Biography Vol. 42 No. 2 (2019)

Figure 8 from Philip Miletic’s essay “Playing a Life in Nina Freeman’s Automedia Game, Cibele.” Valtameri. The meter with the handshake in the upper right corner progresses as Nina (left) and Ichi (right) fight together.

Editor’s Note

ARTICLES IN THIS ISSUE:

Wounded Cities: Topographies of Self and Nation in Fay Afaf Kanafani’s Nadia, Captive of Hope
Hager Ben Driss

Playing a Life in Nina Freeman’s Automedia Game, Cibele
Philip Miletic

Reading, Writing, and Resistance in Audre Lorde’s Zami: A New Spelling of My Name
Sarita Cannon

“Bad” Biography Exposed!: A Critical Analysis of American Super-Pop
Oline Eaton

BOOK REVIEWS:

The Shadow in the Garden: A Biographer’s Tale, by James Atlas
Reviewed by Carl Rollyson

Experiments in Life-Writing: Intersections of Auto/Biography and Fiction, edited by Lucia Boldrini and Julia Novak
Reviewed by Alexandra Effe

American Autobiography after 9/11, by Megan Brown
Reviewed by Elisabeth Hedrick-Moser

Letter to My Father: A Memoir, by G. Thomas Couser
Reviewed by Emily Hipchen

The Selfie Generation: How Our Self Images Are Changing Our Notions of Privacy, Sex, Consent, and Culture, by Alicia Eler
Reviewed by Teresa Bruś

Invented Lives, Imagined Communities: The Biopic and American National Identity, edited by William H. Epstein and R. Barton Palmer
Reviewed by Eric M. Thau

An Artisan Intellectual: James Carter and the Rise of Modern Britain, 1792–1853, by Christopher Ferguson
Reviewed by Anna Clark

Autobiographical Writing in Latin America: Folds of the Self, by Sergio R. Franco
Reviewed by Francisco Brignole

Getting Personal: Teaching Personal Writing in the Digital Age, edited by Laura Gray-Rosendale
Reviewed by Madeleine Sorapure

The Art of Confession: The Performance of Self from Robert Lowell to Reality TV, by Christopher Grobe
Reviewed by Lynda Goldstein

A History of Irish Autobiography, edited by Liam Harte
Reviewed by Taura Napier

Victorians Undone: Tales of the Flesh in the Age of Decorum, by Kathryn Hughes
Reviewed by Alison Booth

Doña Teresa Confronts the Spanish Inquisition: A Seventeenth-Century New Mexican Drama, by Frances Levine
Reviewed by Jorge Ca.izares-Esguerra

Clio’s Lives: Biographies and Autobiographies of Historians, edited by Doug Munro and John G. Reid
Reviewed by Jaume Aurell

The Decolonial Mandela: Peace, Justice and the Politics of Life, edited by Sabelo Ndlovu-Gatsheni
Reviewed by Nick Mdika Tembo

Creating Identity in the Victorian Fictional Autobiography, by Heidi L. Pennington
Reviewed by Anne Reus

A History of Irish Working-Class Writing, edited by Michael Pierse
Reviewed by Muireann Leech

Canadian Graphic: Picturing Lives, edited by Candida Rifkind and Linda Warley
Reviewed by Roc.o G. Davis

Life? or Theatre? ( Leben? oder Theater?), by Charlotte Salomon
Reviewed by Julia Watson

The Phenomenology of Autobiography: Making it Real, by Arnaud Schmitt
Reviewed by Bettina Stumm

On the Arab-Jew, Palestine, and Other Displacements: Selected Writings, by Ella Shohat
Reviewed by Joyce Zonana

Bird-Bent Grass: A Memoir, in Pieces, by Kathleen Venema
Reviewed by G. Thomas Couser

Private Lives Made Public: The Invention of Biography in Early Modern England, by Andrea Walkden
Reviewed by Julie A. Eckerle


About the Journal

For over forty years, Biography: An Interdisciplinary Quarterly has explored the theoretical, generic, historical, and cultural dimensions of life writing.

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Unsolicited manuscripts between 2,500 to 7,500 words are welcome. Email inquiries and editorial correspondence to biograph@hawaii.edu.