Chan Buddhism in Song-Dynasty China

How Zen Became Zen: The Dispute Over Enlightenment and the Formation of Chan Buddhism in Song-Dynasty China by Morten Schlütter, takes a novel approach to understanding one of the most crucial developments in Zen Buddhism: the dispute over the nature of enlightenment that erupted within the Chinese Chan (Zen) school in the twelfth century. The famous Linji (Rinzai) Chan master Dahui Zonggao (1089–1163) railed against “heretical silent illumination Chan” and strongly advocated kanhua (koan) meditation as an antidote. In this fascinating study, Morten Schlütter shows that Dahui’s target was the Caodong (Soto) Chan tradition that had been revived and reinvented in the early twelfth century, and that silent meditation was an approach to practice and enlightenment that originated within this “new” Chan tradition. Schlütter has written a refreshingly accessible account of the intricacies of the dispute, which is still reverberating through modern Zen in both Asia and the West.

“This is an important book that will significantly contribute to our knowledge of Song-dynasty Buddhism. It joins a growing body of work that seeks to place the development of Buddhism (and particularly Chan) within its broader social and cultural history. Schlütter’s research into a wide range of source materials is meticulous and thorough. Because of the important connections he draws among the state, independent (or local) literati, and Buddhist monks, this work has the potential to appeal to a wide audience of scholars beyond the field of Buddhism, including social, institutional, and intellectual historians of the Song.” —Ellen Neskar, Sarah Lawrence College

Studies in East Asian Buddhism, No. 22
Published in association with the Kuroda Institute
June 2008 / ISBN 978-0-8248-3255-1 / $48.00 (CLOTH)

A Positivist Approach to Reading Sources on Modern Japan

Evaluating Evidence: A Positivist Approach to Reading Sources on Modern Japan by George Akita, is based on the grueling lessons learned by a senior scholar during three decades of tutoring by, and collaboration with, Japanese historians. George Akita persisted in the difficult task of reading documentary sources in Japanese, most written in calligraphic style (sosho), out of the conviction of their centrality to the historian’s craft and his commitment to a positivist methodology to research and scholarship. He argues forcefully in this volume for an inductive process in which the scholar seeks out facts on a subject and, through observation and examination of an extensive body of data, is able to discern patterns until it is possible to formulate certain propositions. ,

“In Evaluating Evidence, George Akita reasserts unabashedly the centrality of the written document in the work of the historian. At a time when postmodernism and deconstructionism have come to occupy the summit of methodological fashion in many disciplines, this distinguished chronicler of modern Japanese history insists that the positivistic tradition of research and scholarship remains crucial to any meaningful rendition of the past.” —Gordon Berger, University of Southern California

May 2008 / ISBN 978-0-8248-2560-7 / $58.00 (CLOTH)

Gender, Agency, and Writing in Late Imperial China

Herself an Author: Gender, Agency, and Writing in Late Imperial China, by Grace S. Fong, addresses the critical question of how to approach the study of women’s writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods, much of it rediscovered by the author in rare book collections in China and the United States. The volume treats different genres of writing and includes translations of texts that are made available for the first time in English. Among the works considered are the life-long poetic record of Gan Lirou, the lyrical travel journal kept by Wang Fengxian, and the erotic poetry of the concubine Shen Cai.

“Grace Fong has written a wonderful history of female writers’ participation in the elite conventions of Chinese poetics. Fong’s recovery of many of these poets, her able exegesis and elegant, analytical grasp of what the poets were doing is a great read, and her bilingual presentation of their poetry gives the book additional power. This is a persuasive and elegant study.” —Tani Barlow, author of The Question of Women in Chinese Feminism

May 2008 / ISBN 978-0-8248-3186-8 / $32.00 (PAPER)

Beijing Opera Costumes

Beijing Opera Costumes: The Visual Communication of Character and Culture, by Alexandra B. Bonds, is the first in-depth English-language book focused exclusively on the costumes of Jingju, the highest form of stage arts in China. This comprehensive volume provides both theory and analysis of the costumes and the method of their selection for the roles as well as technical information on embroidery, patterns, and construction. Extensive descriptions illuminate the use of colors and surface images derived from historical dress and modified for the stage. Details on makeup, hairstyles, and dressing techniques present a complete view of the Jingju performer from head to toe.

