New titles in Language and Linguistics | Indonesian Grammar and Saisiyat Morphology

asyik  saisiyat

Indonesian Grammar in Context: Asyik Berbahasa Indonesia
Ellen Rafferty, Molly F. Burns, and Shintia Argazali-Thomas

264 pages
Not for sale in Southeast Asia, Published in association with NUS Press
Volume 1 | 978-0-8248-3478-4 |$27.00
Volume 2 | 978-0-8248-3574-3 | $29.00
Volume 3 | 978-0-5248-3575-0 | $32.00

Find our other Indonesian Language title, Let’s Speak Indonesian, by clicking here


A Study of Saisiyat Morphology
Elizabeth Zeitoun, Chu Tai-hwa, and Lalo a tahesh kabaybaw630 pages
Oceanic Linguistics Special Publications, No. 40Paper | 978-0-8248-5042-5 | $40.00

More LINGUISTICS titles can be found HERE

New Titles in Religion from UHP!

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The Halo of Golden LightImperial Authority and Buddhist Ritual in Heian Japan

Asuka Sango
304 pages
Cloth | 978-0-8248-3986-4 | $54.00


Saving BuddhismThe Impermanence of Religion in Colonial Burma

Alicia Turner
240 pages | Southeast Asia: Politics, Meaning, and Memory
Cloth | 978-0-8248-3937-6 | $54.00


Building a Heaven on EarthReligion, Activism, and Protest in Japanese Occupied Korea

Albert L. Park
320 pages
Cloth | 978-0-8248-3965-9 | $56.00


Practicing ScriptureA Lay Buddhist Movement in Later Imperial China


Popular Culture Association | UHP in New Orleans

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Popular Culture Association
American Culture Association

2015 Annual Conference | New Orleans, Louisiana | April 1-4

Contact Acquisitions Editor Stephanie Chun: chuns@hawaii.edu


spillerJavaphilia

Javaphilia: American Love Affairs with Javanese Music and Dance

Henry Spiller

278 pages | 41 illustrations | Music and Performing Arts of Asia and the Pacific

Cloth | 978-0-8248-4094-5 | $42.00


 

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Eating Korean in America: Gastronomic Ethnography of Authenticity

Sonia Ryang

208 pages | 12 color illustrations | Food in Asia and the Pacific

Cloth | 978-0-8248-3935-2 | $39.00

25% Off Sale | Hokusai’s ‘The Great Wave’ Goes Viral in Wall Street Journal

Purchase Hokusai’s Great Wave for 25% OFF in our Online Store

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From The Wall Street Journal

How Hokusai’s ‘The Great Wave’ Went Viral

“The Great Wave,” Katsushika Hokusai’s woodblock print from the early 1830s, may be the most famous artwork in Japanese history, and its popularity isn’t cresting anytime soon.

The image of a wave towering over Mount Fuji is the subject of a new book and recent exhibits in Paris and Berlin. It is on view in a show at New York’s Metropolitan Museum of Art, and another major display is expected at the British Museum in 2017. Starting April 5, the piece takes a starring role in the Museum of Fine Arts, Boston’s largest ever exhibition of Japanese prints.

The artwork exists in that rare stratosphere of images that are both instantly recognizable and internationally famous. “The Great Wave” has gone viral over time, first circulating the old-fashioned way—via traders and tall ships in the 19th century. Since then, the woodcut has been called an inspiration for Claude Debussy’s orchestral work, “La Mer,” and appears in poetry and prose by Rainer Maria Rilke, Pearl S. Buck and Hari Kunzru. Levi’s and Patagonia used it in marketing campaigns. It has been preserved in cyberspace as a Google Doodle and an emoji.

“There is no work of nonwestern art that has a comparable level of recognition,” said Christine Guth, author of “Hokusai’s Great Wave: Biography of a Global Icon” released this year. Ms. Guth, who is acting head of the history of design program at London’s Royal College of Art, said the print has been used to symbolize everything from economic power to military threats to natural disaster: “An image that originated in Japan took on a life of its own.”

Sarah Thompson, the MFA show’s curator, said the museum was the first in the world to stage a Hokusai exhibit in the early 1890s.

The show in Boston, which runs until early August, features more than 230 works from Hokusai’s seven-decade career, including illustrated printed books, a long screen painting and paper dioramas. The exhibit, six years in the making, is built on works entirely from the MFA’s collection. It just finished a multicity tour in Japan.

