Archives of Asian Art, vol. 64, no. 1 (2014)

Posted on July 29, 2015June 14, 2017 by pwilson6

The table of contents below contains links to the MUSE edition of each article and shows either an abstract or a sample image from each of the main entries.

Asia Society Statement
Melissa Chiu, 1

From Studiolo to Chaekgeori, A Transcultural Journey: An Introduction to Sunglim Kim’s “Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea”
Jerome Silbergeld, available only online

Chaekgeori: Multi-Dimensional Messages in Late Joseon Korea
Sunglim Kim, 3

Chaekgeori, Korea, 19th century. Ten-panel screen, ink and color on silk. National Museum of Korea, Seoul. — Chaekgeori, Korea, 19th century. Ten-panel screen, ink and color on silk. National Museum of Korea, Seoul.

Looking to the West: Stone Molds and Foreign Visual Models in Satavahana Material Culture (First–Second Century CE)
Pia Brancaccio, 33

Map with locations of sites mentioned in the article. Map by Pia Brancaccio.

Art and Technology in a Chinese Gold Cicada Plaque
Sarah Laursen and Donna Strahan, 43

Cicada plaque from Tomb 1 at Xiyanchi in Linyi, Shandong, 4th century. Shandong sheng wenwu kaogu yanjiusuo and Linyi shi wenhua ju. — Cicada plaque from Tomb 1 at Xiyanchi in Linyi, Shandong, 4th century. Shandong sheng wenwu kaogu yanjiusuo and Linyi shi wenhua ju.

Distinguishing “Set” from “Series” in Tibetan Painting
Joona Repo, 59

Gorampa with Jetsun Kunga Wangchuk, early 16th century. Private Collection.

A New Earthly Paradise: Appropriation and Politics in Li Keran’s Representation of Beihai Park
Yan Geng, 75

Li Keran (China, 1907–89), Model Workers and Peasants Visiting Beihai Park, New Year Picture, 1951. Courtesy of the National Art Museum of China. — Li Keran (China, 1907–89), Model Workers and Peasants Visiting Beihai Park, New Year Picture, 1951. Courtesy of the National Art Museum of China.

Obituary: Anne de Coursey Clapp (1928–2013)
Susan Bush, 93