Asia – Page 20 – UH Press

Evangelicalism in Korea

Posted on December 10, 2009 by stephchun

Known as Asia’s “evangelical superpower,” South Korea today has some of the largest and most dynamic churches in the world and is second only to the United States in the number of missionaries it dispatches abroad. Understanding its evangelicalism is crucial to grasping the course of its modernization, the rise of nationalism and anticommunism, and the relationship between Christians and other religionists within the country. Born Again: Evangelicalism in Korea, by Timothy S. Lee, is the first book in a Western language to consider the introduction, development, and character of evangelicalism in Korea—from its humble beginnings at the end of the nineteenth century to claiming one out of every five South Koreans as an adherent at the end of the twentieth.

“This book is important because Christianity in Korea is important. Korea is the most Protestant nation in Asia; Korean Christians are behind only Americans in the number of missionaries they dispatch abroad; and the number of Korean Christian churches established in North America has grown large enough to begin to influence Christianity on this side of the Pacific. In this accessible and clearly argued study of evangelical Christianity in Korea, Timothy Lee provides an explanation both of why Christianity has been successful in Korea and why evangelical Christianity has been more successful than other forms. He has mined materials in Korean and English that no one else has used in the same way and presents his findings in a manner that will appeal to scholars of Korean studies and religious studies as well as to laypeople seeking to understand a phenomenon that has grown so visible on the world stage.” —Don Baker, University of British Columbia

December 2009 / ISBN 978-0-8248-3375-6 / $40.00 (CLOTH)

Bruce and Ju-Chan Fulton to Speak at Center for Korean Studies, UHM

Posted on December 3, 2009 by stephchun

On Thursday, December 10, from 6:00 to 8:00 p.m. at the Center for Korean Studies, UH-Mānoa (1881 East-West Road), award-winning translators Bruce and Ju-Chan Fulton will give a talk on their new work, The Red Room: Stories of Trauma in Contemporary Korea. The two are visiting from western Canada, where Bruce Fulton is associate professor in the Department of Asian Studies, University of British Columbia. The Red Room brings together stories by three canonical Korean writers who examine trauma as a simple fact of life. Copies of The Red Room will be available for purchase, as will MĀNOA journal’s Enduring War: Stories of What We’ve Learned, which includes a translation by Fulton. Light refreshments will be provided and the event is free and open to the public.

Bruce and Ju-Chan Fulton are the translators of numerous volumes of contemporary Korean fiction, including Trees on a Slope by Hwang Sun-won and The Dwarf by Cho Se-hui, both also published by University of Hawai‘i Press. The Red Room retails for $15.00 and can be ordered from UH Press by phone: 956-8255, toll free: 1-888-847-7377; email: [email protected]; or online: www.uhpress.hawaii.edu. For event information, call 956-8697.

Chinese Pop Music and Its Cultural Connotations

Posted on December 1, 2009 by stephchun

Since the mid-1990s, Taiwan’s unique brand of Mandopop (Mandarin Chinese–language pop music) has dictated the musical tastes of the mainland and the rest of Chinese-speaking Asia. Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations, by Marc L. Moskowitz, explores Mandopop’s surprisingly complex cultural implications in Taiwan and the PRC, where it has established new gender roles, created a vocabulary to express individualism, and introduced transnational culture to a country that had closed its doors to the world for twenty years.

December 2009 / ISBN 978-0-8248-3369-5 / $40.00 (CLOTH)

Sexuality in China on the Verge of Modernity

Posted on December 1, 2009 by stephchun

For centuries of Chinese history, polygamy and prostitution were closely linked practices that legitimized the “polygynous male,” the man with multiple sexual partners. Despite their strict hierarchies, these practices also addressed fundamental antagonisms in sexual relations in serious and constructive ways. Qing fiction abounds in stories of female resistance and superiority. Women—main wives, concubines, and prostitutes—were adept at exerting control and gaining status for themselves, while men indulged in elaborate fantasies about female power. In Polygamy and Sublime Passion: Sexuality in China on the Verge of Modernity, Keith McMahon introduces a new concept, “passive polygamy,” to explain the unusual number of Qing stories in which women take charge of a man’s desires, turning him into an instrument of female will. To this he adds a story that haunted the institutions of polygamy and prostitution: the tale of “sublime passion,” in which the main characters are a “remarkable” woman and her male lover.