“The Great Wave”— formally titled “Under the Wave off Kanagawa” from the Hokusai series “Thirty-Six Views of Mount Fuji”—adorns marketing for the Boston show. Inside the exhibit, though, visitors will have to look for it. The work, about the size of a piece of legal paper, will be grouped with the series of Mount Fuji prints.

The image is a mix of east and west—a blending of techniques that Hokusai picked up from Japanese artists and his own knowledge of European prints. The woodblock depicts Mount Fuji, a hallowed place in Japan, but pushes the peak deep into the distance using western perspective. The wave was printed on Japanese mulberry paper but marked by a color new to Japan—a vibrant Prussian blue created from synthetic dye in Germany.

The work was fairly accessible to the Japanese—one scholar has said it went for the price of a large bowl of noodle soup—while the snobbish view of prints inside the country made it easier for the series to travel abroad.


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Hokusai’s Great Wave: Biography of a Global Icon
by Christine Guth

January 2015 | 272 pages | 70 color illustrations, 5 black & white
Paper ISBN 978-0-8248-3960-4 | $20.00 $15.00
Cloth ISBN 978-0-8248-3959-8 | $57.00 $42.75

Tsai Ming-Liang and a Cinema of Slowness

LimHow can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider sociocultural “slow movement”? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first book to examine the concept of cinematic slowness and address this fascinating phenomenon in contemporary film culture. 

Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hwee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan-based director Tsai Ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film. 

Tsai Ming-liang and a Cinema of Slowness will speak to readers with an interest in art cinema, queer studies, East Asian culture, and the question of time. In an age of unrelenting acceleration of pace both in film and in life, this book invites us to pause and listen, to linger and look, and, above all, to take things slowly. 

Written by Song Hwee Lim
2014 | 240 pages | 29 illustrations
ISBN: 978-0-8248-3684-9 | $45.00s | Cloth

Capturing Contemporary Japan: Differentiation and Uncertainty

KawanoCOVER8.inddWhat are people’s life experiences in present-day Japan? Capturing Contemporary Japan addresses fundamental questions vital to understanding Japan in the first decade of the twenty-first century. Its chapters collectively reveal a questioning of middle-class ideals once considered the essence of Japaneseness. In the postwar model household, a man was expected to obtain a job at a major firm that offered life-long employment; his counterpart, the “professional” housewife, managed the domestic sphere and the children, who were educated in a system that provided a path to mainstream success.

Contributors draw on rich, nuanced fieldwork data collected during the 2000s to examine work, schooling, family and marital relations, child rearing, entertainment, lifestyle choices, community support, consumption and waste, material culture, well-being, aging, death and memorial rites, and sexuality. The voices in these pages vary widely: They include schoolchildren, teenagers, career women, unmarried women, young mothers, people with disabilities, small business owners, organic farmers, retirees, and the elderly.

Edited by Satsuki Kawano, Glenda S. Roberts, and Susan Orpett Long

2014 | 376 pages | 12 illustrations
ISBN: 978-0-8248-3868-3 | $55.00s | Cloth
ISBN: 978-0-8248-3869-0 | $25.00s | Paper

Archives of Asian Art, vol. 63, no. 1 (2013)

1495 AAA 63_00a_ofbc-C 1..1The table of contents below contains links to the MUSE edition of each article and shows either an abstract or a sample image from each of the main entries.

Exorcism from the Streets to the Tomb: An Image of the Judge and Minions in the Xuanhua Liao Tomb No. 7
Jeehee Hong, 1

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Night Entertainment of Han Xizai (detail). 12th-c. copy of a 10th-c. work.
Palace Museum, Beijing.

Continue reading “Archives of Asian Art, vol. 63, no. 1 (2013)”

Winter Holiday Schedule, 2012

As part of the University of Hawai‘i’s Green Days initiative, University of Hawai‘i Press will be closed Monday, December 17, 2012, through Tuesday, January 1, 2013, with the exception of our book order department and warehouse, which will be open December 17–21. (Orders for Hawai‘i customers should be received no later than noon, December 20; all other orders should be received no later than noon, December 21.) Regular Press hours will resume on Wednesday, January 2, 2013. Mahalo for your support and happy holidays!