“This book is a very detailed and thorough examination of costuming (including make-up) in traditional Beijing opera as practiced today. The author has combined her expertise in costume design in general with extensive fieldwork and consultation in China. Because of the highly developed role-type system in Beijing opera and the premium put on visually distinguishing these role types on stage, costuming and make-up in Beijing opera are simultaneously very complicated, very full of meaning, and very worth paying attention to. This book, with its ample illustrations and clear structure, is an excellent guide to the symbolic systems used to differentiate characters on the Beijing opera stage, and, given the comparative lack in Beijing opera of scenery on the one hand and emphasis on the actor on the other, it could also be said to represent a guide to the visual world of Beijing opera in general. It is the only book of its kind in English, and it is very hard to conceive of it being surpassed any time soon.” —David Rolston, University of Michigan

April 2008 / ISBN 978-0-8248-2956-8 / $50.00 (CLOTH)

Nippon Modern Now Available in Paperback

Nippon Modern: Japanese Cinema of the 1920s and 1930s, by Mitsuyo Wada-Marciano, is now available in paperback.

Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history.” —Abé Mark Nornes, University of Michigan

April 2008 / ISBN 978-0-8248-3240-7 / $27.00 (PAPER)

Faith and Power in Japanese Buddhist Art Now Available in Paperback

Faith and Power in Japanese Buddhist Art, 1600-2005, by Patricia J. Graham, is now available in paperback.

“This book is densely written and copiously illustrated, rich with evidence that Buddhist art has thrived over the last four hundred years and continues to do so. One of the book’s many contributions is how it traces the widening patronage of Buddhist art, which helped to create and support a new class of Buddhist artists and appreciation for their art beyond the walls of the Buddhist temples.” —Buddhadharma

April 2008 / ISBN 978-0-8248-3191-2 / $29.00 (PAPER)

Soto Zen in Medieval Japan Now in Paperback

Soto Zen in Medieval Japan, by William M. Bodiford, is now available in paperback.

“Carefully researched and set forth with finesse, Bodiford’s study advances dramatically our understanding of the introduction and development of Zen in Japan. . . . [This] is the most important English work on Soto Zen to date; it is a ‘must’ for any student, scholar, or practitioner interested in the genesis and early development of this important strand of Japanese Buddhism.” —Journal of Japanese Studies

Studies in East Asian Buddhism, No. 8
Published in association with the Kuroda Institute
April 2008 / ISBN 978-0-8248-3303-9 / $28.00 (PAPER)

Cultural Borrowing and Japanese Crime Literature, 1868-1937


Purloined Letters: Cultural Borrowing and Japanese Crime Literature, 1868-1937, by Mark Silver, an engaging study of the detective story’s arrival in Japan—and of the broader cross-cultural borrowing that accompanied it—argues for a reassessment of existing models of literary influence between “unequal” cultures. Because the detective story had no pre-existing native equivalent in Japan, the genre’s formulaic structure acted as a distinctive cultural marker, making plain the process of its incorporation into late nineteenth- and early twentieth-century Japanese letters. Silver tells the story of Japan’s adoption of this new Western literary form at a time when the nation was also remaking itself in the image of the Western powers. His account calls into question conventional notions of cultural domination and resistance, demonstrating the variety of possible modes for cultural borrowing, the surprising vagaries of intercultural transfer, and the power of the local contexts in which “imitation” occurs.

“This is an impressive book, which casts the early history of Japanese detective fiction within the broader context of Japanese cultural and political modernity. Through his close analysis of three central figures—Kuroiwa Ruiko, Okamoto Kido, and Edogawa Ranpo—Silver demonstrates the complex ways in which detective fiction in the late nineteenth and early twentieth century was used to reflect upon new ideas, represent the past, and reveal Japan’s newly ‘modern’ society in grotesque and frightening ways. Lucidly argued and elegantly written, Purloined Letters will become essential reading for scholars of detective fiction, Japanese literature, and translation studies more generally.” —Amanda Seaman, author of Bodies of Evidence: Women, Society, and Detective Fiction in 1990s Japan

April 2008 / ISBN 978-0-8248-3188-2 / $52.00 (CLOTH)

Travel and the Intersection of Place, Gender, and Status in Edo Japan

“Laura Nenzi’s fascinating work bridges visual and narrative representations of traveling with social history and views of traveling from below. She brings to light palpable details on the mechanics of traveling as a means of overturning socialconventions and speculates on their effect on self-transformation. Her discussion of the transformatory capacity of women’s traveling and place commodification are particularly notable contributions to the field and a delight to read. Her delving in grounds of both literary and visual studies is to be endorsed. This kind of interdisciplinary approach is absolutely necessary in the context of the Edo period’s cultural production that knew no division between the two.” —Jilly Traganou, Parsons The New School for Design

Excursions in Identity provides a new understanding of familiar material by treating it in an original and lively manner. Nenzi approaches travel as a cultural act, arguing that it allowed individuals to challenge and redefine the strictures imposed upon them by social, political, and cultural conventions. She analyzes her subject from a variety of approaches, literary, religious, spatial, and gender, the last of these of particular value to the literature on Japan. The scholarship is sound, the treatment well balanced, and the narrative polished and accessible. The book will be widely read with great benefit by scholars in several fields, including specialists in Japanese history and literature, and more widely by those interested in gender studies.” —Constantine Vaporis, University of Maryland Baltimore County

April 2008 / ISBN 978-0-8248-3117-2 / $57.00 (CLOTH)

Korean Spirituality

Korea has one of the most dynamic and diverse religious cultures of any nation on earth. Koreans are highly religious, yet no single religious community enjoys dominance. Buddhists share the Korean religious landscape with both Protestant and Catholic Christians as well as with shamans, Confucians, and practitioners of numerous new religions. As a result, Korea is a fruitful site for the exploration of the various manifestations of spirituality in the modern world. At the same time, however, the complexity of the country’s religious topography can overwhelm the novice explorer.

Emphasizing the attitudes and aspirations of the Korean people rather than ideology, Don Baker has written Korean Sprituality, an accessible aid to navigating the highways and byways of Korean spirituality.

Dimensions of Asian Spirituality
April 2008 / ISBN 978-0-8248-3257-5 / $15.00 (PAPER)

The New Sun

In 1939 the painter Iwamatsu Jun (1908–1994) and his artist wife, Tomoe, arrived in the U.S. as political refugees. During World War II, Iwamatsu used his artistic talents for the U.S. war effort, and he adopted a pseudonym, Taro Yashima, to protect his young son, whom he left behind in Japan. The New Sun, which was published in the U.S. in 1943, is an account of his life in prewar Japan.

“The quality of Yashima’s art and the economy of the text make The New Sun a powerful and riveting tale of political dissidence against Japanese imperialism.” —from the Introduction by Naoko Shibusawa

Intersections: Asian and Pacific American Transcultural Studies
April 2008 / ISBN 978-0-8248-3185-1 / $21.00 (PAPER)

Transnational Film Culture in Imperial Japan

Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire: Transnational Film Culture in Imperial Japan, by Michael Baskett, is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture.

“Because imperialism has had such an appalling ideological reputation, we’ve lost sight of its excitement, the breathless anticipation of adventures in far-off lands. The Attractive Empire is a tour de force of enthralling historical scholarship that puts the appeal, and seductions, of imperialism on display, without underestimating its ugly consequences. Like its chosen subject, the book covers an astonishing array of texts, events, people, and issues. The clarity and vividness of the writing make it work effortlessly. Baskett’s organizational skills, narrative, and rhetoric deftly orchestrate a complex subject.” —Darrell William Davis, University of New South Wales

March 2008 / ISBN 978-0-8248-3163-9 / $48.00 (CLOTH)