art & visual culture – Page 7

Beijing Opera Costumes Short-listed for Costume Society of America Award

Posted on May 26, 2009 by stephchun

Beijing Opera Costumes: The Visual Communication of Character and Culture, by Alexandra B. Bonds, was short-listed for this year’s Milla Davenport Publication Award from the
Costume Society of America. The award is given “to a published book or exhibition catalog that makes a significant contribution to the study of costume, reflects original thought and exceptional creativity, and draws on appropriate research methods and techniques.”

The journal Theatre Design & Technology called Beijing Opera Costumes “one of the most useful costume books on Beijing (Jingju) opera in the English language. . . . Alexandra Bonds has done a huge service to those who strive to learn more about twentieth- and twenty-first-century Jingju style and how it came to be. It is a beautifully detailed book that historians and novices alike will find invaluable.”

Choice Magazine’s Outstanding Academic Titles for 2008 Announced

Posted on December 16, 2008 by stephchun

Each year Choice Magazine, the official publication of the Association of College and Research Libraries, compiles a distinguished list of Outstanding Academic Titles. The following three UH Press books were recognized for 2008. A complete list of titles will be available in Choice’s January 2009 issue.

Herself an Author: Gender, Agency, and Writing in Late Imperial China
by Grace S. Fong

“Takes the discussion in an exciting new direction. . . . The greatest contributions of this book . . . are the introductions of various women writers and the translations into English of their compositions, many discovered by the author and not heretofore translated into English. . . . Essential.” —Choice (November 2008)

Nippon Modern: Japanese Cinema of the 1920s and 1930s by Mitsuyo Wada-Marciano

“Since English-language scholars have rarely dealt with Japanese film of the 1920s and 1930s, outside the work of canonical directiors like Kenji Mizoguchi, this study is welcome. . . . Wada-Marciano offers groundbreaking analyses of such genres as the ‘middle-class’ film and the woman’s film. A final chapter provides a rich study of the links between national identity, modernity, and the signature style of Shochiku film studio. The end result is sure to stand as a definitive work for years to come. Essential.” —Choice (October 2008)

The Sociology of Southeast Asia: Transformations in a Developing Region by Victor T. King

“Victor King has produced a lucid, comprehensive, and challenging analysis of the state-of-the-art of Southeast Asian sociology. The book is not only an excellent textbook for courses on Southeast Asia or development sociology, but also ‘required reading’ for all social scientists embarking on research on the area. I am certain that it will become a long-lasting addition to the standard literature on Asia.” —Hans-Dieter Evers, University of Bonn

Negotiating Urban Space in Malaysia

Posted on November 7, 2008 by stephchun

Arguably Southeast Asia’s most spectacular city, Kuala Lumpur—widely known as KL—has just celebrated fifty years as the national capital of Malaysia. But KL now has a very different twin in Putrajaya, the country’s new administrative capital. Where KL is a diverse, cosmopolitan, multiracial metropolis, Putrajaya fulfills an elitest vision of a Malay-Muslim utopia. KL’s multicultural richness is reflected in the brilliance and diversity of its architecture and urban spaces; Putrajaya, by contrast, is an architectural homage to an imagined Middle East. The “purity” of Putrajaya throws the cosmopolitan diversity of Kuala Lumpur into sharp relief, and the tension between the two places reflects the rifts that run through Malaysian society. In Kuala Lumpur and Putrajaya: Negotiating Urban Space in Malaysia, Ross King considers what form of metropolis the Kuala Lumpur-Putrajaya region might foreshadow, arguing that signs of this future city are to be sought in the collision points between the utopian dreams of imagined futures and the reality of purposely forgotten pasts.

