Taiwan Literature: English Translation Series, No. 46: Special Issue on Contemporary Poetry from Taiwan

This issue contains the verse of twenty-four poets. From 1924, when Hsieh Chun-mu first published four “Poems in Imitation,” the development of new poetry in Taiwan has a history of almost one hundred years. The roots of new poetry in Taiwan with its “twin flower bulbs,” to use the phrase coined by Chen Chien-wu, has now bloomed and borne fruit. It manifests diversified themes, and places great stress on both artistic expression and social concern. It recognizes globalization as the major trend of the times, and maintains a dynamic balance between nativist consciousness and the ensibilities of the Chinese cultural diaspora. Taiwan literature and its new poetry written in Chinese should have a place in the Chinese world community,as well as in the history of world literature. Limited by the space allowed for the journal, we could only select works related to “local” and “quotidian” writing. Yet we hope to observe through these works the manner in which the unique charm and gracefulness of contemporary poetry from Taiwan has blossomed in the garden of world literature.

• Kuo-ch'ing Tu, Editor

  Kuo-ch’ing Tu (b. 1941), graduated from National Taiwan University (1963) with a major in English literature. He received his MA in Japanese literature from Kwansei Gakuin University (1970) and his PhD in Chinese literature from Stanford University (1974). His research interests include Chinese literature, Chinese poetics and literary theories, comparative literature East and West, and world literatures of Chinese. He is the author of numerous books of poetry in Chinese, as well as translator of Baudelaire and T. S. Eliot into Chinese. He held the Lai Ho and Wu Cho-liu Endowed Chair in Taiwan Studies and was the Director of the Center for Taiwan Studies at the Department of East Asian Languages and Cultural Studies, University of California at Santa Barbara, until he retired in March 2021. He has been co-editor of Taiwan Literature: English Translation Series since its initial publication in 1996. His recent publications include Shanhe lüeying [A Sweeping View of China’s Mountains and Rivers], Yuyan ji [The Jade Smoke Collection: Fifty Variations on Li Shangyin’s Songs of the Ornamented Zither], Shilun, shiping, shilunshi [Poetics, Poetic Critiques, and Poems of Poetics], and Taiwan wenxue yu Shi-Hua wenxue [Taiwan Literature and World Literatures of Chinese], Guang she chenfang yuanzhao wanxiang [Light Shines Through the World of Dust, Illuminating the Myriad Objects], and Tui chuang wang yue [Pushing Open the Window, Gazing at the Moon: Collected Essays by Tu Kuo-ch’ing]."

• Terence Russell, Editor

  Terence Russell (b. 1950) received his PhD in Classical Chinese from Australian National University in 1984. He is Senior Scholar in the Asian Studies Centre at the University of Manitoba in Winnipeg, Canada. His early research interest was in medieval Taoist literature, but for the past twenty years he has focused on contemporary Taiwan literature, publishing numerous translations and studies, including a rendering of the full-length novel The Soul of Jade Mountain by Indigenous author Husluman Vava (Cambria, 2020). Since 2014, he has been English language editor of Taiwan Literature: English Translation Series.

• Horng Shuling, Author

  Horng Shuling was born in 1962 in Taipei City. She has a Ph.D. from the Graduate School of Chinese Literature of National Taiwan University (NTU) and is currently a professor in the Chinese Literature Department of NTU.

• John Balcom, Translator

  John Balcom is Professor Emeritus at the Middlebury Institute of International Studies. His most recent translation is The All-Seeing Eye: Collected Poems by Shang Qin, published by Cambria Press.

• Chang Fen-ling, Translator

  Chang Fen-ling received her B.A. in English from National Taiwan Normal University. A prolific literary critic and award-winning translator, she has translated into Chinese over thirty volumes of poetry with her husband Chen Li. She has also translated two books of Chen Li's poems into English, Intimate Letters: Selected Poems of Chen Li and The Edge of the Island.

• Yingtsih Hwang, Translator

  Yingtsih Hwang is a poetry blogger and independent translator based in Monterey, California.

• Brian Skerratt, Translator

  Brian Skerratt is an assistant professor at the Graduate Institute of Taiwan Literature and International Cultural Studies at National Chung Hsing University, Taiwan. His research and teaching focus on modern and contemporary poetry in Chinese, comparative poetics, and ecopoetics. Before joining Chung Hsing, he taught at the Centre for China Studies at Chinese University of Hong Kong. He was a Fulbright Senior Scholar at National Chengchi University and a postdoctoral researcher at the Institute of Chinese Literature and Philosophy at Academia Sinica. He received his Ph.D. from Harvard University with a specialization in modern and contemporary poetry in Chinese. His publications include articles such as “Born Orphans of the Earth: Pastoral Utopia in Contemporary Taiwanese Poetry,”“Hsia Yü Buys a Computer” and “Zhu Guangqian and the Rhythm of New Poetry.” His translations of Macanese writer Un Sio San's poetry, Naked Picnic, are published by CUHK Press.

• Terence Russell, Translator

  Terence Russell (b. 1950) received his PhD in Classical Chinese from Australian National University in 1984. He is Senior Scholar in the Asian Studies Centre at the University of Manitoba in Winnipeg, Canada. His early research interest was in medieval Taoist literature, but for the past twenty years he has focused on contemporary Taiwan literature, publishing numerous translations and studies, including a rendering of the full-length novel The Soul of Jade Mountain by Indigenous author Husluman Vava (Cambria, 2020). Since 2014, he has been English language editor of Taiwan Literature: English Translation Series.