating aspect, in sharp detail. Scores of films make up that image, a few resurrected in this volume for intense and delightful analysis. A sensitive viewer and an honest resourceful historian, Wada-Marciano lays out what she’s found in relation to other studies of this precious period, and she does so without hyperbole and without a glaring agenda. She makes you understand how, after Tokyo would again be devastated in 1945, these ‘modern’ films could become objects of nostalgia. Such is the care she gives her subject and such the fragility of that subject.” —Dudley Andrew, Yale University

January 2008 / ISBN 978-0-8248-3182-0 / $50.00 (CLOTH)

Remembering the Kanji 2 and 3 Now Available

Following James W. Heisig’s Remembering the Kanji 1, the second volume,
Remembering the Kanji 2: A Systematic Guide to Reading the Japanese Characters,
takes up the pronunciation of characters and provides students with helpful tools for memorizing them. Behind the notorious inconsistencies in the way the Japanese language has come to pronounce the characters it received from China lie several coherent patterns. Identifying these patterns and arranging them in logical order can reduce dramatically the amount of time spent in the brute memorization of sounds unrelated to written forms.

January 2008 / ISBN 978-0-8248-3166-0 / $25.00 (PAPER)

Students who have learned to read and write the basic 2,000 characters run into the same difficulty that university students in Japan face: The government-approved list of basic educational kanji is not sufficient for advanced reading and writing. Although each academic specialization requires supplementary kanji of its own, a large number of these kanji overlap. With that in mind, the same methods employed in volumes 1 and 2 have been applied to 1,000 additional characters determined as useful for upper-level proficiency, and the results published as the third volume in the series, Remembering the Kanji 3: Writing and Reading Japanese Characters for Upper-Level Proficiency, by James W. Heisig and Tanya Sienko.

January 2008 / ISBN 978-0-8248-3167-7 / $54.00 (CLOTH)

Also available from University of Hawai‘i Press: Remembering the Kana: A Guide to Reading and Writing the Japanese Syllabaries in 3 Hours Each.

Modernist Fiction from Japan

Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms “modernism” and “modernist” become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun’ichiro­. By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s.

Modanizumu: Modernist Fiction from Japan, 1913–1938, compiled and edited by William J. Tyler, addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938.

“Be prepared to rethink the nature of modern Japanese literature; or better still, simply read these often wondrous tales, some tall, some short, one after the other, and enjoy a remarkable, liberating moment in Japanese literary history.” —J. Thomas Rimer, professor emeritus of Japanese literature, University of Pittsburgh

January 2008 / ISBN 978-0-8248-3242-1 / $47.00 (CLOTH)

Fundamentals of Japanese Grammar

Fundamentals of Japanese Grammar: Comprehensive Acquisition, by Yuki Johnson, is an extensive and thorough explanation of crucial Japanese grammar in English and the culmination of years of teaching and research. Informed by the work of eminent linguist Susumu Kuno, it is designed for students who have studied basic Japanese grammar and wish to better organize their knowledge and expand it in greater depth and at a higher level. Its organization presents a holistic picture of Japanese grammar for the benefit of learners and is distinctive in that grammar items are reorganized in terms of specific grammatical categories, such as particles, te-form compounds, dictionary-form compounds, stem-form compounds, passive constructions, conditional sentences, and so forth. The author offers a thorough discussion of various pragmatic constraints illustrated with sample sentences, dialogues, and essays that aid in understanding the structure and use of the language from a cultural perspective.

January 2008 / ISBN 978-0-8248-3176-9 / $32.00 (PAPER)

Japan and the League of Nations

Japan joined the League of Nations in 1920 as a charter member and one of four permanent members of the League Council. Until conflict arose between Japan and the organization over the 1931 Manchurian Incident, the League was a centerpiece of Japan’s policy to maintain accommodation with the Western powers. The picture of Japan as a positive contributor to international comity, however, is not the conventional view of the country in the early and mid-twentieth century. Rather, this period is usually depicted in Japan and abroad as a history of incremental imperialism and intensifying militarism, culminating in war in China and the Pacific. Even the empire’s interface with the League of Nations is typically addressed only at nodes of confrontation: the 1919 debates over racial equality as the Covenant was drafted and the 1931–1933 League challenge to Japan’s seizure of northeast China. Japan and the League of Nations: Empire and World Order, 1914–1938, by Thomas W. Burkman, fills in the space before, between, and after these nodes and gives the League relationship the legitimate place it deserves in Japanese international history of the 1920s and 1930s.

