Chinese Pop Music and Its Cultural Connotations

Since the mid-1990s, Taiwan’s unique brand of Mandopop (Mandarin Chinese–language pop music) has dictated the musical tastes of the mainland and the rest of Chinese-speaking Asia. Cries of Joy, Songs of Sorrow: Chinese Pop Music and Its Cultural Connotations, by Marc L. Moskowitz, explores Mandopop’s surprisingly complex cultural implications in Taiwan and the PRC, where it has established new gender roles, created a vocabulary to express individualism, and introduced transnational culture to a country that had closed its doors to the world for twenty years.

December 2009 / ISBN 978-0-8248-3369-5 / $40.00 (CLOTH)