“This book is a tour de force, the first in English to discuss Chinese fiction from the nineteenth century through the first decade of the twentieth within a comprehensive thematic frame. McMahon’s familiarity with Chinese fiction of the period covered is extremely impressive, as is his command of the secondary sources, both English and Chinese.” —Theodore Huters, UCLA

December 2009 / ISBN 978-0-8248-3376-3 / $55.00 (CLOTH)

Heroes of China’s Great Leap Forward

Posted on December 1, 2009 by stephchun

Heroes of China’s Great Leap Forward: Two Stories, edited by Richard King, presents contrasting narratives of the most ambitious and disastrous mass movement in modern Chinese history. The objective of the Great Leap, when it was launched in the late 1950s, was to catapult China into the ranks of the great military and industrial powers with no assistance from the outside world; it resulted in a famine that killed tens of millions of the nation’s peasants.

Li Zhun’s “A Brief Biography of Li Shuangshuang,” written while the movement was underway, celebrates the Great Leap as it was supposed to be: a time of optimism, dynamism, and shared purpose. In contrast, Zhang Yigong’s short novel The Story of the Criminal Li Tongzhong, written two decades later, was one of the first works published in China to suggest a much darker side to the Great Leap. Although Zhang stopped short of portraying the horrors of famine, his tone of moral outrage provides a rejoinder to the triumphalism of “Li Shuangshuang.”

“The careful, accurate, and lucid rendition of these two stories allows scholars and students to mine the mentalities and conceptual worlds of the cataclysmic Great Leap Forward campaign. Together they provide a very useful window into China’s greatest self-made disaster in the 20th century and the sense made of it at the time and immediately after.” —Timothy Cheek, Institute of Asian Research, University of British Columbia

December 2009 / ISBN 978-0-8248-3436-4 / $15.00 (PAPER)

Tour of Duty Now Available in Paperback

Posted on November 13, 2009 by stephchun

“[Constantine] Vaporis has written a magnificent book on the sankai kotai, or alternate attendance system. . . . Long considered the central political control mechanism of the Tokugawa period, the system has received surprisingly little scholarly attention until now. Filling a major gap in the understanding of Japanese history, the author provides a detailed account of the mechanics of the system and demands placed on daimyo and retainers on tours of duty in Edo. Exploiting the latest archaeological and archival sources, Vaporis makes clear the economic burden of the system on the daimyo, as well as its role as an engine of cultural, intellectual, and material exchange, from the center in Edo and between regions. The author also provides intimate details of the lives of samurai, both on the road to and from Edo and while serving their time in Edo. For all interested in early modern history. . . . Highly recommended.” —Choice

November 2009 / ISBN 978-0-8248-3470-8 / $23.00 (PAPER)

New Edition of Integrated Korean Beginning 1

Posted on November 12, 2009 by stephchun

This is a thoroughly revised edition of Integrated Korean: Beginning 1, the first volume of the best-selling series developed collaboratively by leading classroom teachers and linguists of Korean. In response to comments from hundreds of students and instructors of the first edition, the new edition features a more attractive two-color design with all new photos and drawings and an additional lesson and vocabulary exercises. Lessons are now organized into two main sections, each containing a conversational text (with its own vocabulary list) and a reading passage. The accompanying workbook, newly written, provides students with extensive skill-using activities based on the skills learned in the main text.

Integrated Korean series
November 2009 / ISBN 978-0-8248-3440-1 / $28.00 (PAPER)

Audio files for both the textbook and workbook may be downloaded in RealAudio or MP3 format at http://www.kleartextbook.com.