December 2007 / ISBN 978-0-8248-2982-7 / $58.00 (CLOTH)

Asian Visual and Material Culture in Context

Post-Enlightenment notions of culture, which have been naturalized in the West for centuries, require that art be autonomously beautiful, universal, and devoid of any practical purpose. The authors of What’s the Use of Art? Asian Visual and Material Culture in Context, edited by Jan Mrázek and Morgan Pitelka, seek to complicate this understanding of art by examining art objects from across Asia with attention to their functional, ritual, and everyday contexts. From tea bowls used in the Japanese tea ceremony to television broadcasts of Javanese puppet theater; from Indian wedding chamber paintings to art looted by the British army from the Chinese emperor’s palace; from the adventures of a Balinese magical dagger to the political functions of classical Khmer images—the authors challenge prevailing notions of artistic value by introducing new ways of thinking about culture.

December 2007 / ISBN 978-0-8248-3063-2 / $58.00 (CLOTH)

Choice Magazine’s Outstanding Academic Titles for 2007 Announced

Each year Choice Magazine, the official publication of the Association of College and Research Libraries, compiles a distinguished list of Outstanding Academic Titles. The following five UH Press books were recognized for 2007. A complete list of titles will be available in the January 2008 issue.

The Flaming Womb: Repositioning Women in Early Modern Southeast Asia by Barbara Watson Andaya

“Andaya has penned the definitive volume on women in early modern Southeast Asia. Graduates and undergraduates will find Andaya’s work approachable and foundational to their understanding of Southeast Asian history, society, politics, and religion. . . . Andaya’s tightly argued book is masterfully organized and is the most comprehensive book to date on women in Southeast Asia. A must read for Southeast Asianists and historians of gender and women.” —Choice, February 2007

Displacing Desire: Travel and Popular Culture in China by Beth E. Notar

“In a half-dozen penetrating chapters, anthropologist Notar examines the relationship between cultural representations and physical transformation in this superb ethnography of place. . . . Besides the valuable contribution that this book makes to the literature on representation, popular culture, and tourism, it offers fascinating insights on a growing Chinese consumer society. Highly recommended.” —Choice, October 2007

Himiko and Japan’s Elusive Chiefdom of Yamatai: Archaeology, History, and Mythology by J. Edward Kidder, Jr.

“The most comprehensive and persuasive treatment in English to date of the great ancient Japanese mystery that has captured the imagination of the Japanese: the location of Yamatai and the identity of its female shaman leader, Himiko. . . . In what must be the magnum opus and capstone of his illustrious career, Kidder meticulously and thoroughly examines all historical, archaeological, and mythological materials, creating a grand synthesis. . . . Highly recommended.” —Choice, October 2007

Korea’s Twentieth-Century Odyssey: A Short History
by Michael E. Robinson

“The wait for a succinct yet comprehensive history of modern Korea is over. This volume, deftly written by Michael E. Robinson, comes as a welcome alternative to histories of Korea too long or too complex for typical undergraduates. . . . Striking photographs throughout confirm this impressive volume’s status as the new standard in the field. . . . Essential.” —Choice, November 2007

The Growth and Collapse of Pacific Island Societies: Archaeological and Demographic Perspectives
edited by Patrick V. Kirch and Jean-Louis Rallu

“This collection is a seminal contribution to the longstanding concern with demographic levels and change before and following European contacts with Pacific Island societies. . . . The essays represent exemplary interdisciplinary meshings and, in developing a new level of technique for this research, remind readers of the excellence of the earlier work as well. . . . Undoubtably, this will be a basic reference in Pacific Islands scholarship. Highly recommended.” —Choice, October 2007