ASAA Southeast Asia Publications Series
November 2008 / ISBN 978-0-8248-3318-3 / $36.00 (PAPER)

Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan

Posted on November 3, 2008 by stephchun

Few periods in Japanese history are more fascinating than the seventh century. This was the period when Buddhism experienced its initial flowering in the country and the time when Asukadera, Kudara Odera, Kawaradera, and Yakushiji (the “Four Great Temples” as they were called in ancient texts) were built. Despite their enormous historical importance, these structures have received only limited attention in Western literature, primarily because they are now ruins. Focus has been placed instead on Horyuji, a beautifully preserved structure, but not a key temple of the period. In The Four Great Temples: Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan, Donald F. McCallum seeks to restore the four great temples to their proper place in the history of Japanese Buddhism and Buddhist architecture.

November 2008 / ISBN 978-0-8248-3114-1 / $38.00 (CLOTH)

The Attractive Empire Now Available in Paperback

Posted on September 29, 2008 by stephchun

The Attractive Empire: Transnational Film Culture in Imperial Japan, by Michael Baskett, is now available in paperback.

“Michael Baskett removes imperial Japanese film from its solitary confinement and commandingly analyzes how it functioned internationally. He commits a depth of research rarely found in English-language studies of Japanese cinema, and his mastery of the primary and secondary sources from beyond Japan’s borders distinctly set his book apart from previous scholarship on the subject. Not only is this a work that historians and film scholars will appreciate but also one that I look forward to assigning to undergraduates.” —Barak Kushner, Cambridge University

September 2008 / ISBN 978-0-8248-3223-0 / $25.00 (PAPER)

Art from Burma in the Denison Museum

Posted on August 26, 2008 by stephchun

The collection of Burmese art housed at the Denison Museum in Granville, Ohio, includes more than 1,500 objects dating from the late first millennium A.D., through the twentieth century. While particularly strong on textiles originating with minority groups in Burma, it also includes Buddha images, lacquer objects, works on paper, manuscripts, wood carvings, and pieces made from bronze, silver, and ivory. The core holdings were acquired by Baptist missionaries, United States government employees, diplomats, and others living in Burma, and this material was augmented by judicious purchases.

Eclectic Collecting: Art from Burma in the Denison Museum, edited by Alexandra Green, discusses theoretical approaches to the study of textiles and examines in some depth the production and use of textiles by the Karenic, Chin, Kachin, Lahu, and Tai, and Wa minority groups, as well as ethnic Burmans, within the context of their histories and cultures. Vibrant photographs illustrate the distinctive designs characteristic of each population group and the production techniques they use.

270 illus., 261 in color, 2 maps

August 2008 / ISBN 978-0-8248-3311-4 / $60.00 (CLOTH)

Beijing Opera Costumes

Posted on April 29, 2008 by stephchun

Beijing Opera Costumes: The Visual Communication of Character and Culture, by Alexandra B. Bonds, is the first in-depth English-language book focused exclusively on the costumes of Jingju, the highest form of stage arts in China. This comprehensive volume provides both theory and analysis of the costumes and the method of their selection for the roles as well as technical information on embroidery, patterns, and construction. Extensive descriptions illuminate the use of colors and surface images derived from historical dress and modified for the stage. Details on makeup, hairstyles, and dressing techniques present a complete view of the Jingju performer from head to toe.

“This book is a very detailed and thorough examination of costuming (including make-up) in traditional Beijing opera as practiced today. The author has combined her expertise in costume design in general with extensive fieldwork and consultation in China. Because of the highly developed role-type system in Beijing opera and the premium put on visually distinguishing these role types on stage, costuming and make-up in Beijing opera are simultaneously very complicated, very full of meaning, and very worth paying attention to. This book, with its ample illustrations and clear structure, is an excellent guide to the symbolic systems used to differentiate characters on the Beijing opera stage, and, given the comparative lack in Beijing opera of scenery on the one hand and emphasis on the actor on the other, it could also be said to represent a guide to the visual world of Beijing opera in general. It is the only book of its kind in English, and it is very hard to conceive of it being surpassed any time soon.” —David Rolston, University of Michigan

April 2008 / ISBN 978-0-8248-2956-8 / $50.00 (CLOTH)

Nippon Modern Now Available in Paperback

Posted on April 23, 2008 by stephchun

Nippon Modern: Japanese Cinema of the 1920s and 1930s, by Mitsuyo Wada-Marciano, is now available in paperback.

“Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history.” —Abé Mark Nornes, University of Michigan

April 2008 / ISBN 978-0-8248-3240-7 / $27.00 (PAPER)

Faith and Power in Japanese Buddhist Art Now Available in Paperback

Posted on April 14, 2008 by stephchun

Faith and Power in Japanese Buddhist Art, 1600-2005, by Patricia J. Graham, is now available in paperback.

“This book is densely written and copiously illustrated, rich with evidence that Buddhist art has thrived over the last four hundred years and continues to do so. One of the book’s many contributions is how it traces the widening patronage of Buddhist art, which helped to create and support a new class of Buddhist artists and appreciation for their art beyond the walls of the Buddhist temples.” —Buddhadharma

April 2008 / ISBN 978-0-8248-3191-2 / $29.00 (PAPER)

Transnational Film Culture in Imperial Japan

Posted on March 24, 2008 by stephchun

Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire: Transnational Film Culture in Imperial Japan, by Michael Baskett, is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture.

“Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject.” —Darrell William Davis, University of New South Wales

March 2008 / ISBN 978-0-8248-3163-9 / $48.00 (CLOTH)

New in Paperback in March

Posted on March 24, 2008 by stephchun

The Flaming Womb: Repositioning Women in Early Modern Southeast Asia, by Barbara Watson Andaya

“The definitive volume on women in Southeast Asia history. . . . [Anadaya’s] book is encyclopedic in its inclusiveness yet it does not force a homogenizing or uniform interpretation upon the material. Instead, Andaya brings symphonic order to the cacophony of beliefs and practices. . . . The examples are detailed, specific, precise and attentive. This is the hallmark of her work. . . . Masterfully composed.” —Pacific Affairs

March 2008 / ISBN 978-0-8248-3288-9 / $21.00 (PAPER)

Women Through the Lens: Gender and Nation in a Century of Chinese Cinema, by Shuqin Cui

“Stands out for its ambition and breadth. . . . Women Through the Lens not only lays a foundation and road map for other scholars but it should be used as a reference book by anyone interested in Chinese film.” —Chinese Literature: Essays, Articles, Reviews

March 2008 / ISBN 978-0-8248-3296-4 / $28.00 (PAPER)

Cambodian Buddhism: History and Practice, by Ian Harris

“A fascinating book that contains a wealth of material that would require a series of reviews to discuss fully. It is a resource on Cambodia that adds enormously to the literature of Southeast Asian Buddhism. . . . It will become a pivotal work on the subject.” —Journal of the Royal Asiatic Society

March 2008 / ISBN 978-0-8248-3298-8 / $25.00 (PAPER)

The People of the Sea: Environment, Identity, and History in Oceania, by Paul D’Arcy

“This well-researched and beautifully written monograph opens a window in time and space. Its emphasis on the dynamics [of marine ecosystems] is convincing and serves to falsify the notion of a frozen ‘tradition’ as well as of a predictable maritime environment.” —Anthropological Quarterly

March 2008 / ISBN 978-0-8248-3297-1 / $25.00 (PAPER)

Utamaro and the Spectacle of Beauty

Posted on February 19, 2008 by stephchun

One of the most influential artists working in the genre of ukiyo-e (“pictures of the floating world”) in late-eighteenth-century Japan, Kitagawa Utamaro (1753?–1806) was widely appreciated for his prints of beautiful women. In images showing courtesans, geisha, housewives, and others, Utamaro made the practice of distinguishing social types into a connoisseurial art. In Utamaro and the Spectacle of Beauty, Julie Nelson Davis makes a close study of selected print sets, and by drawing on a wide range of period sources reinterprets Utamaro in the context of his times.