Volume 24 Number 4 of China Review International begins with one feature review and 19 more reviews of scholarly literature in Chinese Studies.
Print Culture and Media in Late Imperial and Early Republican China
Reviewed by Yu Zhang
Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China by Hongwei Bao
Reviewed by Charlie Yi Zhang
Western Han: A Yangzhou Storyteller’s Script transed. by Vibeke Børdahl and Liangyan Ge
Reviewed by Jing Zhang
What Is China? Territory, Ethnicity, Culture, and History by Ge Zhaoguang
Reviewed by Agnieszka Joniak-Lüthi
Gender, Power, and Talent: The Journey of Daoist Priestesses in Tang China by Jinhua Jia
Reviewed by Lucas Wolf
Comics Art in China by John A. Lent and Xu Ying
Reviewed by Hannes Rall
The Edge of the Island by Chen Li
Reviewed by Norbert Francis
The Taoism of Clarified Tenuity: Content and Intention by Florian C. Reiter
Reviewed by Jan De Meyer
A New Literary History of Modern China ed. by David Der-wei Wang
Reviewed by Flair Donglai Shi
Returning Home with Glory: Chinese Villagers around the Pacific, 1849 to 1949 by Michael Williams
Reviewed by Gregor Benton
About the Journal
Every quarter, China Review International presents timely, English-language reviews of recently published China-related books and monographs. Its multidisciplinary scope and international coverage make it an indispensable tool for all those interested in Chinese culture and civilization, and enable the sinologist to keep abreast of cutting-edge scholarship in Chinese studies.
Individual and institutional subscriptions available through UH Press.
China Review International publishes reviews of recent scholarly literature and “state-of-the-art” articles in all fields of Chinese studies. Reviews are generally published by invitation only; however, unsolicited reviews will be considered for publication based on merit and guidelines can be found here.