The Chinese Aesthetic Tradition

Posted on November 12, 2009 by stephchun

Li Zezhou (b. 1930) has been an influential thinker in China since the 1950s. Before moving to the U.S. in the wake of the Tiananmen Square protests of 1989, Li published works on Kant and traditional and contemporary Chinese philosophy. The present volume, a translation of his Huaxia meixue (1989), is considered among Li’s most significant works. Apart from its value as an introduction to the philosophy of one of contemporary China’s foremost intellectuals, The Chinese Aesthetic Tradition fills an important gap in the literature of Chinese aesthetics in English. It presents Li’s synthesis of the entire trajectory of Chinese aesthetic thought, from ancient times to the early modern period, incorporating pre-Confucian and Confucian ideas, Daoism, Chan Buddhism, and the influence of Western philosophy during the late-imperial period. As one of China’s As one of China’s major contemporary philosophers and preeminent authority on Kant, Li is uniquely positioned to observe this trajectory and make it intelligible to today’s readers.

November 2009 / ISBN 978-0-8248-3307-7 / $50.00 (CLOTH)

Ethics and the State in Meiji Japan

Posted on November 4, 2009 by stephchun

Making a Moral Society: Ethics and the State in Meiji Japan, an innovative study of ethics in Meiji Japan (1868–1912), explores the intense struggle to define a common morality for the emerging nation-state.

“Richard Reitan argues that modern Japanese ethics—and particularly the creation of an ethics of a ‘Japanese spirit’ or ‘Japanese national character’—arose in the context of the Meiji movement for civilization, as Japan attempted to become more like Europe in order to recover its sovereignty and equality with western states. His is a thoughtful and original contribution to the historiography of Japan and valuable account of the rise of ‘national morality.’ The book demonstrates an admirable command of the material, great clarity with which Japanese concepts are explained, and an argument of nuance and subtlety. Making a Moral Society will not only be of interest to scholars of Japanese history, religion, and culture, and scholars of ethics, nationalism, and modernization generally, but will also be useful in graduate seminars and advanced undergraduate courses.” —Douglas Howland, University of Wisconsin, Milwaukee

November 2009 / ISBN 978-0-8248-3294-0 / $48.00 (CLOTH)

Short Stories by Modern Korean Women Writers

Posted on November 4, 2009 by stephchun

Available for the first time in English, the ten short stories by modern Korean women collected in Questioning Minds: Short Stories by Modern Korean Women, translated by Yung-Hee Kim, touch in one way or another on issues related to gender and kinship politics. All of the protagonists are women who face personal crises or defining moments in their lives as gender-marked beings in a Confucian, patriarchal Korean society. Their personal dreams and values have been compromised by gender expectations or their own illusions about female existence. They are compelled to ask themselves “Who am I?” “Where am I going?” “What are my choices?” Each story bears colorful and compelling testimony to the life of the heroine. Some of the stories celebrate the central character’s breakaway from the patriarchal order; others expose sexual inequality and highlight the struggle for personal autonomy and dignity. Still others reveal the abrupt awakening to mid-life crises and the seasoned wisdom that comes with accepting the limits of old age.

Hawai‘i Studies on Korea
November 2009 / ISBN 978-0-8248-3409-8 / $24.00 (PAPER)

UH Press Now Distributing Shanghai Press

Posted on November 2, 2009 by stephchun

University of Hawai`i Press is pleased to announce it is now a North American distributor for Shanghai Press and Publishing Development Company, a mainland China publisher of fine books in English for general readers. Highlights include:

–full-color photo essays on Tibet, the Great Wall, the Yangtze, Shaoxing (hometown of Lu Xun, the father of modern Chinese literature), the legendary 20th-century Beijing opera star Mei Lanfang;

–full-color guides to Shanghai’s colonial Western architecture, Qufu (Confucius’ birthplace), China’s most famous cultural and natural sites;

–full-color introductions to Chinese civilization, tea, popular customs, classical furniture and home decor, architecture, calligraphy, brush painting, Beijing opera;

–the Cultural China Chinese-English Reader series, featuring abridged, bilingual editions of Chinese fiction and nonfiction for language students;

–colorful children’s books illustrating Chinese fables and idioms.

For a complete list of titles, please click here.

Chinese Avant-garde Art and Independent Cinema

Posted on November 2, 2009 by stephchun

Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema, by Xiaping Lin, affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions.