The spring 2017 issue of the Asian Theatre Journal includes the following works:
Wayang Kulit Kelantan: A Study of Characterization and Puppets
by Ghulam-Sarwar Yousof and Kheng-Kia Khor
Dramatizing Romance of the Three Kingdoms in Japanese Puppet Theatre: Zhuge Liang’s Military Talk on the Three Kingdoms
by Kai Xie
The Development of Indonesian Modern Theatre: Four Periods of Creativity from 1970 to 2015
by Benny Yohanes Timmerman
The Hilarity of Unhappiness in Oh Tae-suk’s Tempest: Cross-Cultural Access and Precolonial/Indigenous Aesthetics
by Kyounghye Kwon
Gender and Ethnicity in Indian Classical Dance in Malaysia
by Premalatha Thiagarajan
Ma Xianglan and Wang Zhideng Onstage and Offstage: Rethinking the Romance of a Courtesan Theatre in Ming-Qing China
by Mi Zhao
Murder in the Royal Palace: A Four-Act Play by Younghill Kang
by Wook-Dong Kimk
FOUNDERS OF THE FIELD
by Cobina Gillitt
by Margaret J. Coldiron
Carol Fisher Sorgenfrei
by David Jortner
Plus performance reviews and book reviews.
Asian Theatre Journal is dedicated to the performing arts of Asia, focusing upon both traditional and modern theatrical forms. It aims to facilitate the exchange of knowledge throughout the international theatrical community for the mutual benefit of all interested scholars and artists.
Single issue sales and annual subscriptions for both individuals and institutions available here.
Asian Theatre Journal welcomes articles on Asian theatre and on the relations and mutual influences between Asian and Western theatre. Find submission guidelines here.